Isabel Agnes Cowper

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Isabel Agnes Cowper
Photograph by Isabel Agnes Cowper, c. 1884[a]
Born1826 (1826)
Died17 February 1911(1911-02-17) (aged 84–85)
NationalityEnglish
Known forOfficial Museum Photographer, South Kensington Museum (Victoria and Albert Museum, London)

Isabel Agnes Cowper (née Thompson; 7 July 1826 – 17 February 1911),

South Kensington Museum
publications and examples of her work are continually being discovered in libraries and archives around the world.

Early life and education

Cowper was born in the borough of Kensington, London in 1826 to Harriott and John Thompson, an eminent wood-engraver and director of the wood-engraving class for 'ladies' at the Central School of Design. They resided at 1 Campden Hill Terrace (now Bedford Gardens) in Kensington, London.[3] From an early age, Cowper and her four siblings: Charles Thurston Thompson,[4] Richard Anthony Thompson,[5] Eliza Thompson[6][7] and Augusta Thompson,[8] were recognised as accomplished wood-engravers, having apprenticed with their father.

In 1841,

South Kensington Museum, and an advocate of wood-engraving as a suitable career for women, employed Cowper and her sisters to engrave the illustrations to his guides to Westminster Abbey[9] and Hampton Court Palace.[8][10][11]

Cowper made numerous wood engravings for a range of publications, including Cole's guidebooks, the 19th century English writer and art critic John Ruskin's fairytale, The King of the Golden River, written for twelve-year old Euphemia (Effie) Gray,[12] and a collection of children's stories compiled by illustrator Richard Doyle.[13] A selection of Cowper's wood-engravings are in the collection of the Victoria and Albert Museum.[14]

Marriage and family

On 30 March 1852 Isabel married Charles Cowper and moved to 4 Campden Hill Terrace in Kensington.

patent agent, patenting various improvements in photography.[17] On 22 March 1853 Isabel gave birth to a stillborn son.[18] Isabel and Charles had two more sons and two daughters. When Charles died on 23 December 1860 Isabel was pregnant.[16][19] Charles's estate, valued at over £4000, including shares in a company, passed to Isabel.[20]

Career at the South Kensington Museum

Little is known of Cowper's life between the time of her husband Charles's death in 1860 and 1868 when she took on the role of the South Kensington Museum's Official Museum Photographer. It is not known for sure where or with whom Cowper was tutored in photography, though it's likely that she gained her knowledge from both her brother and husband. Wherever she honed her skills, references recorded in Henry Cole's diary to 'Mrs. Cowper's' arrival in Paris in 1867 suggests that in widowhood, Cowper was working alongside her brother, Charles Thurston Thompson,[4] in his role as the South Kensington Museum's first Official Museum Photographer.[10]

When Thurston Thompson died after a long illness on 21 January 1868,[21] Cole was visited by Thurston Thompson's widow, Charlotte (his wife's sister), recommending Cowper for the role of Official Museum Photographer.[22] On 10 February 1868 Cowper submitted an application for the job.[23] By March later that year, the museum photography studio registers record positive prints and negatives delivered to the photographic studio by 'Mrs. Cowper.[24][25]

By 1871, Cowper's address is listed as 3, The Museum Residences,

South Kensington Museum reserved for senior staff. She lived there with her four children, (Sidney, Beatrice, Richard and Ada—the youngest, Charles Eaton Cowper having died in 1867),[27] her two sisters, Eliza and Augusta, her brother Richard, who would eventually become the Assistant Director of the museum[5] and two servants.[28][5]

Upon assuming the role as Official Museum Photographer, Cowper oversaw the museum's photographic studio, including the production of thousands of

lantern slides which were employed by museum experts as projected visual examples for instructional lectures. Cowper's original albumen prints are still being identified and catalogued today.[30]

In addition to making photographs for the museum, during her tenure, Cowper was also asked to provide expert opinions on photographic matters, including the photographing of the

and 1874[36] for which she was recognised in the art press.[37][38][39] She was also cited in the contemporary art journals for her excellent skills photographing lace and textiles.[40]
She registered photographs with the national copyright office and also photographed Henry Cole's children. There is no evidence that she joined any professional organisations.

Cowper signed all her glass negatives. This was likely a way for her to track her work for payment. When first employed, Cowper was paid at a rate of 3 pence per square inch of glass negative made. As a woman, Cowper was denied a position within the civil service, among whose ranks most male members of the museum staff were employed. As such, throughout the 23 years that she worked at the museum, she was employed as an outside contractor and was paid on a per piece basis.

Retirement and death

In 1891, with the retirement of her brother, Richard, the South Kensington Museum Assistant Director, Cowper submitted her retirement to then Museum Director, Captain Donnelly, effective from 31 December 1891.[41] Cowper moved with her brother to the town of Sutton in Surrey.[42] With the death of Richard in 1908, Cowper moved to Glasgow, Scotland, residing at 9 Derby Crescent, joining her married daughter, Beatrice Hedley.[43][44] Cowper died on 17 February 1911 in Glasgow. She was 85 years old.[1] She is buried alongside her parents, brothers and three of her children in Kensal Green Cemetery.

Notes

  1. ^ 17th century Spanish Embroidered Glove, albumen print, ca. 1884, V&A no. 84715A

References

  1. ^ a b "ScotlandsPeople Death Records 1911". ScotlandsPeople. Retrieved 30 November 2020.
  2. ^ Lederman, Erika (7 March 2013). "International Women's Day – Historic Women at the V&A • V&A Blog". V&A Blog. Retrieved 21 January 2021.
  3. ^ "UK Census Online, 1861 Census". ukcensusonline.com. Retrieved 30 November 2020.
  4. ^
    OCLC 868381077.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link
    )
  5. ^
    OCLC 41620200
    .
  6. ^ Chatto, William Andrew (1839). A Treatise on Wood Engraving, Historical and Practical. C. Knight. p. 632.
  7. OCLC 18326309
    .
  8. ^ a b Cole, Sir Henry (1849). A Hand-book for the Architecture, Tapistries, Paintings, Gardens and Grounds of Hampton Court: By Felix Summerly [pseud.].
  9. ^ Cole, Sir Henry (1851). A Hand-book for the Architecture, Sculptures, Tombs, and Decorations of Westminster Abbey: With Fifty-six Embellishments on Wood, Engraved by Ladies. George Bell.
  10. ^ a b Cole, Henry. Diary, unpublished typed transcript, November 6, 1867. National Art Library, pressmark 45.C.11.128.
  11. ^ Cole, Henry (1838). "Article I". The Westminster Review. VII / XXIX: 265–280.
  12. ^ Ruskin, John (1867). The King of the Golden River: Or, The Black Brothers : a Legend of Stiria. Smith, Elder.
  13. ^ Doyle, Richard (1890). The Doyle Fairy Book. London: Dean & Son. p. 10.
  14. ^ "Wood engravings by Isabel A. Thompson (aka Isabel Cowper) in the V&A collections". collections.vam.ac.uk. Retrieved 10 December 2020.
  15. ^ "Marriages. » 3 Apr 1852 » The Spectator Archive". The Spectator Archive. Retrieved 30 November 2020.
  16. ^
    doi:10.1680/imotp.1862.23427
    .
  17. OCLC 123968757
    .
  18. ^ "British Newspaper Archive". The Sun London, Births. 25 March 1853. p. 4. Retrieved 30 November 2020.
  19. ^ "UK Census Online Birth Record 1861". ukcensusonline.com. Retrieved 30 November 2020.
  20. ^ "Wills 1861 | Cowper Charles, January 11, The Will". probatesearch.service.gov.uk. 1861. Retrieved 1 December 2020.
  21. ^ "Obituary: Charles Thurston Thompson". The Art-Journal. 30: 73. 1868.
  22. ^ Cole, Henry. Diary, unpublished typed transcript, February 8, 1868. National Art Library, pressmark 45.C.11.129.
  23. ^ Correspondence Abstracts, 1868, p. 6, Victoria and Albert Museum, Museum Archive, MA/4/5.
  24. ^ Photograph Register, Victoria and Albert Museum, Museum Archive MA/63/5
  25. ^ Negative Registers, 1868–1891, Victoria and Albert Museum, Museum Archive
  26. ^ "Drawing | Wallis, Rosa | V&A Search the Collections". V and A Collections. 10 December 2020. Retrieved 10 December 2020.
  27. ^ "UK Census Online Death Record 1867". ukcensusonline.com. Retrieved November 30, 2020.
  28. ^ "UK Census Online Census Record 1871". ukcensusonline.com. Retrieved November 30, 2020.
  29. ^ Glass Negative Archive, Victoria and Albert Museum.
  30. ^ "Photographs by Isabel Agnes Cowper in the V&A collections". collections.vam.ac.uk. Retrieved 10 December 2020.
  31. OCLC 1199087853.{{cite book}}: CS1 maint: location missing publisher (link
    )
  32. OCLC 35902142.{{cite book}}: CS1 maint: location missing publisher (link
    )
  33. ^ London International Exhibition, 1871: Official catalogue: Fine Arts department: under revision. J. M. Johnson & Sons. 1871. p. 162.
  34. hdl:2027/gri.ark:/13960/t7xm54f2n
    .
  35. ^ https://babel.hathitrust.org/cgi/pt?id=hvd.32044039375290&view=1up&seq=179&q1=cowper p. 118-119.
  36. ^ https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t47q5t19x&view=1up&seq=129&q1=cowper, p.107-108
  37. ^ "Official Report on Photography in the International Exhibition of 1871: Advance in Late Years". The British Journal of Photography. 18: 401. 25 August 1871.
  38. ^ "The Photographs at the International Exhibition". The British Journal of Photography. 20: 216. 9 May 1873.
  39. ^ "Photographs at the International Exhibition". The British Journal of Photography. 21: 169. 10 April 1874.
  40. ^ Conder, F. Roubiliac (December 1870). "Heliography". Art Journal. 108: 357–359.
  41. ^ ‘Mrs Cowper resigns her post as Official Photographer', 1891, Victoria and Albert Museum, Museum Archive,ED/84/146.
  42. ^ "UK Census Online Census 1901". ukcensusonline.com. Retrieved 1 December 2020.
  43. ^ UkCensusOnline Death Record 1908, ukcensusonline.com. Retrieved December 1, 2020.
  44. ^ "UK Census Online Census 1901". ukcensusonline.com. Retrieved December 1, 2020.

Further reading

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