Ivor Abrahams

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Ivor Abrahams
Royal Academician, 1989
  • Winston Churchill Travelling Fellowship, 1988
  • Websitehttp://www.ivorabrahams.com
    Head of the stairs, 2001

    Ivor Abrahams RA (10 January 1935 – 6 January 2015) was a British sculptor, ceramicist and print maker best known for his polychrome sculptures and his stylised prints of garden scenes.[1] His career long exploration of new subject matter, novel techniques and materials made his art dealer, James Mayor, describe him as Europe's equivalent of Robert Rauschenberg.[2]

    Early life

    Ivor Abrahams was born 10 January 1935 in

    Camberwell School of Art under Karel Vogel and Martin Bloch 1954–57.[4] In 1957, he became apprentice to the Fiorini Bronze Foundry,[5] and went on to work as a display artist for Adel Rootstein
    .

    Work

    His first show, in 1960, was at the Portal Gallery with Peter Blake. Through Eduardo Paolozzi, he was included in the landmark 1961 ICA exhibition 26 Young Sculptors, together with Phillip King and Maurice Agis, friends from the St Martin's days.[6]

    By the late 1960s Abrahams had found inspiration in the imagery of domestic gardens.[1][4] As well as bronze, he started using new material for his work, nylon flocking, pre-vulcanized latex, styrene and plastics.[4] After a solo show at the Richard Feigen Gallery in New York in 1970, he established his international reputation with a major museum show at the Kolnisher Kunstverein Cologne in 1973. In 1975, he met James Mayor who invited him to show the following year at the Mayor Gallery, thus beginning an association which continued till his death.

    Abrahams' print output includes his garden series and suites celebrating Edmund Burke and Edgar Allan Poe showcased in a Royal Academy exhibition in 2010. His body of prints was published by Bernard Jacobson[1] who regularly exhibited his work in London and the US.[4][6] In 1982, Bryan Robertson organised an exhibition of the sculptures at the Warwick Arts Trust and in 1984 he was invited to mount his first sculpture retrospective at the Yorkshire Sculpture Park.[1]

    Abrahams' post-Cubist architectural structures[4] of the 90s resulted in a commission by the Goodwood Sculpture Park and the purchase of the bronze 'Head of the Stairs' by the Royal Borough of Kensington & Chelsea.[7][8]

    In the 2000s a series of owls and cockerels, using various media, including enamel on steel epoxy resin and decal, culminated in the 2005

    Henry Moore Institute mounted an exhibition of early work untitled 'By Leafy Ways' showing the 1972 film of the same name,[9][10] which prompted a reintroduction of the Garden image. In 2012, a retrospective at the Royal West of England Academy was accompanied by an Andrew Lambirth monograph: Eden and Other Suburbs, the Life and Work of Ivor Abrahams.[4][11]

    Selected public collections

    References

    1. ^ a b c d The Telegraph 2015.
    2. ^ The Independent 2015.
    3. ^ Rubinstein, Jolles & Rubinstein 2011, p. 10.
    4. ^ a b c d e f g h Lambirth 2012a.
    5. ^ Fiorini Bronze Foundry
    6. ^ a b Sinclair 1994.
    7. ^ "IVOR ABRAHAMS: HEAD OF THE STAIRS". Cass Sculpture Foundation. Archived from the original on 4 March 2016. Retrieved 13 February 2016.
    8. ^ "Bronze Sculpture Head of the Stair by Ivor Abrahams RA". Geograph. Retrieved 13 February 2016.
    9. ^ OUP 2009.
    10. ^ "By Leafy Ways: Early works by Ivor Abrahams". Henry Moore Institute. Retrieved 13 February 2016.
    11. ^ Lambirth 2012b.

    Sources

    External links