James Prescott Warde

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James Prescott Warde, in character as Cassius in Julius Caesar

James Prescott Warde (1792–1840) was an English actor. He came up as a provincial tragic actor, in the Garrick mould. The Dictionary of National Biography says he was "full of promise at the time of his first appearance in London", in 1818, but did not reach the top ranks of the profession.[1]

Early life

Born James Prescott in the west of England in 1792, he was the son of J. Prescott. A cadet at the Royal Military Academy, Woolwich in 1807, he became second lieutenant in the Royal Artillery in 1809.[1] He served for three years in the Cape of Good Hope, then left the army in poor health in 1813, returning to England.[2] He was later superseded for "absence without leave" on 1 April 1815.[1]

Prescott went onto the stage, adopting the further name of Warde.[1] He was first seen in Liverpool, in the role of Lord Towneley in Colley Cibber's The Provoked Husband. He spent time in touring companies in the north of England.[2]

Bath stage from 1813

Warde's first recorded appearance at Bath, where he settled, was on 28 December 1813 as Achmet in John Brown's tragedy Barbarossa, a part created by Henry Mossop. During 1814 he played at Bath Faulkland in The Rivals (5 March) and Harry Dornton in Thomas Holcroft's The Road to Ruin (17 April); and on 10 December had the title role in Isaac Pocock's John of Paris.’[1]

In 1815 Warde was on 3 January Laertes to the Hamlet of William Macready. Ten days later he took his benefit as Fitzharding in John Tobin's The Curfew. On 1 April he was the original Fitz-James in the dramatic version of Walter Scott's poem The Lady of the Lake. Generally popular, as Dorilas in Aaron Hill's Merope (1 January 1816) Warde was considered to have overdressed the part.[3][1]

The next year, 1817, Warde was seen as Doricourt in the

Belle's Stratagem (1 November), and was considered very good as Biron in David Garrick's Isabella, adapted from Thomas Southerne's The Fatal Marriage.[4] On 15 April 1818 he was seen as Rob Roy, in a Bath premiere, one of his best parts and a box office success.[5][1] This was the Isaac Pocock
adaptation Rob Roy Macgregor, or Auld Lang Syne, an operatic drama in three acts, of the Walter Scott novel.

Elizabeth Bridget Cane. She fell out with Hester Piozzi over the rivalry: they made up in 1820.[7][8]

The London stage

James Prescott Warde as Leon in Rule a Wife and Have a Wife, 1819 engraving

Warde made his first appearance in London at the

Rule a Wife and have a Wife: he was well received.[1] It was a choice of part in a mainstream tradition reaching back to Garrick's revival of the play.[9]

Next season Warde opened as Leon (26 July), and was seen as Faulkland, Don Felix in Susanna Centlivre's comedy The Wonder, Valmont in William Dimond's The Foundling of the Forest as his benefit on 28 August, and other parts.[1]

Hiatus

At the end of 1820 Warde moved to Dublin, where he shared the tragic leading roles with Thomas Cobham.[1][10] He fell ill, recuperated under the care of his wife, and taught elocution for a time. He moved to Birmingham and managed a theatre there, but ran up debts.[2] He did not act in London, was seen again at Bath in 1823, but then not often.[1]

1825–1830

Warde reappeared on the London stage in the autumn of 1825, when he was engaged at the

London Magazine that year was of the opinion that "Mr. Warde, we think is not fitted to fill the first parts"; though he was adequate to substitute for William Abbot.[11]

In 1826 Warde was Honeywood in a revival of The Good-Natur'd Man by Oliver Goldsmith, to the Croaker of William Farren. On 3 April he played Macbeth for the first time at Covent Garden. In 1827 he was seen as Cassius in Julius Caesar, one of his noted roles. He played the title-part in Henri Quatre for his own benefit on 4 June 1830.[1]

Later life

The plays produced at Covent Garden moved downmarket, and its finances were in confusion. Unable to obtain his salary in 1833, Warde left for the

Royal Victoria Theatre under the management of William Abbot and Daniel Egerton. But the decline of the older style of "legitimate drama" reduced his opportunities. Engaged at Covent Garden during Macready's brief lesseeship of 1837–8, Warde was only given parts well down the cast list.[1]

Warde's last years were overshadowed by debt: he was often escorted to and from the theatre by bailiffs. He died friendless and in penury, in a lodging in Manchester Street, London on 9 July 1840, at the age of 48.[1][2]

Selected roles

Notes

  1. ^ a b c d e f g h i j k l m n o p Lee, Sidney, ed. (1899). "Warde, James Prescott" . Dictionary of National Biography. Vol. 59. London: Smith, Elder & Co.
  2. ^
    doi:10.1093/ref:odnb/28717. (Subscription or UK public library membership
    required.)
  3. Venice Preserved
    , on 5 October Joseph Surface, and on 14 December Dudley in Cumberland's ‘West Indian.’
  4. ^ He played during December Standard in a revival of Farquhar's ‘Constant Couple,’ Macduff, and Philaster. During January and February 1818 he appeared as Shylock, Hotspur, Alonzo in ‘Pizarro,’ Beverley, Belmour, and Durimel in Roberdeau's ‘Point of Honour.’
  5. ^ During the remainder of that season, which closed with May, he played Bevil in Steele's ‘Conscious Lovers,’ Lord Townly in the ‘Provoked Husband,’ and also Romeo and the Stranger to the Juliet and Mrs. Haller of Miss O'Neill. Others of Warde's leading parts at Bath, where he was seen at his best, were George Barnwell, Young Norval, Rolla, Inkle, Edgar, Posthumus, Florizel, Woodville in Lee's ‘Chapter of Accidents.’
  6. ISBN 978-0-8386-3402-8
    .
  7. ISBN 978-1-84529-449-6
    .
  8. ISBN 978-0-87413-395-0
    .
  9. ISBN 978-0-8093-0994-8
    .
  10. doi:10.1093/ref:odnb/5746. (Subscription or UK public library membership
    required.)
  11. ^ The London Magazine. Baldwin, Cradock, and Joy. 1825. p. 407.

External links

Attribution

 This article incorporates text from a publication now in the public domain: Lee, Sidney, ed. (1899). "Warde, James Prescott". Dictionary of National Biography. Vol. 59. London: Smith, Elder & Co.

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