Kamal-ol-molk
Kamal-ol-Molk | |
---|---|
Born | Mohammad Ghaffari September 29, 1848 |
Died | August 18, 1940 | (aged 91)
Resting place | Mausoleum of Kamal-ol-Molk |
Nationality | Iranian |
Known for | Painting |
Notable work | Talar-e Ayeneh |
Movement | Persian miniature |
Spouse |
Zahra Khanoom
(m. 1884; died 1919) |
Children | 2 |
Mohammad Ghaffari (Persian: محمد غفاری; September 29, 1848 — August 18, 1940), better known as Kamal-ol-Molk (کمالالمُلک), was an Iranian painter and part of the Ghaffari family in Kashan.
Biography
Mohammad Ghaffari, better known as Kamal-ol-Molk, born in
Upon completion of his primary education, Mohammad moved to Tehran. He may have studied painting for a time with Mirza Esma'il.[3] To further his studies, he registered in Dar-ul-Funun School, a modern institute of higher learning in Persia, where he studied painting with Mozayyen-od-Doleh, a well-known painter who had visited Europe and studied Western art. He studied there for a period of three years.[4] In his school days, the young Ghaffari was given the name Mirza Mohammad Kashi. During his education he began to attract public attention as a talented artist.
In his visits to Dar-ul-Funun, Naser al-Din Shah Qajar came to know Mohammad Ghaffari and invited him to the court. Mohammad further improved his technique, and Nasereddin Shah gave him the title "Kamal-ol-Molk" (Perfection on Land).
During the years he stayed at Nasereddin Shah Qajar's court, Kamal-ol-Molk created some of his most significant works. The paintings he did in this period, which lasted up until the assassination of Nasereddin Shah, were portraits of important people, landscapes, paintings of royal camps and hunting grounds, and various parts of royal palaces.
In this busiest period of Kamal-ol-Molk's artistic life, he created over 170 paintings. However, most of these paintings have either been destroyed or taken abroad.[citation needed] The works he created in this period indicate his desire to develop his oil painting technique. He advanced so much that he even acquired laws of perspective by himself and applied them to his works. His mastery in the delicate use of a brush was as well as bright and lively colors distinguished him from his contemporaries.
Visit to Europe
Following Naser al-Din Shah Qajar's death, Kamal-ol-Molk found it impossible to work under his son, Mozaffar ad-Din Shah Qajar. Therefore, he set out for Europe in 1898, at the age of 47 to improve his art.[2] Once there, he had discussions with distinguished European artists on style and technique, and copied some of Rembrandt's works, including "Self Portrait", "Jonah", and "Saint Matthew". Kamal-ol-Molk visited most of Europe's museums and closely studied the works of some well-known artists such as Raphael, Titian, and adapted and altered some of their works. He stayed in Europe for about four years. In 1902, he returned to Iran, after which he became court painter to five shahs.[5]
Migration to Iraq
The increasing pressure on Kamal-ol-Molk, originating in Mozaffar ad-Din Shah Qajar's court, left him no option but to leave his country for Iraq, in spite of all the affection he felt for Iran. The visits he made to the holy cities in Iraq inspired his work at this time. "Karbala-ye-Moalla Square", and "Baghdad Jewish Fortune Tellers" are two of his most magnificent works of this period.
With the advent of the Constitutional Movement, after a two-year stay in Iraq, Kamal-ol-Molk returned to Iran and joined the Constitutionalists because of the hatred he had developed towards Mazaffareddin Shah's government. Portraits like "Commander Asa'd Bakhtiari" and "Azad-ol-Molk" signify this period.
Kamal-ol-Molk Art School
The post-
The master established Sanaye Mostazrafeh Art School, better known as Kamal-ol-Molk Art School, pursued his artistic career and steadied a new style in
Death
Gallery
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Painting ofVosough od-Dowleh
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Painting of Ali-Qoli Khan Bakhtiari
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Painting of Naser al-Din Shah Qajar
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Portrait of a music group in Naser al-din shah era, 1886
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The spring hall of Golestan Palace, 1889
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Beggar Girls, painting by Kamal-ol-molk in 1889
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The Baqdadi goldsmith, 1901
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TheAzod-ol-Molk, 1910
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The Zoka-ol-Molk I, 1913
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The Damavand Village, 1915
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The Kamal-ol-molk profile portrait, 1925
See also
- Iranian art
- Islamic art
- Islamic calligraphy
- List of Iranian artists
References
- ^ "Kamal-ol-molk: Eminent Iranian Artist", Iran Review, Online:
- ^ a b "KAMĀL-AL-MOLK, MOḤAMMAD ḠAFFĀRI, A. Ashraf with Layla Diba, Encyclopaedia Iranica". Iranicaonline.org. Retrieved 2014-01-21.
- ^ Booth-Clibborn, E., Pūrjavādī, N.A. and Abrams, H. N., The Splendour of Iran, Volume 1, Booth-Clibborn Editions, 2001, p. 103
- ^ The Land of Kings, Regional Cooperation for Development, 1971, p. 98
- ^ Issa, R., Pākbāz,R. and Shayegan, D., Iranian Contemporary Art, Booth-Clibborn Editions, 2001, p. 14
- ^ Issa, R., Pākbāz,R. and Shayegan, D., Iranian Contemporary Art, Booth-Clibborn Editions, 2001, pp 14-15