La Dafne
La Dafne (Daphne) is an early Italian opera, written in 1608 by the Italian composer Marco da Gagliano from a libretto by Ottavio Rinuccini. It is described as a favola in musica (fable set to music) composed in one act and a prologue. The opera is based on the myth of Daphne and Apollo as related by Ovid in the first book of the Metamorphoses. An earlier version of the libretto had been set to music in 1597–98 by Jacopo Peri, whose Dafne is generally considered to be the first opera.[1]
History
Gagliano's opera was first performed at the Ducal Palace,
The text of Rinuccini's Dafne was
The Camerata was headed by Count Giovanni de' Bardi and was composed of humanists, musicians, and intellectuals. Luca Bati, a composer and music teacher was also a member of this group and the teacher of Marco da Gagliano. While it is not officially stated by Gagliano whether or not he was present for the first incarnation of Dafne in 1597 by Jacopo Peri, it is known that he was a rising composition student in Florence at the time with strong connections to the Camerata just years before he completed his own setting of Dafne.[6]
Composition Techniques
The score of the opera was printed in Florence on 20 October 1608. Gagliano utilizes techniques of both the old
The text is 445 lines in total. While short, it offers heightened emotions and dramatic opportunities, including the eight stanza chorus that celebrates the nymph's flight from Apollo's attack called, ‘Bella ninfa fugitive.’[8] Typical of composition techniques at the birth of Italian opera, Gagliano set Rinuccini's text of Dafne with homophonic choruses intertwined with intermittent choral polyphony. His homophonic choruses, though lacking in a unified textual theme, did provide textual clarity, highlighting the importance of comprehensible singing, especially when setting moral text. This is typified in the opening scene of Dafne through a five-part chorus of the text “Hear our plaint and prayer, O Monarch and King of Heaven.” The chorus is a prominent figure throughout the composition, at times adding to the action of the story and at other times, providing reflective commentary.
Roles
Role | Voice type[9] | Premiere cast |
---|---|---|
Dafne ( Daphne )
|
soprano | Caterina Martinelli |
Apollo
|
tenor | Francesco Rasi |
Venere (Venus) | soprano | |
Amore (Cupid) | soprano | Caterina Martinelli |
Ovidio (Ovid) | tenor | |
Tirsi (Thyrsis) | contralto castrato | Antonio Brandi |
Synopsis
The prologue is delivered by the poet Ovid as he sings the text:
- "Da' fortunati campi, ove immortali
- godonsi all'ombra de' frondosi mirti
- i graditi dal ciel felici spirti,
- mostromi in questa notte a voi mortali.
- Quel mi son io, che su la dotta lira
- cantai le fiamme celesti de' celesti amanti
- e i trasformati lor vari sembianti
- soave sì, ch'il mondo ancor m'ammira." [10]
When the opera proper begins, the god Apollo slays the Python, a monster which has been terrifying the Greek island of Delos. Cupid and Venus are unimpressed by Apollo's boasting and about his conquest and his feelings of being invincible. Because of this, they plot revenge on Apollo.
Cupid shoots two arrows, the first of which makes Apollo fall in love with the nymph Daphne, daughter of the river god. The second arrow causes the object of his desire to flee from him. As Daphne rejects his advances, she calls out to her mother for help and is turned into a
Recitatives, Arias, and Choruses
- Prologue and Act 1
- "Prologo; Da' fortunati campi" (Ovidio)
- "Scena prima Tra queste ombre segrete" (Pastore I+II/Ninfa I/Tirsi/Coro/Ninfa II)
- "Ohimè! che veggio" (Coro)
- "Pur giaque estinto al fine" (Apollo)
- "Almo Dio, che'l carro ardente" (Coro/Ninfe/Tirsi/Pastori)
- "Scena seconda Che tu vadia cercando" (Amore/Apollo/Venere)
- "Nudo, Arcier, che l'arco tendi" (Coro)
- "Scena terza Per queste piante ombrose" (Dafne/Pastore I/II)
- "Ogni ninfa in doglie e'n pianti" (Coro)
- "Deh come lieto in questo piagge torno" (Apollo/Dafne/Pastore IITirsi/Amore/Pastore I)
- "Una al pianto in abbandono" (Coro)
- "Scena quarta Qual d'ei mortali o d'ei celesti" (Amore/Venere)
- "Non si nasconde in selva" (Coro)
- "Scena quinta Qual nuova meraviglia" (Tirsi/Pastore I/II)
- "Piangete Ninfe" (Ninfa I)
- "Sparse più non vedrem di quel fin' oro" (Pastore I/II)
- "Piangete, Ninfe" (Coro/Pastore I)
- "Scena sesta Ma, vedete lui stesso" (Tirsi/Apollo)
- "Ballo Bella Ninfa fuggitiva" (Coro/Amore/Venere/Apollo/Ninfa I+II/Pastore I)
Recordings
- 1975 - Musica Pacifica, conducted by Paul Vorwerk, with Robert White, Mauritia Thornburg, Su Harrison, Mary Rawcliffe, Susan Judy, Anne Turner (sop), Dale Terbeek (ct), Hayden Blanchard, Jonathan Mack (ten), Myron Myers (b); (ABC Command, Quadraphonic)
- 1977 - Archiv)
- 1984 - Apollo Ensemble, directed by Roger Glanville-Hicks, with Gerald English, Victoria Watson, Jeannie Marsh. Digitally recorded by 3MBS-FM, Melbourne, Australia
- 1995 - Ensemble Elyma, conducted by Gabriel Garrido, with María Cristina Kiehr, Roberta Invernizzi, Adriana Fernandez, Jordi Ricart, Achim Schulz Anderson, Furio Zanasi. Studio di Musica Antica Antonio Il Verso, Palermo; (K617)
- 2008 - Ensemble Fuoco E Cenere, conducted by Jay Bernfeld, with Chantal Santon, Guillemette Laurens, Daphné Touchais, Mathieu Abelli; (Arion)
References
Notes
- ^ Hanning, Barbara. "Dafne ("Daphne")". Oxford Music Online. Retrieved 20 November 2014. (subscription required)
- ^ Hanning 1998, in Sadie, p. 1042
- ^ "Home". theflorentine.net.
- ^ Sternfeld, F. W. "The First Printed Opera Libretto." Music and Letters 59.2 (1978) pp.121-138
- ^ Sternfeld, F. W. "The First Printed Opera Libretto." Music and Letters 59.2 (1978) pp.121-138
- ^ Sonneck, O. G. ""Dafne", the First Opera. A Chronological Study." Sammelbände Der Internationalen Musikgesellschaft 15.1 (1913) pp.102-110
- ^ Oxford Illustrated pp.355-360
- ^ Sternfeld, F. W. "The First Printed Opera Libretto." Music and Letters 59.2 (1978) pp.121-138
- ^ According to Emanuele.
- ^ "From the joyful fields, where the happy spirits beloved of heaven enjoy themselves immortal in the shade of leafy myrtle trees, I show up before you mortals tonight. I am he who with his learned lyre sang of divine lovers' heavenly passions and of their variously metamorphosed features, so sweetly that the world still admires me."
Sources
- Carter, Tim (2001),"Dafne, Marco Da Gagliano" in ISBN 0-140-29312-4
- Brenac Jean-Claude, "Marco di GAGLIANO", on operabaroque.fr (in French)
- Emanuele, Marco (2007), Dafne, in Gelli, Piero & Poletti, Filippo (eds), Dizionario dell'opera 2008, Milan: Baldini Castoldi Dalai, p. 279, )
- Hanning, Barbara R., (1998), "Dafne" (sic) in ISBN 1-56159-228-5
- ISBN 9780198162827