Lilias Torrance Newton
Lilias Torrance Newton | |
---|---|
Painter | |
Spouse |
Frederick G. Newton
(m. 1921–1933) |
Lilias Torrance Newton RCA LL. D. (November 3, 1896 – January 10, 1980) was a Canadian painter[1][2][3][4][5] and a member of the Beaver Hall Group. She was one of the more important portrait artists in Canada in the 20th century.
Early life and education
Newton was born in Lachine, Quebec, a suburb of Montreal.[1][2][4] Her parents, Alice Mary Stewart and Forbes Torrance, were prominent Montreal figures; her father being a member of the Pen and Pencil Club of Montreal.[6]
An old sketchbook of her father's is thought to have been her early artistic inspiration.
Career
During the
In 1933, at the first show of the Canadian Group of Painters, Newton's Nude in the Studio was removed from the exhibition by the board of the Art Gallery of Toronto (AGO), because it felt that the public would find it shocking since the model wore green, high-heeled shoes. These were taken as evidence that she was too naked to be a nude.[10][11][12] The painting was bought by Alice and the Rt. Honourable Vincent Massey, Toronto and Port Hope, Ontario,[11] and in time came to the Thomson collection at the AGO.[13] In an interview, Newton said how pleased she was about the rumpus over the painting because it brought her attention. As she said, "everybody I ever knew wanted to come and have a look at it!"[11]
Newton is best known for her portraits, over 300 in her career, including her 1957 portraits of
Her work is in the collections of the National Gallery of Canada, the Art Gallery of Alberta, the Glenbow Museum, the Art Gallery of Ontario, Hart House at the University of Toronto, the Montreal Museum of Fine Arts, the Musée national des beaux-arts du Québec,[16] the Canadian War Museum, and other public institutions in Canada.[4]
Newton was elected an Associate of the
Personal life
In 1921, she married Frederick G. Newton,[5] and had a child.[1] She divorced in 1933.[3][18] Newton continued to paint until 1975, when she fell and broke her collarbone.[9] Newton died at the age of 83 in Cowansville, Quebec in 1980.[2]
References
- ^ a b c d e f g h i National Gallery of Canada biography
- ^ a b c d e Mayberry Fine Art biography Archived July 23, 2011, at the Wayback Machine
- ^ a b c d e Library and Archives Canada biography
- ^ a b c d e f Canadian Women Artists History Initiative biography
- ^ a b Farr, Dorothy; Luckyj, Natalie (1975). From Women's Eyes: Women Painters in Canada. Kingston: Agnes Etherington Art Centre. pp. 44–45.
- ^ a b Millar, Joyce (1992). "The Beaver Hall Group: Painting in Montreal, 1920-1940". Woman's Art Journal, 13(1). pp. 3–9. Retrieved March 5, 2021.
- ISBN 978-1-282-81085-3.
- ^ "Academic Male Nude". mbam.qc.ca. Montreal Museum of Fine Arts. Retrieved December 3, 2023.
- ^ a b Meadowcroft, Barbara; Walter, Galerie. "Lilias Torrance Newton Biography". klinkhoff.ca. Alan Klinkhoff Gallery. Archived from the original on March 12, 2017. Retrieved March 11, 2017.
- ^ Foss, Brian (2005). ""Living Landscape". Edwin Holgate". librarysearch.library.utoronto.ca. Rosalind Pepall, Brian Foss. Montreal: Montreal Museum of Fine Arts. Retrieved May 8, 2021.
- ^ a b c "Lilias Torrance Newton interviewed by Charles C. Hill, pp. 50-51". doczz.net. National Gallery of Canada. Retrieved March 6, 2021.
- ^ "Beaver Hall Group makes Canadian history at mmfa-". cbc.ca. Canadian Broadcasting Company. Retrieved March 6, 2021.
- ^ "Canadian Modernists: The Women of Beaver Hall & The Beaver Hall Group". www.evelynwalters.com. Evelyn Walters. Retrieved March 6, 2021.
- ^ Hill, Charles C. (1975). Canadian Painting in the Thirties. Ottawa: National Gallery of Canada. p. 40. Retrieved March 5, 2021.
- ^ Moray, Greta (2021). article, Uninvited: Canadian Women Artists in the Modern Movement. Kleinburg, Ontario: McMichael Canadian Art Collection. p. 134. Retrieved September 2, 2023.
- ^ "Lillias Torrance Newton". collections.mnbaq.org. Musée national des beaux-arts du Québec. Retrieved January 18, 2020.
- ^ "The Canadian Encyclopedia". thecanadianencyclopedia.ca. The Canadian Encyclopedia. Retrieved March 11, 2017.
- ^ Aylen, Marielle; Aylen-Gillies, Marielle (January 1, 1999). Interfaces of the portrait: liminality and dialogism in Canadian women's portraiture between the wars. Ann Arbor, Mich.: UMI.