Michael Yates (television designer)
Michael Yates | |
---|---|
Born | 20 July 1919 |
Died | 28 November 2001 | (aged 82)
Nationality | British |
Occupation | Television production designer |
Michael Yates (20 July 1919 – 28 November 2001) was a British theatre, opera, and television designer.
Early life
A twin, and one of five sons born to James Yates, an English lawyer, Yates grew up in Brooklands,
During 1933–38, Yates was a pupil at the
World War II experiences
During World War II, Yates served with the Royal Marines in Crete where he was taken prisoner by the Germans and sent to a prison camp until the end of the war. In the camp he learned German by talking with the guards, and he designed the sets for the prisoners' productions of Macbeth and other plays, making highly imaginative use of the limited resources available to him.
The experience of designing in a prison camp seems to have liberated his imagination. He later wrote of his teenage years that "claustrophobic family life and the cocoon of public schools at that time" had made him what an acquaintance described as "a nice English schoolboy."[citation needed] But his adult work was imaginative and innovative.
Postwar career
After the war, Yates returned to London where he lived and worked for the rest of life. He entered the theatrical world at the lowest rung of the ladder, serving tea in the Royal Opera House, Covent Garden, London. He later worked for the Carl Rosa Opera Company, where he began his adult work as a designer.
Yates left the Carl Rosa Company to join the BBC, where his more notable productions were Heidi (1953) and Troilus and Cressida (1954). He won a Guild of Television Producers and Directors award in 1954 for his BBC production of Amahl and the Night Visitors.[2]
In 1955, he married Marny (Margaret) Yates, who had two sons from a previous marriage; the two sons lived with the Yates until adulthood.
In the early 1950s, BBC Television was not deeply committed to visual design, and seemed to Yates to be more concerned with efficiency than aesthetics in its production. In 1955, therefore, he welcomed the chance to become head of design at Associated-Rediffusion, one of new independent television companies in Britain, where the resources available to a designer were far more extensive. He continued to be head of design at Associated-Rediffusion's successor, Rediffusion, and then at London Weekend Television (LWT), which received the franchise for weekend broadcasting in London. He remained at LWT for the rest of his career.
At Associated-Rediffusion he initiated a costume department, with its own autonomous staff, establishing costume as a significant element in design. He proved to be an effective administrator, known for inspiring his staff and protecting their interests, while also keeping strict control over his department. He designed many notable productions, including a 1962 production of
His many other television productions included Richard Whittington, Esquire, Benjamin Britten's The Turn of the Screw, Jean Cocteau's The Human Voice (1966), "A Man Inside" (1967), the series Lay Down Your Arms (1970), one episode of Upstairs, Downstairs (1972, with John Clements), the series New Scotland Yard (1972), The Death of Adolf Hitler (1973), the series Within These Walls (1974), the series The Awful Mr Goodall (1974), and Alan Bennett's Doris and Doreen (1978).
Through his work, he commissioned or advised on stage designs by many well-known English painters, notably John Piper.[1]
Later years
After retiring from LWT in 1979, Yates was a visiting teacher at the theatre department at the Croydon College of Art (now part of
Literary influence
Yates and his wife Marny were lifelong friends of Auden and Chester Kallman and visited them each summer in Italy and, after Auden left Italy, in Austria; the Yateses visited Kallman in Austria in 1974, the year after Auden died. Yates also wrote "Iceland, 1936", a memoir of his visit to Iceland with the Bryanston party, Auden, and MacNeice, for W. H. Auden: A Tribute, edited by Stephen Spender (1975).[3]
References
Sources
- Michael Yates, "Iceland, 1936", in W. H. Auden: A Tribute, ed. Stephen Spender (1973).
- Dennis Barker, "Michael Yates", The Guardian, 18 December 2001, p. 18.
- (Unsigned), "Michael Yates", The Times, London, 21 January 2002.