Nathalie Béra-Tagrine

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Nathalie Béra-Tagrine
Background information
Born15 February 1960 (1960-02-15) (age 64)

Nathalie Béra-Tagrine (born 15 February 1960) is a French classical pianist of Russian descent.

Early life and career

Born in Boulogne-Billancourt, Béra-Tagrine learned to play the piano from the age of 3 1/2 under her mother's direction, pianist Nadia Tagrine.

At eleven years old, finishing her schooling with a

ORTF, under the direction of Pol Mule [fr
].

The year she turned twelve, she was unanimously awarded the Prix d'honneur at the Léopold Bellan [fr] national competition and a few months later entered first nominated in the Conservatory's higher piano classes of Lucette Descaves. She also followed the teaching of Jean Hubeau in chamber music, Jacqueline Robin in deciphering, Françoise Rieunier in musical analysis and Jeannine Rueff as well as Roger Boutry for harmony. In the following years, she played several times at the Théâtre des Champs-Élysées in the framework of the "Musigrains [fr]", in recital or with orchestra.

At sixteen, she won 1st prizes at the Conservatoire for piano and for chamber music.

At seventeen, she won the First Prize at the Cleveland International Piano Competition (USA).[1]

The same year she was received at the Conservatory in cycle of perfection of piano (class of Ventsislav Yankov, assistant Nadia Tagrine) and chamber music (class of Jean Hubeau). Her young career was then enriched by numerous engagements in France and abroad (Europe, the United States, Japan) as well as broadcasts in various French and international radio and television stations.

While continuing to work with Nadia Tagrine, she enriched her repertoire through meetings with masters such as György Sebők, Vlado Perlemuter, Manuel Rosenthal, Gaby Casadesus, Lili Kraus, Dmitri Bashkirov and Sulamita Aronovsky.

Awards and recognitions

Other awards will be added to her list of achievements:

Married since 1979 to Bertrand Mercier, a Polytechnician engineer and Doctor of Science, she spent 25 years as an international concert performer, mother of four children and teacher.

She is the soloist for major orchestras such as the Cleveland Orchestra and the Orchestre national de Lille and performs among others, under the direction of Lorin Maazel, Jean-Claude Casadesus, Philippe Bender, Sylvain Cambreling, Paul Staicu and Trajan Popesco [fr].

Her chamber music partners are flutists Jean-Pierre Rampal and Shigenuri Kudo,[3] cellists Maurice Baquet, Dominique de Williencourt, Cécilia Tsan,[4] violinists Alexandre Schneider, Devy Erlih, Olivier Charlier, Annick Roussin,[5] violinist Geneviève Laurenceau, harpist Lily Laskine, and soprano Ariane Douguet.[6]

Since 2000, she has gradually moved away from the international scene to devote more time to her children and the teaching that fascinates her.

In September 2011 and June 2012, volumes 1 and 2 of the Tagrine Method were published by Van de Velde[7] which pass on the teaching she received from her mother. She composed the pieces.

In January 2016, four collections containing 21 "Pièces récréatives" were published by Van de Velde publisher[8] that complement the Tagrine Method.

In October 2017, was published a piece for piano: Terminal 2 (Van de Velde).[9]

Press excerpts

"Nathalie Béra-Tagrine took the measure of the work (Fantaisie de Schumann) and the mastery from one end to the other, alternating shadow and light, tension and rest with a perfectly controlled sound...". Claude Pascal - Le Figaro.[10]

"Her playing is deeply sensitive, searching for what lies behind the notes and often reveals unexpected charms in a familiar score. A delightful touch, an airy technique, a deep power: Nathalie Béra-Tagrine kept us in suspense." Pierre Petit – Le Figaro.[11]

"There is no mistake, Nathalie Béra-Tagrine is an ideal artist, in the most demanding acceptance of this term! - .[12] Edgard Feder - France-Amérique – (New York city)

"Nathalie Béra-Tagrine knew not to present the tormented pages of Chopin's 4th ballad only as a skillful virtuoso but to make us suffer the deep truth and recreate them from within.[13] A.Burkhalker – Feuille d’avis de Vevey

"The French revelation of Montreux. In 1979, her performance of Beethoven's Piano Concerto No.3 at the Palais des Festivals in Cannes left the audience with an extraordinary impression of technical quality, combined with surprising intelligence, authority and depth. Four years later, it is still with Beethoven that she conquered Montreux. In the 1st concerto this time, she supported its formal density and emotional richness from the first to the last bar. It emanates from her play a kind of ardent and controlled jubilation at the same time."[14]

Selected discography

  • 1982 - 33rpm: Chabrier - Fauré - Ravel - Satie - Milhaud (Pianissime.[15])
  • 1990 - CD: Chopin - Liszt (Vogue)[16]
  • 1992-2000 - CD: Scriabine: 3 pièces op 2 - Intégrale des mazurkas op 3-4 études op 8. (Adda)[17]
  • 1994 - CD Ravel: Gaspard de la nuit - Sonatine - Jeux d'eau - Oiseaux tristes. (Vibrato Musique)[18]
  • 1995-2000 - CD "Piano-Passion": pièces diverses: Schubert - Chopin - Schumann - Liszt - Mendelssohn - Pierné - Scriabine. (Vibrato Musique - NBT001)

References

  1. ^ Le Figaro - 28 November 1979.
  2. ^ Lauréats du concours 1979 Archived 2013-09-27 at the Wayback Machine sur le site du concours d'Épinal
  3. ^ Shigenuri Kudo
  4. ^ Cécilia Tsann
  5. ^ Annick Roussin on Discogs
  6. ^ Ariane Doughet on Forum Opera
  7. EAN 9790560052915
    and VV296
  8. ^ VV303 VV304 VV305 VV306
  9. ^ VV308
  10. ^ Claude-Pascal Le Figaro, 28 November 1979.
  11. ^ Le Figaro 12 March 1998.
  12. ^ Edgard Feder - France-Amérique 21–27 November 1985.
  13. ^ A.L Burkhalter - Feuille d'Avis of Vevey - Switzerland - 13 May 1981.
  14. ^ Aurore Busser - Nice-Matin - 7 September 1983.
  15. ^ Pianissime2
  16. ^ Vogue VG651
  17. ^ Adda-NBT002
  18. ^ VIB 09401

External links

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