Octopussy and The Living Daylights
Author | Ian Fleming |
---|---|
Cover artist | Richard Chopping (Jonathan Cape ed.) |
Country | United Kingdom |
Language | English |
Series | James Bond |
Genre | Spy fiction |
Publisher | Jonathan Cape |
Publication date | 23 June 1966 |
Media type | Print (hardback and paperback) |
Pages | 94 (first edition) |
Preceded by | The Man with the Golden Gun |
Octopussy and The Living Daylights (sometimes published as Octopussy) is the fourteenth and final
The book originally contained two stories, "Octopussy" and "The Living Daylights", with subsequent editions also including "The Property of a Lady" and then "007 in New York". The stories were first published in different publications, with "Octopussy" first serialised in the Daily Express in October 1965. "The Living Daylights" had first appeared in The Sunday Times on 4 February 1962; "The Property of a Lady" was commissioned by Sotheby's for the 1963 edition of their journal, The Ivory Hammer; while "007 in New York" first appeared in the New York Herald Tribune in October 1963.
The two original stories, "Octopussy" and "The Living Daylights", were both adapted for publication in
In 2008, the stories in Octopussy and the Living Daylights were combined with those of For Your Eyes Only to form a new Penguin Books compilation titled Quantum of Solace as a tie-in with the film.
Plots
"Octopussy"
The
Bond chooses not to take Smythe into custody immediately, but leaves him to contemplate his options – suicide or a
"The Living Daylights"
An unusually morose Bond is assigned sniper duty to help British agent 272 escape from
Afterward, Bond admits to his spotter that he did not try for a kill shot only because Trigger had been a woman. The spotter is obliged to include this fact in his report, but apologises for having to do so. Bond muses that even though 272 is safe, the mission will be considered a failure because he did not kill Trigger, and he hopes that M will strip him of his 00 number for it.
"The Property of a Lady"
The Secret Service learns that Maria Freudenstein, an employee known to be a double agent working for the Soviet Union, has just received a valuable item of jewelry crafted by Peter Carl Fabergé and is planning to auction it at Sotheby's. Bond suspects that the resident director of the KGB in London will attend the auction and underbid for the item, to drive the price up to the value needed to pay Maria for her services. Bond attends the auction, spots the man, and leaves to make arrangements for his expulsion from London as persona non grata.
"007 in New York"
A brief tale in which Bond muses about New York City and his favourite recipe for
Characters and themes
The author of the "continuation" Bond stories,
In the act of not killing the assassin, the theme of disobedience is raised in "The Living Daylights",[4] with Bond calling what he has to do "murder" and subsequently dismissing his actions by saying "with any luck it will cost me my Double-0 number".[5] Raymond Benson considered "Octopussy" to be a morality tale, with greed bringing repercussions years later to the main protagonist, Dexter Smythe.[6]
Background
On the morning of 12 August 1964, Fleming died of a heart attack;[7] eight months later, The Man with the Golden Gun was published.[8] The rights to Fleming's works were held by Glidrose Productions (now Ian Fleming Publications) and the company decided that two short stories, "Octopussy" and "The Living Daylights", would be published in 1966.[9]
The story "Octopussy" was written in early 1962 at Fleming's Goldeneye estate in Jamaica.[10] The story is told in the manner of "Quantum of Solace", with Bond as catalyst for story told in flashback, rather than as a main character for action.[11] The topics chosen by Fleming were familiar ground for him to cover, with hidden gold, tropical fish and the wartime exploits of commandos all coming from elements of his past.[12] Also from the past, or from his acquaintance, were other references used in the story and Miscellaneous Objectives Bureau was a fictional version of Fleming's 30 AU unit.[13] One of Fleming's neighbours in Jamaica, and later his lover, was Blanche Blackwell, mother of Chris Blackwell of Island Records. Fleming had previously used Blackwell's name as the guano-collecting ship in Dr. No, calling it Blanche.[14] Blackwell had given Fleming a coracle called Octopussy, the name of which Fleming used for the story.[15] Octopussy was posthumously serialised in the Daily Express newspaper, 4–8 October 1965.[16]
Fleming originally titled "The Living Daylights" as "Trigger Finger",
As background research to the story, Fleming corresponded with Captain E.K. Le Mesurier, secretary of the
"Property of a Lady", which was written in early 1963, was commissioned by Sotheby's for use in their annual journal, The Ivory Hammer,[11] and was published in November 1963 and later in Playboy;[21] Sotheby's chairman Peter Wilson is mentioned by name in the story. Fleming was so unhappy with the final piece, he wrote to Wilson and refused payment for something he considered so lacklustre.[22]
In 1959 Fleming was commissioned by The Sunday Times to write a series of articles based on world cities, material for which later was collected into a book entitled Thrilling Cities; while travelling through New York for material, Fleming wrote "007 in New York" from Bond's point of view.[23] "007 in New York" was originally titled "Reflections in a Carey Cadillac"[11] and it contains a recipe for scrambled eggs, which came from May Maxwell,[11] the housekeeper to friend Ivar Bryce, who gave her name to Bond's own housekeeper, May.[14] The story was first published in the New York Herald Tribune in October 1963 as "Agent 007 in New York", but was subsequently renamed as "007 in New York" for the 1964 US editions of Thrilling Cities.[24]
Release and reception
Octopussy and The Living Daylights was published in Britain on 23 June 1966
Reviews
Philip Larkin wrote in The Spectator "I am not surprised that Fleming preferred to write novels. James Bond, unlike Sherlock Holmes, does not fit snugly into the short-story length: there is something grandiose and intercontinental about his adventures that require elbow room and such examples of the form as we have tend to be eccentric or muted. These are no exception."[17] The critic for The Times Literary Supplement wrote that the book was "slight and predictable, and usual sex and violence yield to a plausible use of ballistics and marine biology".[17] Writing in The Listener, Anthony Burgess thought that "in their fascinated poring on things...remind us that the stuff of the anti-novel needn't necessarily spring from a thought-out aesthetic",[26] going on to note that "it is the mastery of the world that gives Fleming his peculiar literary niche".[26] On a personal note, Burgess added "I admired all the Bond books and I'm sorry there'll be no more. A sad farewell to Fleming".[26]
Adaptations
Comic strip adaptation (1966–1967)
Two of the short stories were adapted for publication in comic-strip format, which were published daily in the
Octopussy (1983)
In 1983
The Living Daylights (1987)
In 1987 Eon used the plot of "The Living Daylights", almost unchanged, for a section of their 1987
Spectre (2015)
In the 2015 film Spectre, the character of Oberhauser was used as the father of Ernst Stavro Blofeld, and a former caretaker of Bond in his youth. The film strongly hinted that Blofeld killed Oberhauser because he felt that Oberhauser loved Bond more than he loved his own son.[citation needed]
See also
References
- ^ Benson 1988, p. 144.
- ^ Benson 1988, p. 145.
- ^ Black 2005, p. 41.
- ^ Black 2005, pp. 82–84.
- ^ Black 2005, p. 84.
- ^ Benson 1988, p. 143.
- ^ "Obituary: Mr. Ian Fleming". The Times. 13 August 1964. p. 12.
- ^ Black 2005, p. 75.
- ^ Lycett 1996, p. 445.
- ^ a b Black 2005, p. 78.
- ^ a b c d Chancellor 2005, p. 240.
- ^ Lycett 1996, p. 408.
- ^ Lycett 1996, p. 409.
- ^ a b Chancellor 2005, p. 113.
- ^ Macintyre 2008, p. 93.
- ^ Gilbert 2012, p. 443.
- ^ a b c d e f Chancellor 2005, p. 241.
- ^ a b Lycett 1996, p. 396.
- ^ Benson 1988, p. 24.
- ^ Lycett 1996, p. 395.
- ^ Benson 1988, p. 25.
- ^ Lycett 1996, p. 422.
- ^ Benson 1988, p. 60.
- ^ Griswold 2006, p. 381.
- ^ a b c Benson 1988, p. 31.
- ^ a b c d Burgess, Anthony (14 July 1966). "New Fiction". The Listener.
- ^ Turner 2016, 3714.
- The British Library. Retrieved 4 December 2011.
- ^ a b Fleming, Gammidge & McLusky 1988, p. 6.
- ^ Fleming, Gammidge & McLusky 1988, p. 4.
- ^ McLusky et al. 2011, p. 6.
- ^ Barnes & Hearn 2001, p. 151.
- ^ a b Barnes & Hearn 2001, p. 146.
- ^ Barnes & Hearn 2001, p. 168.
- ^ Barnes & Hearn 2001, p. 173.
Bibliography
- ISBN 978-1-85283-233-9.
- ISBN 1-85286-040-5.
- ISBN 978-1-85799-783-5.
- Barnes, Alan; Hearn, Marcus (2001). Kiss Kiss Bang! Bang!: the Unofficial James Bond Film Companion. ISBN 978-0-7134-8182-2.
- ISBN 978-0-8032-6240-9.
- Chancellor, Henry (2005). James Bond: The Man and His World. London: ISBN 978-0-7195-6815-2.
- Griswold, John (2006). Ian Fleming's James Bond: Annotations And Chronologies for Ian Fleming's Bond Stories. ISBN 978-1-4259-3100-1.
- ISBN 978-0-7475-9527-4.
- McLusky, John; Gammidge, Henry; Hern, Anthony; Fleming, Ian; ISBN 978-1-84856-432-9.
- ISBN 978-0-9558189-6-7.
- Turner, Jon Lys (2016). The Visitors' Book: In Francis Bacon's Shadow: The Lives of Richard Chopping and Denis Wirth-Miller (Kindle ed.). London: Constable. ISBN 978-1-47212-168-4.
Further reading
- Simpson, Paul (2002). The Rough Guide to James Bond. ISBN 978-1-84353-142-5.
- Smith, Jim; Lavington, Stephen (2002). Bond Films. London: ISBN 978-0-7535-0709-4.
- Comentale, Edward P; Watt, Stephen; Willman, Skip (2005). Ian Fleming & James Bond: the cultural politics of 007. ISBN 978-0-253-21743-1.
- Lindner, Christoph (2009). The James Bond Phenomenon: a Critical Reader. ISBN 978-0-7190-6541-5.
External links
- Octopussy at Faded Page (Canada)
- The Living Daylights at Faded Page (Canada)
- 007 in New York at Faded Page (Canada)
- Ian Fleming Bibliography of James Bond 1st Editions