Oliver Percy Bernard
Oliver Percy Bernard
Early life
Born in Camberwell, London, Bernard was the son of Charles Bernard, (d.1894), a theatre manager, and his wife, Annie Allen, an actress. Oliver Bernard experienced an unhappy childhood in London and, on the death of his father in 1894, left for Manchester to take a job as a stage hand in a theatre. There, he took on his own education by reading John Locke, John Ruskin and others. He ultimately took a series of menial jobs at sea, before returning to London to take up scene painting with Walter Hann.
In 1905, Bernard went to New York to work as principal scenic artist for
At the beginning of
Post-war
In 1919, Bernard continued his theatrical work, designing sets for Sir
J. Lyons and Co.
Bernard was consultant artistic director to J. Lyons and Co., defining much of their later house style and designing interiors for their Oxford Street, Coventry Street, and Strand Corner Houses. In 1934 he remodelled the interiors of the Regent Palace Hotel, including the basement bars, restaurants, and the ground-floor coffee room, since named the Titanic Room[1] and worked on the Cumberland Hotel in 1932.[3]
Later work
He designed parts of the Strand Palace Hotel's Foyer, and its revolving doors; the doors are now owned by The Victoria and Albert Museum.
Bernard wrote on design and architecture and championed the exploitation of engineering expertise. He worked on furniture design and, from the late 1930s, designed a number of industrial buildings, most notably the Supermarine works in Southampton[7] and the IMCO building on Dublin's south coast built for a dry-cleaning firm, now since demolished.[8] He was involved in founding PEL (Practical Equipment Ltd) and designed the S.P.4 chair for them.[9][10]
In print
Bernard's work and writing feature in a small number of anthology publications on architecture and design including Benton, Charlotte et al. Art Deco 1910–1939, (V&A Publications, 2003) and Le Corbusier and Britain: An Anthology, edited by Irena Murray and Julian Osley (Routledge, 2009). His IMCO building was the subject of a 2012 film by the Irish artist Gavin Murphy, and formed part of a subsequent publication On Seeing Only Totally New Things Archived 5 October 2014 at the Wayback Machine, that also includes the first comprehensive and illustrated account of Bernard's life and work.[11]
Personality and family
His former secretary described him as "amusing, utterly impossible, kind, and a bully".[3] He was a cousin to the actor Stanley Holloway[12] (Bernard's father Charles was a brother to Holloway's maternal grandmother), to Holloway's son, the actor Julian Holloway and Julian's daughter, the author and former model Sophie Dahl.[13]
Bernard was married twice; first to the singer Muriel Theresa Lightfoot in 1911 (the marriage dissolved in 1924) and then to Edith Dora Hodges (1896–1950), an opera singer whose stage name was Fedora Roselli, in 1924.[3] From this relationship, the couple had two daughters and three sons including the poet and translator Oliver Bernard who attended the Westminster School and later published a book of memoirs.[14][15] Bernard's two other sons were Bruce Bernard, a photographer and art critic and Jeffrey Bernard who became a noted journalist.[3]
Bernard died unexpectedly of
References
- ^ a b Historic England. "REGENT PALACE HOTEL (MAIN BUILDING AND BRIDGE) (1391115)". National Heritage List for England. Retrieved 10 January 2018.
- ISBN 9780557473670.
- ^ a b c d e f g h i j k l Powers (2004)
- ^ Wang (2003–2005)
- ^ Reproduced in Sauder & Marschall (1993) pp46–47
- ^ The raid on Zeebrugge an illustrated souvenir of the model display in the Admiralty Theatre of H.M. Government Pavilion, British Empire Exhibition 1924 and 1925 Archived 10 September 2017 at the Wayback Machine HMSO, (1924). (National Archives.) Retrieved 10 September 2017.
- ^ Historic England. "Supermarine Slipway (1402622)". National Heritage List for England. Retrieved 1 February 2017.
- ^ "Dictionary of Irish Architects". Irish Architectural Archive. Retrieved 24 June 2014.
- ^ Powers (2007)
- ^ Parker (1984)
- ISBN 978-1903875681– via Riba Library.
- ^ "He was the nice one: farewell to Oliver Bernard", London Evening Standard, 4 June 2013
- ^ Holloway and Richards, pp. 74–75
- ^ Bernard (1992)
- ^ Oxford Dictionary of National Biography, Oxford University Press, accessed 22 August 2007 (subscription or UK public library membershiprequired)
Bibliography
- Bernard, O. (1936). Cock Sparrow: A True Chronicle. London.
- Bernard, O. [junior] (1992). Getting Over It: Recollections. London: Peter Owen. ISBN 0-7206-0865-1.
- Gyger, Alison (1990). Opera for the Antipodes (Opera in Australia 1881–1939). Sydney: Currency Press and Pellinor Pty Ltd. ISBN 0-86819-268-6.
- Holloway, Stanley; Richards, Dick (1967). Wiv a little bit o' luck: The life story of Stanley Holloway. London: Frewin. OCLC 3647363.
- Links, J. G. (1985). "Oliver Bernard, the Barbican and me". 30s Society Journal. 5: 2–7.
- Murphy, Gavin (2013). On Seeing Only Totally New Things. Dublin: Royal Hibernian Academy. pp. 99–126. ISBN 978-1-903875-68-1.
- Parker, E. (1984). "Working for Oliver Bernard and the early days of PEL Ltd". Journal of the Decorative Arts Society. 8: 50–57.
- Powers, A. (2004) "Bernard, Oliver Percy (1881–1939)", rev., Oxford Dictionary of National Biography, Oxford University Press, accessed 22 August 2007 (subscription or UK public library membershiprequired)
- — (2007) "Bernard, Oliver (Percy)", Grove Art Online, Oxford University Press, accessed 22 August 2007 (subscription or UK public library membership required)
- Sauder, E. & Marschall, K. (1993). R. M. S. Lusitania: Triumph of the Edwardian Age. Shipping Books Press. pp. pp46–47. ISBN 0-946184-80-1.
- Wang, R. J. (2003–2005). "Mr. Oliver Percy Bernard, Saloon Class Passenger". The Lusitania Resource. Retrieved 22 August 2007.
External links
- "Strand Palace". Art Deco: 1910–1939. Victoria and Albert Museum. Retrieved 22 August 2007.
- "S.P.4 chair". The Magazine.info. Archived from the original on 28 September 2007. Retrieved 22 August 2007.