Portal:Literature

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The Literature Portal

Introduction

orature much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment
, and can also have a social, psychological, spiritual, or political role.

Literature, as an art form, can also include works in various

books, articles or other written information on a particular subject. (Full article...
)

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The following are images from various literature-related articles on Wikipedia.

Selected work

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are displayed here, which represent some of the best content on English Wikipedia.
Cover of the first book edition
The Diary of a Nobody is an English comic novel written by the brothers George and Weedon Grossmith, with illustrations by the latter. It originated as an intermittent serial in Punch magazine in 1888–89 and first appeared in book form, with extended text and added illustrations, in 1892. The Diary records the daily events in the lives of a London clerk, Charles Pooter, his wife Carrie, his son Lupin, and numerous friends and acquaintances over a period of 15 months.

Although its initial public reception was muted, the Diary came to be recognised by critics as a classic work of humour, and it has never been out of print. It helped to establish a genre of humorous popular fiction based on lower or lower-middle class aspirations, and was the forerunner of numerous fictitious diary novels in the later 20th century. The Diary has been the subject of several stage and screen adaptations, including Ken Russell's "silent film" treatment of 1964, a four-part TV film scripted by Andrew Davies in 2007, and a widely praised stage version in 2011, in which an all-male cast of three played all the parts.

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  • Image 1 There are no contemporaneous portraits of Du Fu; this is a later artist's impression. Du Fu (Chinese: 杜甫; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan Rebellion of 755, and his last 15 years were a time of almost constant unrest. Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)

    Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...
    )
  • Image 2 Wollstonecraft c. 1797 Mary Wollstonecraft (/ˈwʊlstənkræft/, also UK: /-krɑːft/; 27 April 1759 – 10 September 1797) was a British writer, philosopher, and advocate of women's rights. Until the late 20th century, Wollstonecraft's life, which encompassed several unconventional personal relationships at the time, received more attention than her writing. Today Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and her works as important influences. During her brief career she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Wollstonecraft is best known for A Vindication of the Rights of Woman (1792), in which she argues that women are not naturally inferior to men but appear to be only because they lack education. She suggests that both men and women should be treated as rational beings and imagines a social order founded on reason. (Full article...)

    Wollstonecraft c. 1797

    Mary Wollstonecraft (/ˈwʊlstənkræft/, also UK: /-krɑːft/; 27 April 1759 – 10 September 1797) was a British writer, philosopher, and advocate of women's rights. Until the late 20th century, Wollstonecraft's life, which encompassed several unconventional personal relationships at the time, received more attention than her writing. Today Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and her works as important influences.

    During her brief career she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Wollstonecraft is best known for A Vindication of the Rights of Woman (1792), in which she argues that women are not naturally inferior to men but appear to be only because they lack education. She suggests that both men and women should be treated as rational beings and imagines a social order founded on reason. (Full article...)
  • Image 3 Mary Wollstonecraft Shelley (UK: /ˈwʊlstənkrɑːft/; née Godwin; 30 August 1797 – 1 February 1851) was an English novelist who is best known for writing the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and women's rights advocate Mary Wollstonecraft. Mary's mother died 11 days after giving birth to her. She was raised by her father, who provided her with a rich if informal education, encouraging her to adhere to his own anarchist political theories. When she was four, her father married a neighbour, Mary Jane Clairmont, with whom Mary came to have a troubled relationship. (Full article...)
    Mary Jane Clairmont, with whom Mary came to have a troubled relationship. (Full article...
    )
  • Image 4 Rowling at the White House in 2010 Joanne Rowling CH OBE FRSL (/ˈroʊlɪŋ/ ROH-ling); born 31 July 1965), better known by her pen name J. K. Rowling, is a British author and philanthropist. She wrote Harry Potter, a seven-volume fantasy series published from 1997 to 2007. The series has sold over 600 million copies, been translated into 84 languages, and spawned a global media franchise including films and video games. The Casual Vacancy (2012) was her first novel for adults. She writes Cormoran Strike, an ongoing crime fiction series, under the alias Robert Galbraith. Born in Yate, Gloucestershire, Rowling was working as a researcher and bilingual secretary for Amnesty International in 1990 when she conceived the idea for the Harry Potter series. The seven-year period that followed saw the death of her mother, the birth of her first child, divorce from her first husband, and relative poverty until the first novel in the series, Harry Potter and the Philosopher's Stone, was published in 1997. Six sequels followed, concluding with Harry Potter and the Deathly Hallows (2007). By 2008, Forbes had named her the world's highest-paid author. (Full article...)

    films and video games. The Casual Vacancy (2012) was her first novel for adults. She writes Cormoran Strike, an ongoing crime fiction series, under the alias Robert Galbraith.

    Born in Yate, Gloucestershire, Rowling was working as a researcher and bilingual secretary for Amnesty International in 1990 when she conceived the idea for the Harry Potter series. The seven-year period that followed saw the death of her mother, the birth of her first child, divorce from her first husband, and relative poverty until the first novel in the series, Harry Potter and the Philosopher's Stone, was published in 1997. Six sequels followed, concluding with Harry Potter and the Deathly Hallows (2007). By 2008, Forbes had named her the world's highest-paid author. (Full article...
    )
  • Image 5 Poe in 1849 Edgar Allan Poe (né Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, author, editor, and literary critic who is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism and Gothic fiction in the United States, and of American literature. Poe was one of the country's earliest practitioners of the short story, and is considered the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction. He is the first well-known American writer to earn a living through writing alone, resulting in a financially difficult life and career. Poe was born in Boston, the second child of actors David and Elizabeth "Eliza" Poe. His father abandoned the family in 1810, and when his mother died the following year, Poe was taken in by John and Frances Allan of Richmond, Virginia. They never formally adopted him, but he was with them well into young adulthood. He attended the University of Virginia but left after a year due to lack of money. He quarreled with John Allan over the funds for his education, and his gambling debts. In 1827, having enlisted in the United States Army under an assumed name, he published his first collection, Tamerlane and Other Poems, credited only to "a Bostonian". Poe and Allan reached a temporary rapprochement after the death of Allan's wife in 1829. Poe later failed as an officer cadet at West Point, declared a firm wish to be a poet and writer, and parted ways with Allan. (Full article...)

    West Point, declared a firm wish to be a poet and writer, and parted ways with Allan. (Full article...
    )
  • Image 6 Title page of the first edition of Wright's Certaine Errors in Navigation (1599) Edward Wright (baptised 8 October 1561; died November 1615) was an English mathematician and cartographer noted for his book Certaine Errors in Navigation (1599; 2nd ed., 1610), which for the first time explained the mathematical basis of the Mercator projection by building on the works of Pedro Nunes, and set out a reference table giving the linear scale multiplication factor as a function of latitude, calculated for each minute of arc up to a latitude of 75°. This was in fact a table of values of the integral of the secant function, and was the essential step needed to make practical both the making and the navigational use of Mercator charts. Wright was born at Garveston in Norfolk and educated at Gonville and Caius College, Cambridge, where he became a fellow from 1587 to 1596. In 1589 the college granted him leave after Elizabeth I requested that he carry out navigational studies with a raiding expedition organised by the Earl of Cumberland to the Azores to capture Spanish galleons. The expedition's route was the subject of the first map to be prepared according to Wright's projection, which was published in Certaine Errors in 1599. The same year, Wright created and published the first world map produced in England and the first to use the Mercator projection since Gerardus Mercator's original 1569 map. (Full article...)

    Elizabeth I requested that he carry out navigational studies with a raiding expedition organised by the Earl of Cumberland to the Azores to capture Spanish galleons. The expedition's route was the subject of the first map to be prepared according to Wright's projection, which was published in Certaine Errors in 1599. The same year, Wright created and published the first world map produced in England and the first to use the Mercator projection since Gerardus Mercator's original 1569 map. (Full article...
    )
  • Image 7 Depiction of Murasaki Shikibu by Tosa Mitsuoki Murasaki Shikibu (紫式部, 'Lady Murasaki'; c. 973 – c. 1014 or 1025) was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She is best known as the author of The Tale of Genji, widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been Fujiwara no Kaoriko (藤原香子), who was mentioned in a 1007 court diary as an imperial lady-in-waiting. Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to-late twenties and gave birth to a daughter, Daini no Sanmi. Her husband died after two years of marriage. It is uncertain when she began to write The Tale of Genji, but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-waiting to Empress Shōshi at the Imperial court by Fujiwara no Michinaga, probably because of her reputation as a writer. She continued to write during her service, adding scenes from court life to her work. After five or six years, she left court and retired with Shōshi to the Lake Biwa region. Scholars differ on the year of her death; although most agree on 1014, others have suggested she was alive in 1025. (Full article...)
    Japanese woman in multi-layered clothing writing at a desk
    Depiction of Murasaki Shikibu by Tosa Mitsuoki

    Murasaki Shikibu (紫式部, 'Lady Murasaki'; c. 973 – c. 1014 or 1025) was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She is best known as the author of The Tale of Genji, widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been Fujiwara no Kaoriko (藤原香子), who was mentioned in a 1007 court diary as an imperial lady-in-waiting.

    Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to-late twenties and gave birth to a daughter, Daini no Sanmi. Her husband died after two years of marriage. It is uncertain when she began to write The Tale of Genji, but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-waiting to Empress Shōshi at the Imperial court by Fujiwara no Michinaga, probably because of her reputation as a writer. She continued to write during her service, adding scenes from court life to her work. After five or six years, she left court and retired with Shōshi to the Lake Biwa region. Scholars differ on the year of her death; although most agree on 1014, others have suggested she was alive in 1025. (Full article...)
  • Image 8 Walpole c. 1920–1925 Sir Hugh Seymour Walpole, CBE (13 March 1884 – 1 June 1941) was an English novelist. He was the son of an Anglican clergyman, intended for a career in the church but drawn instead to writing. Among those who encouraged him were the authors Henry James and Arnold Bennett. His skill at scene-setting and vivid plots, as well as his high profile as a lecturer, brought him a large readership in the United Kingdom and North America. He was a best-selling author in the 1920s and 1930s but has been largely neglected since his death. After his first novel, The Wooden Horse, in 1909, Walpole wrote prolifically, producing at least one book every year. He was a spontaneous story-teller, writing quickly to get all his ideas on paper, seldom revising. His first novel to achieve major success was his third, Mr Perrin and Mr Traill, a tragicomic story of a fatal clash between two schoolmasters. During the First World War he served in the Red Cross on the Russian-Austrian front, and worked in British propaganda in Petrograd and London. In the 1920s and 1930s Walpole was much in demand not only as a novelist but also as a lecturer on literature, making four exceptionally well-paid tours of North America. (Full article...)
    Red Cross on the Russian-Austrian front, and worked in British propaganda in Petrograd and London. In the 1920s and 1930s Walpole was much in demand not only as a novelist but also as a lecturer on literature, making four exceptionally well-paid tours of North America. (Full article...
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  • Image 9 Andrade in 1928 Mário Raul de Morais Andrade (October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. He wrote one of the first and most influential collections of modern Brazilian poetry, Paulicéia Desvairada (Hallucinated City), published in 1922. He has had considerable influence on modern Brazilian literature, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil. Andrade was a central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism. His photography and essays on a wide variety of subjects, from history to literature and music, were widely published. He was the driving force behind the Modern Art Week, the 1922 event that reshaped both literature and the visual arts in Brazil, and a member of the avant-garde "Group of Five". The ideas behind the Week were further explored in the preface to his poetry collection Pauliceia Desvairada, and in the poems themselves. (Full article...)

    discipline that was connected with São Paulo modernism. His photography and essays on a wide variety of subjects, from history to literature and music, were widely published. He was the driving force behind the Modern Art Week, the 1922 event that reshaped both literature and the visual arts in Brazil, and a member of the avant-garde "Group of Five". The ideas behind the Week were further explored in the preface to his poetry collection Pauliceia Desvairada, and in the poems themselves. (Full article...
    )
  • Image 10 Barney in 1898, photograph by Alice Hughes Natalie Clifford Barney (October 31, 1876 – February 2, 1972) was an American writer who hosted a literary salon at her home in Paris that brought together French and international writers. She influenced other authors through her salon and also with her poetry, plays, and epigrams, often thematically tied to her lesbianism and feminism. Barney was born into a wealthy family. She was partly educated in France, and expressed a desire from a young age to live openly as a lesbian. She moved to France with her first romantic partner, Eva Palmer. Inspired by the work of Sappho, Barney began publishing love poems to women under her own name as early as 1900. Writing in both French and English, she supported feminism and pacifism. She opposed monogamy and had many overlapping long and short-term relationships, including on-and-off romances with poet Renée Vivien and courtesan Liane de Pougy and longer relationships with writer Élisabeth de Gramont and painter Romaine Brooks. (Full article...)

    Eva Palmer. Inspired by the work of Sappho, Barney began publishing love poems to women under her own name as early as 1900. Writing in both French and English, she supported feminism and pacifism. She opposed monogamy and had many overlapping long and short-term relationships, including on-and-off romances with poet Renée Vivien and courtesan Liane de Pougy and longer relationships with writer Élisabeth de Gramont and painter Romaine Brooks. (Full article...
    )
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  • Image 1 Suikoden Woodblock artist: Utagawa Kuniyoshi This woodblock print, titled Kinhyōshi yōrin, hero of the Suikoden, is one of a series created by the Japanese artist Utagawa Kuniyoshi between 1827 and 1830 illustrating the 108 Suikoden ("Water Margin"). The publication of the series catapulted Kuniyoshi to fame. The story of the Suikoden is an adaptation of the Chinese Shuǐhǔ Zhuàn; during the 1800s, the publication of this woodblock series and other translations of the novel created a Suikoden craze in Japan. Following the great commercial success of the Kuniyoshi series, other ukiyo-e artists were commissioned to produce prints of the Suikoden heroes, which began to be shown as Japanese heroes rather than the original Chinese personages. The hero portrayed in this print is Yang Lin. More selected pictures
    Woodblock artist: Utagawa Kuniyoshi
    This woodblock print, titled Kinhyōshi yōrin, hero of the Suikoden, is one of a series created by the Japanese artist Utagawa Kuniyoshi between 1827 and 1830 illustrating the 108 Suikoden ("Water Margin"). The publication of the series catapulted Kuniyoshi to fame. The story of the Suikoden is an adaptation of the Chinese Shuǐhǔ Zhuàn; during the 1800s, the publication of this woodblock series and other translations of the novel created a Suikoden craze in Japan. Following the great commercial success of the Kuniyoshi series, other ukiyo-e artists were commissioned to produce prints of the Suikoden heroes, which began to be shown as Japanese heroes rather than the original Chinese personages. The hero portrayed in this print is Yang Lin.
    More selected pictures
  • Image 2 Divine Comedy Restoration: Adam Cuerden An engraving of Charon, in Greek mythology the ferryman of Hades who carried souls of the newly deceased across the River Styx that divided the world of the living from the world of the dead. This illustration is from French engraver Gustave Doré's 1857 set of illustrations for Dante Alighieri's Divine Comedy, an Italian epic poem depicting an allegorical vision of the Christian afterlife. Here, Charon is shown coming to ferry souls across the river Acheron to Hell. The caption is from Henry Francis Cary's translation, from which this particular copy is taken: And, lo! toward us in a bark Comes on an old man, hoary white with eld, Crying "Woe to you, wicked spirits!" More selected pictures
    Hell. The caption is from Henry Francis Cary's translation, from which this particular copy is taken:

    And, lo! toward us in a bark
    Comes on an old man, hoary white with eld,
    Crying "Woe to you, wicked spirits!"
    More selected pictures
  • Image 3 The Song of Los Illustration: William Blake The Song of Los is an epic poem by William Blake first published in 1795 and considered part of his prophetic books. The poem consists of two sections, "Africa" and "Asia": in the first section Blake catalogues the decline of morality in Europe, which he blames on both the African slave trade and enlightenment philosophers, whereas in the second section he describes a worldwide revolution, urged by the eponymous Los. The illustration here is from the book's frontispiece and shows Urizen presiding over the decline of morality. More selected pictures
    Illustration: William Blake
    The Song of Los is an epic poem by William Blake first published in 1795 and considered part of his prophetic books. The poem consists of two sections, "Africa" and "Asia": in the first section Blake catalogues the decline of morality in Europe, which he blames on both the African slave trade and enlightenment philosophers, whereas in the second section he describes a worldwide revolution, urged by the eponymous Los.

    The illustration here is from the book's frontispiece and shows Urizen presiding over the decline of morality.
    More selected pictures
  • Image 4 Caterpillar, Alice's Adventures in Wonderland Artist: Sir John Tenniel Sir John Tenniel's illustration of the Caterpillar for Lewis Carroll's classic children's book, Alice's Adventures in Wonderland. The illustration is noted for its ambiguous central figure, which can be viewed as having either a human male's face with pointed nose and protruding lower lip or as the head end of an actual caterpillar, with the right three "true" legs visible. The small symbol in the lower left is composed of Tenniel's initials, which was how he signed most of his work for the book. The partially obscured word in the lower left-center is the last name of Edward Dalziel, the engraver of the piece. More selected pictures
    Caterpillar, Alice's Adventures in Wonderland
    Artist: Sir John Tenniel
    Sir John Tenniel's illustration of the Caterpillar for Lewis Carroll's classic children's book, Alice's Adventures in Wonderland. The illustration is noted for its ambiguous central figure, which can be viewed as having either a human male's face with pointed nose and protruding lower lip or as the head end of an actual caterpillar, with the right three "true" legs visible. The small symbol in the lower left is composed of Tenniel's initials, which was how he signed most of his work for the book. The partially obscured word in the lower left-center is the last name of Edward Dalziel, the engraver of the piece.
    More selected pictures
  • Image 5 Midas Artist: Walter Crane; Restoration: Lise Broer An illustration from an 1893 version of A Wonder-Book for Girls and Boys by Nathaniel Hawthorne, which recounted the tale of King Midas. In Greek mythology, Midas was given ability to turn everything he touched into gold by the god Bacchus. However, he soon discovered that he was unable to even eat. Bacchus told him to wash in the river Pactolus, and the power flowed in the river, which was supposedly the reason for why the river was so rich in gold in later years. In Hawthorne's version, Midas' touch even turned his daughter to gold (pictured here). More selected pictures
    Bacchus. However, he soon discovered that he was unable to even eat. Bacchus told him to wash in the river Pactolus, and the power flowed in the river, which was supposedly the reason for why the river was so rich in gold in later years. In Hawthorne's version, Midas' touch even turned his daughter to gold (pictured here).
    More selected pictures
  • Image 6 Headless Horseman Painting: John Quidor The Headless Horseman is a mythical figure who has appeared in folklore around the world since at least the Middle Ages. Depending on the legend, the Horseman is either carrying his head, or missing it altogether, and is searching for it. Examples include the dullahan from Ireland, who is a demonic fairy usually depicted riding a horse and carrying his head under his arm; the titular knight from the English tale Gawain and the Green Knight; and "The Legend of Sleepy Hollow," a short story written in 1820 by American Washington Irving which has been adapted into several other works of literature and film including the 1999 Tim Burton movie Sleepy Hollow. This picture, titled The Headless Horseman Pursuing Ichabod Crane, is an 1858 painting by American artist John Quidor, depicting a scene from "The Legend of Sleepy Hollow". It is in the collection of the Smithsonian American Art Museum in Washington, D.C. More selected pictures
    Gawain and the Green Knight; and "The Legend of Sleepy Hollow," a short story written in 1820 by American Washington Irving which has been adapted into several other works of literature and film including the 1999 Tim Burton movie Sleepy Hollow.

    This picture, titled The Headless Horseman Pursuing Ichabod Crane, is an 1858 painting by American artist John Quidor, depicting a scene from "The Legend of Sleepy Hollow". It is in the collection of the Smithsonian American Art Museum in Washington, D.C.
    More selected pictures
  • Image 7 An Ideal Husband Artist: Unknown; Restoration: Adam Cuerden A scene from Oscar Wilde's 1895 play An Ideal Husband, originally published in a 1901 collected edition of Wilde's works. The comedy, which opened January 3, 1896, at the Haymarket Theatre in London, revolves around blackmail and political corruption, and touches on the themes of public and private honour. It has been adapted into television, radio/audio, and three films. The published version differs slightly from the performed play, for Wilde added many passages and cut others. Prominent additions included written stage directions and character descriptions. Wilde was a leader in the effort to make plays accessible to the reading public. More selected pictures
    Haymarket Theatre in London, revolves around blackmail and political corruption, and touches on the themes of public and private honour. It has been adapted into television, radio/audio, and three films. The published version differs slightly from the performed play, for Wilde added many passages and cut others. Prominent additions included written stage directions and character descriptions. Wilde was a leader in the effort to make plays accessible to the reading public.
    More selected pictures
  • Image 8 "The Queen of Hearts" Restoration: Lise Broer William Wallace Denslow's illustration of the poem "The Queen of Hearts" from a 1901 issue of Mother Goose. The poem was originally published in 1782 as part of a set of four playing card based poems, but proved to be far more popular than the others. By 1785 it had been set to music, and it forms the basis of the plot of Lewis Carroll's Alice in Wonderland, Chapter XI: "Who Stole the Tarts?" Although it was originally published in a magazine for adults, it is now best known as a nursery rhyme. More selected pictures
    "
    Alice in Wonderland, Chapter XI: "Who Stole the Tarts?" Although it was originally published in a magazine for adults, it is now best known as a nursery rhyme.
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  • Image 9 The Quarrel of Oberon and Titania Painting: Joseph Noel Paton The Quarrel of Oberon and Titania is an oil painting on canvas by the Scottish artist Joseph Noel Paton. Painted in 1849, it depicts the scene from William Shakespeare's comedy play A Midsummer Night's Dream, in which the fairy queen Titania and fairy king Oberon quarrel. When exhibited in Edinburgh in 1850, it was declared the "painting of the season". The painting was acquired by the National Galleries of Scotland in 1897, having initially been bought by the Royal Association for Promoting the Fine Arts. More selected pictures
    National Galleries of Scotland in 1897, having initially been bought by the Royal Association for Promoting the Fine Arts.
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  • Image 10 "The Canterville Ghost" Artist: Wallace Goldsmith; Restoration: Adam Cuerden A scene from "The Canterville Ghost", Oscar Wilde's first published story, which is about an American family that moves into a haunted house in England. However, instead of being frightened of the eponymous ghost, they turn the tables and prank him, such as in this scene, where the twin boys have set up a butter-slide, causing the ghost to slip down the staircase. The story satirises both the unrefined tastes of Americans and the determination of the British to guard their traditions. More selected pictures
    Artist: Wallace Goldsmith; Restoration: Adam Cuerden
    A scene from "The Canterville Ghost", Oscar Wilde's first published story, which is about an American family that moves into a haunted house in England. However, instead of being frightened of the eponymous ghost, they turn the tables and prank him, such as in this scene, where the twin boys have set up a butter-slide, causing the ghost to slip down the staircase. The story satirises both the unrefined tastes of Americans and the determination of the British to guard their traditions.
    More selected pictures
  • Image 11 The Sleeping Beauty Illustration: W. E. F. Britten; restoration: Adam Cuerden "The Sleeping Beauty" is a poem written by Alfred, Lord Tennyson, and published in 1830; it was later expanded and published in 1842 as "The Day-Dream". Based on the fairy tale Sleeping Beauty, the poem (as with many of Tennyson's adaptations of existing literary works) focuses on a single aspect of the story, the appearance of the eponymous character as she sleeps. This illustration by W. E. F. Britten was published in 1901 to accompany a reprinting of "The Sleeping Beauty". It accompanies the poem's final lines: "She sleeps, nor dreams, but ever dwells / A perfect form in perfect rest." More selected pictures
    Illustration: W. E. F. Britten; restoration: Adam Cuerden
    "The Sleeping Beauty" is a poem written by Alfred, Lord Tennyson, and published in 1830; it was later expanded and published in 1842 as "The Day-Dream". Based on the fairy tale Sleeping Beauty, the poem (as with many of Tennyson's adaptations of existing literary works) focuses on a single aspect of the story, the appearance of the eponymous character as she sleeps.

    This illustration by W. E. F. Britten was published in 1901 to accompany a reprinting of "The Sleeping Beauty". It accompanies the poem's final lines: "She sleeps, nor dreams, but ever dwells / A perfect form in perfect rest."
    More selected pictures
  • Image 12 Illustration by John Bauer Painting: John Bauer A watercolor illustration by John Bauer (1882–1918) titled "Still, Tuvstarr sits and gazes down into the water", which accompanied Helge Kjellin's fairy tale "The Tale of the Moose Hop and the Little Princess Cotton Grass" in the 1913 edition of Among Gnomes and Trolls. In this scene, Tuvstarr looks for her lost heart in a tarn, symbolizing innocence lost. Born and raised in Jönköping, Sweden, Bauer moved to Stockholm at age 16 to study at the Royal Swedish Academy of Fine Arts. He painted and illustrated in a romantic nationalistic style, in part influenced by the Italian Renaissance and Sami cultures. Most of his works are watercolors or prints in monochrome or muted colours; he also produced oil paintings and frescos. More selected pictures
    Sami cultures. Most of his works are watercolors or prints in monochrome or muted colours; he also produced oil paintings and frescos.
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  • Image 13 Rob Roy Engraving: Dalziel Brothers; Restoration: Adam Cuerden A scene from Sir Walter Scott's 1817 historical novel Rob Roy, which tells the story of Frank Osbaldistone, the son of an English merchant who travels to Scotland to collect a debt stolen from his father. On the way he encounters the larger-than-life title character of Robert Roy MacGregor. Though Rob Roy is not the lead character (in fact the narrative does not move to Scotland until halfway through the book) his personality and actions are key to the story's development. The novel is a brutally realistic depiction of the social conditions in Highland and Lowland Scotland in the early 18th century. More selected pictures
    Robert Roy MacGregor. Though Rob Roy is not the lead character (in fact the narrative does not move to Scotland until halfway through the book) his personality and actions are key to the story's development. The novel is a brutally realistic depiction of the social conditions in Highland and Lowland Scotland in the early 18th century.
    More selected pictures
  • Image 14 The Wonderful Wizard of Oz Artist: William Wallace Denslow An illustration from the first edition of The Wonderful Wizard of Oz, depicting the scene where Dorothy meets the Cowardly Lion, the first time the four major characters of the novel come together. The book was originally published in 1900 and has since been reprinted countless times, most often under the name The Wizard of Oz, which is the name of both the 1902 Broadway musical and the extremely popular, highly acclaimed 1939 film version. Thanks in part to the film it is one of the best-known stories in American popular culture and has been widely translated. Its initial success, and the success of the popular 1902 musical Baum adapted from his story, led to his writing and having published thirteen more Oz books. More selected pictures
  • Image 15 Layla and Majnun Artist: Unknown; Restoration: Lise Broer A scene from a late-16th century publication of Nezami Ganjavi's adaptation of the classical Persian story Layla and Majnun, which is based on the real story of Qays ibn al-Mulawwah, a young man from the northern Arabian Peninsula and his love Layla. There are two versions of the story, but in both, Majnun goes mad when her father prevents him from marrying her. In the depicted scene, the eponymous star-crossed lovers meet for the last time before their deaths. Both have fainted and Majnun's elderly messenger attempts to revive Layla while wild animals protect the pair from unwelcome intruders. More selected pictures
    Persian story Layla and Majnun, which is based on the real story of Qays ibn al-Mulawwah, a young man from the northern Arabian Peninsula and his love Layla. There are two versions of the story, but in both, Majnun goes mad when her father prevents him from marrying her. In the depicted scene, the eponymous star-crossed lovers meet for the last time before their deaths. Both have fainted and Majnun's elderly messenger attempts to revive Layla while wild animals protect the pair from unwelcome intruders.
    More selected pictures

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