Reredos

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Reredos depicting the Immaculate Conception. Portuguese, 17th century. Santarém, Portugal

A reredos (/ˈrɪərˌdɒs, ˈrɪərɪ-, ˈrɛrɪ-/ REER-dos, REER-ih-, RERR-ih-) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images.

The term reredos may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved

chimneypieces.[1] It also refers to a simple, low stone wall placed behind a hearth
.

Description

A reredos can be made of stone, wood, metal,

gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry or another fabric such as silk or velvet
is used.

Derivation and history of the term

Reredos is

obsolete
until it was revived in the 19th century.

Reredos vs retable

The term reredos is sometimes confused with the term retable. While a reredos generally forms or covers the wall behind an altar,[2] a retable is placed either on the altar or immediately behind and attached to the altar. "Many altars have both a reredos and a retable."[3] But this distinction may not always be observed. The retable may have become part of the reredos when an altar was moved away from the wall. For altars that are against the wall, the retable often sits on top of the altar, at the back, particularly when there is no reredos (in which case a dossal curtain or something similar is used instead of a reredos). The retable may hold flowers and candlesticks.

In French (and sometimes in English by confusing the terms), a reredos is called a retable; in Spanish a retablo, etc.

Gallery

See also

References

External links