Richard-Max Tremblay

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Richard-Max Tremblay
Bromptonville (Sherbrooke), Quebec
Known forPainter, Photographer
Awards2015 RCA Trust Award, 2003 Prix Louis-Comtois
ElectedRoyal Canadian Academy of Arts (RCA)
Websiterichardmaxtremblay.com

Richard-Max Tremblay

Canada Council for the Arts' Art Bank.[4][5]

Career

Richard-Max Tremblay was born in the Eastern-Township community of

Canada Council for the Arts' Paris Studio.[2]

In 2018 Tremblay lived and worked in Montreal.[4]

Style and philosophy

Known for his photographic portraits of artists, Tremblay's early images of Martha Townsend and Fernand Leduc feature face and hands.[19] By 1986 his photographs of Betty Goodwin, John Heward and Pierre Soulages include studio shots to "introduce the work of the artist in the portrait."[1] Other photographic series include windows of derelict buildings and empty, stacked boxes, a comment on the disappearance of archival records in a digital era.[20] Tremblay described photography and painting as preservative, "acts of resistance against time", which are also "consequential acts that lead elsewhere, that sweep us forward."[21] He also described his use of photography as either "a step in the creation of a photographic work" or as a "painting which is inconceivable without the photographic juncture".[22] Also known for figurative art, Tremblay's early painting series Têtes (1985) was described as "anti-portraits",[9] while later compositions of "heads and gestural blurrings" link photographic realism to abstract-lyricism.[23] Recent paintings of Paris, Berlin or Venice also reference as metaphors mirrors or windows and the comcept of hidden and revealed.[24][20] In 1975 Tremblay wrote, "I am fond of the theme of the black curtain... about showing what prevents you from seeing."[25] His sources of inspiration include Renaissance art, philosophical novels such as The Unbearable Lightness of Being by Milan Kundera,[1] as well as works by Franz Kafka, Samuel Beckett, and W. G. Sebald.[26]

Recognition

An elected member of the Royal Canadian Academy of the Arts, Tremblay is the recipient of the 2015 RCA Trust Award.

mis-en-scene, Vie des Arts critic Jean-Jacques Bernier described his work as "moving from the particular to the general or universal".[31] Also recognized as a cinematographer, Tremblay's video "Gugging", co-written and produced with Anne-Marie Rocher, received the 1996 Special Jury Prize – International Festival of Films on Art and Pedagogy (UNESCO Paris, France).[3]

Photography books

References

  1. ^ a b c d e f g Petit, Matthieu. "Richard-Max Tremblay: enigmes picturales." Voir Estrie, 22 Sep. 2011. p.12. Print. Web.
  2. ^ a b c d "RCA Trust Award Recipient 2015." RCA. Web.
  3. ^ a b c d e Lamarche, Bernard. "Remise des prix Louis-Comtois et Pierre-Ayot - Richard-Max Tremblay et Pascal Grandmaison pour l'excellence en arts visuels." Le Devoir. 27 Nov. 2003. Print. Web.
  4. ^ a b c "Artists: Richard-Max Tremblay." Galerie Division. 2017. Web.
  5. ^ Lamarre, André. "Collections." Richard-Max Tremblay. Portrait. Les editions du passage. 2011. pp.183-4. Print.
  6. ^ a b c Clément, Éric. "Hommage à Richard-Max Tremblay." La Presse. 11 Nov. 2011. 10-Arts p.1. Print. Web.
  7. ^ a b Lamarre, André. "Chronology." Richard-Max Tremblay. Portrait. Les editions du passage. 2011. pp.165-180. Print.
  8. ^ Daigneault, Gilles. "Tremblay: l'obsession de la chaise protéiforme." Le Devoir. 7 Apr. 1984. p.28. Print.
  9. ^ a b Daigneault, Gilles. "Max Tremblay et Louise Paillé: la légèreté et la transparence." Le Devoir. 7 Sep. 1985. p.34. Print.
  10. ^ Daigneault, Gilles. "Richard-Max Tremblay, photographe." Vie des arts, 128. Sept. 1987. p.68. Print. Web. p.6.
  11. ISBN 2980179183
    .
  12. ^ Bernier, Jean-Jacques. "Les redoublements de Richard-Max Tremblay." Vie des arts, vol.44:176, Autumn 1999. pp.28-30. Print. Web. pp.2-4.
  13. ^ a b Belu, Françoise. "Richard-Max Tremblay: Le jeu de l’art et du hasard-Notes biographiques." Vie des arts, 49(194). 2004. p.77. Print. Web. p.4.
  14. ^ Robert, Pierre. "Montréal Télégraphe: le son iconographe (cédéroms)." Parachute, 102. Spring 2001. p.3. Print.
  15. ^ Belu, Françoise. "Richard-Max Tremblay: Le jeu de l’art et du hasard." Vie des arts, 49(194). Spring 2004. pp.75-7. Print. Web. pp.2-4.
  16. ^ Cousin, Jean-Pierre. "Des canadiens aux Perles." La Marseillaise. 6 Oct. 2010. p.6. Print.
  17. ^ "Richard-Max Tremblay Fenetres," Galerie Division. Web.
  18. ^ Charbonneau, Diane, "Tête-à-tête, portraits d’artistes signés Richard-Max Tremblay." M Magazine, 11. Sep. 2011. p.34. Print.
  19. ^ Pedri, Nancy. "The Work of the Portrait." in André Lamarre's Richard-Max Tremblay. Portrait. pp.152-4. Print.
  20. ^ a b "Hidden by Richard-Max Tremblay at Division Gallery, Montreal." Blouin ArtInfo. Web.
  21. ^ Lamarre, André. Richard-Max Tremblay. Portrait. p.146. Print.
  22. ^ Lamarre, André. Richard-Max Tremblay. Portrait. p.138. Print.
  23. ^ Johnson, Carl."Essay." L’œuvre inquiète, dans Richard-Max Tremblay. Musée regional de Rimouski. 1996. p.5. Print.
  24. ^ Lamarre, André. "The Restless Work." Richard-Max Tremblay. p.45. Print.
  25. ^ Pedri, Nancy. "The Work of the Portrait." in André Lamarre's Richard-Max Tremblay. Portrait. p.159. Print.
  26. ^ Lamarre, André. Richard-Max Tremblay. Portrait. pp.139-142. Print.
  27. ^ "List of members T." Royal Canadian Academy of the Arts. Web.
  28. ^ Bernier, Jean-Jacques. "Les redoublements de Richard-Max Tremblay." p.28. Print. Web. p.2.
  29. ^ Belu, Françoise. "Richard-Max Tremblay: Le jeu de l’art et du hasard." Vie des arts, 49(194). Spring 2004. p.77. Print. Web. p.4.
  30. ^ Pedri, Nancy. "The Portrait: A Struggle to See - Richard-Max Tremblay Interview." Circa Art (Dublin), 116-s. 1 June 2006. pp.113-128. Print.
  31. ^ Bernier, Jean-Jacques. "Les redoublements de Richard-Max Tremblay." p.29. Print. Web. p.3.

External links

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