Rise of the Robots

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For other uses, see Rise of the Robots (disambiguation).

Rise of the Robots
multiplayer

Rise of the Robots is a

Mega Drive, and the 3DO Interactive Multiplayer
. The game includes a single-player mode in which the player assumes the role of the ECO35-2 Cyborg as he attempts to stop the Supervisor who takes over Electrocorp's facilities in Metropolis 4, and a two-player mode in which the second player controls a character chosen from among EC035-2's enemies.

Developed by a team of five people, including former

Bitmap Brothers member Sean Griffiths, Rise of the Robots was intended to use a high level of artificial intelligence (A.I.) that was never seen in any other fighting games at the time. The game features music from Queen's lead guitarist Brian May, although it only uses "The Dark" and "Resurrection", both tracks taken from his solo album Back to the Light, while the in-game music was done by Richard Joseph
.

Mirage's claim of unprecedented A.I. were augmented by

pre-rendered graphics, a new technology of the time. As a result, Rise of the Robots became one of the most hyped games of its time. However, reviews were negative, as the promised cutting edge A.I. failed to materialize and critics discovered that the demands of the impressive graphics came with the trade-off of choppy animation and overly simplistic combat, with each character having a very small set of moves. The game's high-profile failure led it be regarded as an illustrative example of how impressive screenshots can deceive consumers because poor gameplay and animation which may be in the game are not apparent from them. A sequel, Rise 2: Resurrection
, was released in 1996.

Gameplay

ECO35-2 (blue) vs Sentry (red)

The game is divided into a single player mode and a two player versus mode. In single player mode the player controls the ECO35-2 Cyborg as he confronts the Supervisor's minions across the vast facilities of Electrocorp. The order in which each droid is fought is fixed, with each next adversary more difficult than the last. The sixth and final level is a confrontation with the Supervisor droid itself. Each character is introduced by a short pre-rendered 3D sequence, followed by an analysis of potential weaknesses.

In two player versus mode, one player controls the ECO35-2 droid by default, while the other chooses between one of the five droids seen in single player mode (a special cheat code can enable the Supervisor as well). Players then battle out against each other in two to seven rounds. In the arcade version, the players select eighteen characters but each six characters has a different colour palette.

Plot

In the year 2043, Electrocorp is the world's largest megacorporation, leading the world in many technological and scientific fields including medical research and is breaking more barriers than ever before. Also, since human society is now almost entirely governed by robot servants and automatons, demands placed on Electrocorp as the world's leading manufacturer and developer of advanced robotics eventually outstrip the company's ability to run its operations efficiently.

In response to this, the gigantic Electrocorp

nanobots in a sealed central chamber within Metropolis 4. Dubbed The Supervisor, it learns at an unprecedented rate and quickly becomes the perfect multi-task, ultra-intelligent robot, the pinnacle of artificial intelligence
and more than capable of managing every aspect of the plant's day-to-day operations. The Supervisor even has the potential power to run every robot, computer system, nuclear power plant and military on the planet simultaneously if it needed to, although it wisely has no connection to outside the complex.

In the November of that year, the Leader Project goes awry as unexplained and random code is detected within the nanomorph Supervisor. The EGO virus, believed to be the most potent

emotions
.

Development

Rise of the Robots was developed for the

artificial intelligence that has never been seen before".[2]

The graphics in Rise of the Robots were created using

texture map and added colour and detail; the texture map is then wrapped around the finished model to "give it that extra level of detail". The Cyborg was the most complex character to create because of his muscular appearance; Naden studied muscle magazines to create an anatomy for the Cyborg. Each droid took two months to render, and was expected to have 100 frames of animation. Griffiths said that the team opted to use an "unusual angle" for all droids "so the player gets to see the whole robot". The team employed a chroma key technique to generate synthetic actors and place them on the background.[2]

Andy Clark, the programmer for the Amiga version, was responsible for coding the game's artificial intelligence using a series of

data tables. The AI is based around various attributes—such as strength, intelligence, speed and motivation—which alter the droid's behaviour. Clark created a table of responses to the opponent's moves, allowing the player to select the best responses by using their droid's intelligence and motivation. Other table generators were also created to examine which move the player is used frequently; Clark said, unlike other fighting games, "if you get good at a footsweep, then your opponent will act more aggressively towards that move". The fighting moves were programmed by Gary Leach, who had experience in martial arts. Leach also ported the AI tables to the PC version.[2]

The game features soundtrack by Queen's guitarist Brian May,[3] whose solo album Back to the Light caught Mirage's attention. Musical tracks from the album, "The Dark" and "Resurrection", were chosen to fit the game's style and tone.[4] Although the game boasted May's soundtrack,[5] only "The Dark" appeared in the final release, while the actual in-game score was done by Richard Joseph.[6] While May did in fact record a full soundtrack to the game, it was postponed by his record company, causing Mirage to proceed without May's musical contribution, with the exception of short guitar sounds.[7]

Release

Rise of the Robots was unveiled at the

Philips CD-i.[9][10]

The Mega Drive, Game Gear and SNES versions were developed and programmed by Data Design Interactive.[11][12][13] Absolute Entertainment initially owned the rights to the 3DO, Mega Drive, Game Gear, and SNES versions of the game, but later sold all Rise of the Robots rights back to developer Mirage, save the 3DO version rights. Mirage then sold the SNES rights on to Acclaim Entertainment.[8] In a reverse of the usual pattern for video games, the home versions were all developed and released first, with the enhanced arcade version coming later.[14] Coombs stated that Rise of the Robots was originally developed with the Amiga in mind, while the PC version was a "conversion 'upwards', meaning additions could be made". She added that problems emerged with the console versions, and porting the game from one platform to another was not straightforward.[9]

Rise of the Robots was originally planned to be released in February 1994, but got delayed because the developers wanted to "continue to perfect the graphics and enhance the gameplay as much as possible".[9] Rise of the Robots was eventually released on November 18, 1994 for Amiga platforms.[15][16] The SNES version was released in December, in North America by Acclaim Entertainment,[17] and in Japan by T&E Soft.[18] The Mega Drive version was scheduled for the December 1994 release in Europe, but it was delayed until February 1995.[19] The arcade version was released in May 1995 in the United Kingdom; it was the main attempt by the slot machine manufacturer Bell-Fruit to create an arcade machine using a PC architecture.[20]

A "Director's Cut" edition was released on PC. It contains a second disc containing work in progress footage, interactive pre-production animations and rushes, still image galleries, and other behind the scenes material.

A version for the Atari Jaguar CD was in development by Art Data Interactive and planned to be published by Time Warner Interactive in 1995, but was never released for unknown reasons.[21][22][23][24][25] Game Boy and Master System versions were also planned.[1]

Reception

Reviewing the Amiga version for

The One Amiga made similar comments; he wrote that "[e]xcept on 'Hard' level all but the Supervisor and one other opponent can be slaughtered by trapping them in the corner and inflicting repeated jump kicks". Nuttall criticised the game for its short length, and added that "there aren't enough characters".[15]

A reviewer for Next Generation remarked that "Although the glossy rendered images make the seven different warriors look truly remarkable, the actual playability of the game suffers from the same lack of control plaguing most PC fighting games." He further criticised the poorly designed opponent AI, and called the game "one of the biggest disappointments of the year".[31]

GamePro panned the Game Gear version, summarising that "The bad control, weak game play, and choppy animation infest this cart from start to finish." They particularly criticised that the moves are boringly basic and limited, and that the choppy animation makes the player feel disconnected from what is happening on screen.[34] Reviewing the SNES version, Electronic Gaming Monthly said that the graphics are excellent but that the poor control and limited number of moves cripple the game.[28] GamePro called it "one of the most unappealing fighting games ever made for the SNES", citing the dark and bland colour scheme and the "extremely weak and choppy" controls.[35]

Electronic Gaming Monthly were even more condemning of the 3DO version, with one of their reviewers calling it "by far the worst fighting game I've ever seen". All four of their reviewers panned it for having overlong cinemas, a severely limited number of moves, difficulty pulling off even basic punches and kicks, and long load times.[29] GamePro also panned the 3DO version, commenting that "Rise offers deceptively good graphics - the rendered cinemas, characters, and backgrounds do their best to gloss over the choppy gameplay animation and lack of moves."[36]

Next Generation reviewed the SNES version of the game, saying "In the end, Robots is just another forgettable 'me-too' brawler."[30]

According to Mirage, the Amiga CD32 version of Rise of the Robots sold to more than 45% of the Amiga CD32's installed base.[1]

Retrospective

Next Generation's 1998 retrospective on the failure of Rise of the Robots commented, "Most gamers now know not to trust packaging graphics, but this was a lesson that had to be learned the hard way. In hindsight it's obvious that nothing could look that good (and Rise of the Robots certainly looked really good) and simultaneously offer great gameplay ... But back in 1994, no one was aware that such high-resolution 'rendered graphics' came with such a price tag, and no one was expecting the game to fail."[1]

In 2014,

AllGame cited the game as "one of the most boring 16-bit fighting games", although he praised the game's soundtrack as "riveting and distinctive".[26]

Mirage managing director Peter Jones has said that he stands by the game's quality, arguing that the negative response to Rise of the Robots was due chiefly to the out-of-control hype building expectations that no game could fulfill. He has also claimed that while the console versions were panned, reviews for the PC versions "were very positive".[1]

Sequel and legacy

Despite its critical and commercial failure, Mirage released Rise 2: Resurrection in 1996 as a more conventional fighting game with extended features. The story expanded further upon that of the original game. Originally made for computer systems, it was ported to the PlayStation and Sega Saturn as well, again with little success.

Rise 2 features an original song by Brian May, entitled "Cyborg". The PC CD-ROM of the game featured two versions of the track in audio CD format along with other music from the game, and the European-released Director's Cut edition of the game featured a second CD with two additional versions of the song, as well as computer-altered sound files of May saying various words and phrases from the game. A newer version of "Cyborg" later appeared on May's 1998 album Another World.

Jim Murdoch penned a novelization of Rise of the Robots, which was published on 2 February 1995. It was based on the Rise of the Robots characters created by Sean Griffiths and Kwan Lee.

Deck13 Interactive stated this game and the

The Surge.[39]

See also

References

  1. ^
    Imagine Media
    . April 1998. p. 40.
  2. ^ a b c "Rise of the Robots". Edge. No. 3. Future plc. December 1993. pp. 42–49.
  3. ^
    Future Publishing
    . pp. 60–61.
  4. Instruction manual). Time Warner Interactive
    . pp. 6–7.
  5. ^ "Les 10 jeux les plus décevants de l'histoire: Rise of the Robots". JeuxVideo.com (in French). L'Odyssée Interactive. 8 May 2009. Archived from the original on 11 March 2016. Retrieved 25 February 2016.
  6. ^ Rise of the Robots (Super NES) Instruction Booklet. Acclaim Entertainment. December 1994. p. 20. SNS-AROE-USA.
  7. ^ Eurogamer staff (8 February 2016). "Die schlechtesten Spiele aller Zeiten: Die 90er – In den Abgründen des 2D-3D-Wechsels". Eurogamer (in German). Gamer Network. p. 14. Archived from the original on 19 February 2016. Retrieved 19 February 2016.
  8. ^ a b "Rise of the Robots Mystery". Electronic Gaming Monthly. No. 65. Ziff Davis. December 1994. p. 16.
  9. ^
    EMAP
    . p. 42.
  10. 1UP.com. IGN. p. 5. Archived from the original
    on 15 March 2016. Retrieved 19 February 2016. The CD-i has a unique way of sucking all the fun out of a game -- even titles that were originally released for other platforms. It's no surprise when a crap fighter like Rise of the Robots gets ever crappier during its transition to the CD-i [...]
  11. Mega Drive). Acclaim Entertainment
    . Scene: Ending credits. Data Design Staff. Mega Drive and Mega-CD programming by Antonio Argentieri. SNES programming by Tony Stoddart. GameGear programming by Clive Townsend.
  12. ^ Data Design Interactive (1994). Rise of the Robots (Game Gear). Time Warner Interactive. Scene: Opening. Game Gear version by TNT of Data Design
  13. 1UP.com. IGN. Archived from the original on 5 March 2016. Retrieved 25 February 2016. Well, although [Data Design have] been around for something like 20 years, chances are you've never heard of them. Chances are also pretty good that you've played -- and remember -- at least one or two games from this development house. Unfortunately, the name of one of those games is probably Rise of the Robots, the Genesis/SNES fighting game stinker from Acclaim.{{cite web}}: CS1 maint: numeric names: authors list (link
    )
  14. ^ "More ECTS Games". GamePro. No. 82. IDG. July 1995. p. 116.
  15. ^
    EMAP
    . pp. 76–77.
  16. ^ Goodrich, Lew (23 November 1994). "Video game boots up £50m advance orders". Newspapers by Ancestry. Retrieved 22 October 2023.
  17. Nintendo of America. Archived from the original
    (PDF) on 3 March 2016. Retrieved 25 October 2015.
  18. ^ ライズ・オブ・ザ・ロボッツ まとめ [スーパーファミコン]. Famitsu (in Japanese). Kadokawa Corporation. Archived from the original on 6 March 2016. Retrieved 19 February 2016.
  19. EMAP Images
    . November 1994. p. 12. Rise of the Robots, previously scheduled for a Christmas release, has now been delayed until February next year, at the very earliest.
  20. ^ "Rise of the Robots (prototype) - MAME machine". Arcade Database. 11 January 2013. Retrieved 26 July 2016.
  21. ^ Gavet, Nicolas (September 1994). "Jaguar - Atari - Le Jaguar, La Preuve Par 64". Consoles + (in French). No. 35. M.E.R.7. pp. 86–87.
  22. ^ M. LaBarge, Dimitri (9 October 1994). "Surfing the Jagged Edge - Other Game News". Atari Explorer Online. Vol. 3, no. 12. Subspace Publishers. Archived from the original on 3 March 2016. Retrieved 24 March 2019.
  23. ^ "Actualités Internationales". CD Consoles (in French). No. 5. Pressimage. March 1995. p. 20.
  24. ^ "Release Liste". Video Games (in German). No. 46. Future-Verlag. August 1995. p. 43.
  25. VideoGames - The Ultimate Gaming Magazine. No. 79. L.F.P., Inc.
    p. 14.
  26. ^
    All Media Network. Archived from the original
    on 14 November 2014. Retrieved 19 February 2016.
  27. ^ "Rise of the Robots". Edge. No. 17. February 1995. p. 79. Retrieved 15 June 2021.
  28. ^ a b "Review Crew: Rise of the Robots". Electronic Gaming Monthly. No. 66. Ziff Davis. January 1995. p. 38.
  29. ^ a b "Review Crew: Rise of the Robots". Electronic Gaming Monthly. No. 70. Ziff Davis. May 1995. p. 38.
  30. ^ a b "Skin Deep". Next Generation. No. 2. Imagine Media. February 1995. p. 103.
  31. ^
    Imagine Media
    . March 1995. p. 94.
  32. ^ Stout, Andy (October 1995). "Rise of the Robots (CDI) Review". CD-i (14). Haymarket Magazines Ltd: 14–15. Retrieved 5 April 2022.
  33. ^ "Rise of the Robots". 3DO (1). Paragon Publishing: 34. December 1994. Retrieved 6 April 2022.
  34. ^ "ProReview: Rise of the Robots". GamePro. No. 67. IDG. February 1995. p. 128.
  35. ^ "ProReview: Rise of the Robots". GamePro. No. 82. IDG. July 1995. p. 63.
  36. ^ "Rise of the Robots". GamePro. No. 83. IDG. August 1995. p. 75.
  37. GamesRadar. Future plc. 27 June 2014. Archived
    from the original on 2 July 2014. Retrieved 26 February 2016.
  38. Nintendo Life. Gamer Network. Archived
    from the original on 15 May 2016. Retrieved 22 March 2016.
  39. ^ "The Surge Launch Trailer Released Ahead of Schedule". onlysp. Archived from the original on 25 December 2019. Retrieved 8 June 2017.

External links

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