Sanctuary of Bom Jesus de Matosinhos
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Sanctuary of Bom Jesus de Matosinhos | |
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Santuário do Bom Jesus de Matosinhos | |
Catholic | |
Rite | Roman Rite |
Ownership | Roman Catholic Archdiocese of Mariana |
Location | |
Municipality | Congonhas |
State | Minas Gerais |
Country | Brazil |
Geographic coordinates | 20°30′28″S 43°51′38″W / 20.507778°S 43.860694°W |
Architecture | |
Style | Baroque |
Official name: Sanctuary of Bom Jesus do Congonhas | |
Criteria | Cultural: (i)(iv) |
Designated | 1985 (9th session) |
Reference no. | 334 |
Buffer zone | 8.77 ha (21.7 acres) |
National Historic Heritage of Brazil | |
Designated | 1939 |
The Sanctuary of Bom Jesus de Matosinhos (
Location
The sanctuary is located on top of the Morro do Maranhão, a bluff that is part of the Serra do Ouro Branco. It is approached by steep, cobbled streets of the historic center of Congonhas.[3]
Bom Jesus de Matosinhos
The Sanctuary of Bom Jesus de Matosinhos is dedicated to Bom Jesus de Matosinhos, an invocation of Jesus related to a polychrome wood sculpture. This sculpture is displayed in Matosinhos, Portugal. People believe that it was created by Nicodemus who knew Jesus in his lifetime. The sculpture was said to be a perfect likeness of Jesus and it is the first depiction of Jesus that arrived in Portugal.[4]
History
The sanctuary was commissioned by Feliciano Mendes. Mendes made a promise to the Bom Jesus de Matosinhos after he recovered from a grave illness in 1757. When Mendes died in 1765, religious services started to be offered by the sanctuary.[4] The sculpture of Bom Jesus at Congonhas do Campo is seen as a powerful vehicle of intercession. It was believed that prayers uttered in front of the sculpture have a good chance of being answered, and it became a famous pilgrimage site with to which people travelled to ask Jesus for help and assistance.[4]
Structure
The plan of the church follows the Portuguese colonial baroque model, and is described as "the largest and most notable architectural and artistic ensemble in the country" by Maria Elisa Carrazzoni.[5] It has a rectangular floor plan, a single nave, a choir over the entrance, and a chancel separated from the nave by a monumental arch. Corridors around the chancel lead to a sacristy at the rear. The façade is also typical of the period, with a central block for the body of the church. A single entrance is adorned with a carved stone frame. The art historian Germain Bazin attributes the design of the elaborate frontispiece to Aleijadinho.[5][3]
The interior is richly decorated in the Rococo style, consisting of gilded carvings on the altars, statuary, and paintings on the ceilings and walls. The altars of the chancel arch were completed between 1765 and 1769 by
Protection and management requirements
Since the sanctuary was designated an historical site in 1939, the
Room of Miracles
On January 29, 1981, the Room of Miracles was considered a federal heritage site by IPHAN. This is an offering room where devotees donate objects to say thanks for the blessings that they received through Bom Jesus's intercession.[1]
References
- ^ a b c d "Sanctuary of Bom Jesus do Congonhas". UNESCO World Heritage Centre. Retrieved 2021-04-03.
- ^ "Sanctuary of Bom Jesus do Congonhas, World Heritage Site (Brazil) | LAC Geo". lacgeo.com. Retrieved 2021-04-03.
- ^ a b c d Fonseca, Cláudia Damasceno (2012). "Sanctuary of Bom Jesus de Matosinhos". Lisbon, Portugal: Heritage of Portuguese Influence/Património de Influência Portuguesa. Retrieved 2022-05-19.
- ^ a b c "Sanctuary of Bom Jesus de Matosinhos of Congonhas do Campo, 1757-1872". Khan Academy. Retrieved April 3, 2021.
- ^ Wikidata Q63090031
This article incorporates text by UNESCO available under the CC BY 3.0 license.