Solus (typeface)

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Eric Gill's artwork for the capitals of Solus, showing an alternative 'M' at bottom right similar to that of Gill Sans.

Solus is a serif typeface that was designed by English sculptor and stonemason Eric Gill for the British Monotype Corporation and released in 1929.[1][2][3][4][5]

Solus has a structure of straight, regular serifs reminiscent of slab-serif typefaces of the nineteenth century, but with a reduced build giving an impression of crispness.[6] Along with these characteristics, Solus bears the distinct personality of Gill's characteristic preferences in letterforms, such as the pointed end to the top left of the letter 'a'.[7][8][9] James Mosley describes Solus as "essentially a mechanistic type — a ‘light Egyptian’", a conclusion also reached by editor Robert Harling in his book on Gill's work.[10][a]

Solus was not particularly popular during the metal type period, which Harling suggests was because it was too similar to Gill's pre-existing Perpetua, not having an italic and having little appeal in display use, unlike more aggressive slab serif designs.[12] Gill's Joanna, designed some years later in a similar style but with an italic, has become much more popular.[10]

Solus has not been digitised by Monotype; an unofficial revival has been made by the company K-Type.

optical size designed for small-size text is influenced by Solus and Joanna more while its display size more recalls Perpetua.[16][17]

References

  1. .
  2. .
  3. .
  4. ^ Mosley, James. "Eric Gill's Perpetua Type". Fine Print.
  5. ^ "Eric Gill's Solus Type". The London Mercury. 1935.
  6. .
  7. Matrix
    . 2: 23–26.
  8. ^ Mosley, James. "Eric Gill's R: the Italian connection". Type Foundry. Retrieved 11 November 2015.
  9. ^ Mosley, James. "Eric Gill and the Cockerel Press". Upper & Lower Case. International Typeface Corporation. Archived from the original on 29 July 2012. Retrieved 7 October 2016.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  10. ^ a b c Bates, Keith. "The Non Solus Story". K-Type. Retrieved 21 July 2015.
  11. ^ Tracy, Walter. Letters of Credit. p. 82.
  12. . see also Harling's The Type Designs of Eric Gill in Alphabet and Image, 1948
  13. ^ Bates, Keith. "Non-Solus: 2012 Update". K-Type. Retrieved 14 October 2016.
  14. ^ "Financier Typeface Family « TDC TOKYO ENG".
  15. ^ "Best Awards - Klim Type Foundry and The Financial Times. / Financier Typeface Family". Archived from the original on 2015-10-19.
  16. ^ "Financier: a new typeface family for the Financial Times - Creative Review". 3 November 2014.
  17. ^ "A New Font is Giving the Financial Times a Smart, Luxurious Update". 27 September 2016.
  1. ^ Walter Tracy in contrast commented: "it is hard to accept the suggestion that the egyptian form was in Eric Gill's mind...[Solus] is really no more than a Perpetua-like roman unhappily fitted with a thickened version of the serifs of Monotype Bodoni 135, recommended to Gill by Stanley Morison."[11]

External links