Stephen Ward (musical)

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Stephen Ward
The Scandal That Shook Society
Book
Don Black
Christopher Hampton
BasisThe Profumo affair and the life of Stephen Ward
Premiere19 December 2013 (2013-12-19): Aldwych Theatre
Productions2013 West End

Stephen Ward is a

West End at the Aldwych Theatre
in 2013.

Background

In February 2012, Webber first revealed in an interview with the British broadcaster

ITV special Andrew Lloyd Webber: 40 Musical Years. The track was later released as a digital download.[6]

Officially confirmed on 28 June 2013, producers announced that the initial production would be staged at the

In 2014, the full libretto of the musical was published by Faber and Faber in book form.[14]

Production history

West End (2013)

Stephen Ward began previews on 3 December 2013,

Lucky Gordon and Wayne Robinson as Johnny Edgecombe.[20]

The West End production of Stephen Ward received mixed reviews from critics.[21][22] The official opening night was overshadowed by an incident at the Apollo Theatre:[23] during a performance of The Curious Incident of the Dog in the Night-Time, part of the theatre's ceiling fell onto the audience. Members of the West End theatre circuit, managers and producers, who were attending the premiere of Stephen Ward were told of the incident during the interval; many left the theatre to attend to the incident at the Apollo Theatre. Media who were attending Stephen Ward were diverted by news-desks to cover the incident at the Apollo Theatre. The planned after-show press room was cancelled, once the scale of the incident at the Apollo Theatre became clear and that audience members had been hurt.

Despite initially announcing the production would extend to 31 May,

From Here to Eternity.[25][26] A typical London performance ran 2hrs 20mins, including one interval.[27] Michael Billington wrote that Lloyd Webber's "great gift is for writing music about either fulfilled or unrequited romantic passion". On Stephen Ward, he wondered why Lloyd Webber "ever felt it was the right subject for his particular talents and why the producers thought a show about a flagrant miscarriage of justice half a century ago had much resonance for a modern audience."[28] An admirer of Lloyd Webber, Billington believed such a project had demanded the "satirical bite" which Kander and Ebb displayed in the musicals Cabaret and Chicago.[28]

Music

Musical numbers

°Not released on the original cast recording of the musical