Talk:Evermore (song)

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Infobox question

  • @
    Aoba47: Haha thanks! Yeah I noticed this song has been getting quite a bit of press even since before the movie came out so I figured it deserved its own article. And yeah totally, I had full intentions of actually adding two infoboxes to this article (one for Dan's version and the other for Groban's), just haven't found the time do so so since I've been focusing on other aspects of the article first. But feel free to go ahead with adding one if you feel so inclined, no intrusion at all :-)--Changedforbetter (talk) 18:18, 26 March 2017 (UTC)[reply
    ]
  • That makes sense to me! You have done a lot of amazing work on this. I can see this being put up for GAN in the future. You actually inspire me to work on Disney-related stuff in the future.
    Aoba47 (talk) 20:09, 29 March 2017 (UTC)[reply
    ]
  • Thank you; that is very sweet! Good luck with your future work!
    Aoba47 (talk) 15:20, 31 March 2017 (UTC)[reply
    ]
  • @Mark E: Thanks! Yeah I caught your edit and you're totally right, it was sounding a little redundant. Thanks for your changes :-)--Changedforbetter (talk) 12:32, 6 April 2017 (UTC)[reply]

Summary vs. synthesis

Wikipedia has various guidelines telling us the lead should summarize the body of the article. Wikipedia has a policy telling us not to combine material from multiple sources to say something that no one source says.

Tell someone the plot of the film in several sentences. Congratulations, you have just summarized the plot without synthesis. Tell them Jane Doe from OMGFilm loved it. Right or wrong, you have just summarized her opinion without synthesis.

Tell someone that critics loved the film -- after all, you've read every critical review written everywhere, right? -- and you have summarized their opinions. You have also just

synthesized
new material. You took information from multiple sources (the individual reviews) and combined that information to say something new that no one source individually says: Critics loved the film.

Human beings hate ambiguity. Tell someone that some critics loved the film, some liked it, some thought it was OK, some didn't like it and some hated it and nine times out of ten, the other person will say, "Yeah, but did they mostly like it or not?" As a result, it is tempting to decide that one possible interpretation of a guideline overrides the clear meaning of a policy. This is a mistake. It's possible to find other articles that do the same thing, decide that they are right and follow their lead ("But officer, everyone is driving that fast. I was just keeping up with traffic!").

At the moment, Wikipedia says, "with both film and music critics dubbing it the best of the remake's three original songs amidst heavy comparisons to its precedent "If I Can't Love Her". Critics frequently recognized Stevens among the cast's best vocalists and agreed that "Evermore" is a strong contender for an Academy Award for a Best Original Song nomination at the 90th Academy Awards, however it was not nominated for the category."

With "both film and music critics dubbing it the best of the remake's three original songs"? Some clearly did. Some sort of, kind of, almost said something like that. Others said nothing of the kind. Still other said nothing at all about this song. With something longer -- and album, film, TV show, novel or whatever -- people often seek out reviews before investing one to several hours of their time to it. As a result, individual reviews for longer works are quite common. Articles dedicated to reviewing the latest Taylor Swift album are twelve for ten cents at the moment. People want to know, "Is this $10 hour of music worth my time and money or is it just a couple of singles and a bunch of filler?" Looking for reviews of the lead single and you need to dig a bit deeper. Yes, there are blurbs popping up in the daily press and on blogs talking about it the moment it came out from an OMG-have-you-heard-it-yet perspective. It's the first song from the (then) forthcoming TAYLOR SWIFT(tm) album. Most songs, like this one, don't get that at all. Even that valuable addition to human culture merited those stories for a couple of days. A magazine coming out a couple of weeks later would seem stale to run an article on the one song. Reflecting this, there are no review aggregators covering individual songs.

For an album, you can cite review aggregators. Metacritic looks at a fairly broad sample of Western, mainstream music critics and will tell you what the general consensus of those critics is. With proper attribution, you can certainly say what the score signifies, according to Metacritic. A 100 there would mean that Metacritic's sample of critics liked it. Perhaps critics in Latin America hated it. May be the alternative press hated it. I don't know. Metacritic doesn't know either.

For this song, we know what a handful of critics said. Is it a representative sample? I don't know. You don't know. Is the selection here representative of the worldwide pool of critics or is it a few critics selected by Disney fans who came to an article on one song in a movie to rave about how wonderful the song is? I don't know.

Most music critics said absolutely nothing about this song. A number of very prominent film critics did not review the film or did not discuss the "new" songs vs. the old. And yet, we've just put words in their mouths. Maybe the critics who didn't say anything LOVED it but didn't see that as part of their beat. Maybe they hated it. Maybe they thought it was middling filler.

We don't know what "critics" thought of this song. Yes, we know what a number of critics thought. I hesitate to say that those critics are the body of critics readers would think "critics" represents, much as I would not say what "Americans" think based on statements from five or a dozen people.

"Critics frequently"? No. They do not. Some of the ones we have here did. They agreed it was a strong contender? Gosh, the critics who nominate didn't! "Critics" did not. A few that we cite did.

Rather than following an interpretation of a guideline to say something that may or may not be accurate, I suggest we follow the policy and verifiably report what the sources actually said. (Incidentally, if two critics say slightly different things, saying the second "agreed", then giving their different statement is bad form. Say what they said. Don't ignore the differences and assume the statements are the same.[1]) - SummerPhDv2.0 13:58, 25 January 2018 (UTC)[reply]

<crickets chirping>
While the discussion here has been very enlightening (I now fully appreciate that I am "ridiculous" and that
WP:SYN
is a matter of preference), I'd like to suggest that perhaps the burden to demonstrate verifiability lies with the editor who adds or restores material, and is satisfied by providing a citation to a reliable source that directly supports the contribution. It's not just my opinion, it's policy.
If you have a reliable source for each of these ideas[2], please cite them.
If you feel an existing source supports one of these ideas, please provide a quote from that source which explicitly states it.
If you feel that these ideas do not need to be explicitly stated by any of the sources, you will need to explain why. - SummerPhDv2.0 19:12, 21 February 2018 (UTC)[reply]
  • @
    Aoba47 (talk) 20:19, 21 February 2018 (UTC)[reply
    ]
I am aware that text in the lead typically is not sourced. In the present case, the text is not summarizing the major points of the article text, it is synthesizing new material.
We do not have sources directly stating that reviews have been "mostly positive" or "largely positive". In the body, "'Evermore' has garnered mostly positive reviews from both film and music critics, establishing itself as an audience favorite." is backedup by a source whose only comment on the song is "...with his new song “Evermore” a fan favorite of the musical additions." I removed "mostly positive" as synthesis. The other editor restored it, calling it "common practice". I tried discussion. Their "discussion" is an edit summary saying "I've seen your comment on talk, and I disagree."
The story is similar for the rest. Someone read some reviews, decided they were a representative sample and decided to combine them to say some new things. One critic said A. Another critics said B. In some cases, we're told the first critic said A and the second agreed. In other cases, it becomes "critics" said C.
Certainty is nice. False certainty is a cop out. Most critics said nothing whatsoever about this song. There are no review aggregators for songs. Our desire to have one does not mean we should become one.
You are fully entitled to critique my approach and find fault with it. That said, the curt "I disagree." followed by a month of silence, then dismissing me as "being ridiculous" with still no discussion hardly seems to be the gold standard. - SummerPhDv2.0 23:41, 21 February 2018 (UTC)[reply]
  • @
    Aoba47 (talk) 06:01, 22 February 2018 (UTC)[reply
    ]
Sorry I was not clearer. I am not accusing you of anything. The other editor's only comment on my attempt to discuss was the edit summary: "I've seen your comment on talk, and I disagree."[3] They ignored my in-line requests for a month. When I then removed it as unsourced, their response was "it's sourced, just not the way you'd LIKE it to be sourced. You're being ridiculous."[4] Their input thus far is: they disagree, I'm being ridiculous.
I'll take this slowly. - SummerPhDv2.0 13:10, 22 February 2018 (UTC)[reply]
  • No worries. Thank you for your response, and I apologize if I was rude in my response. Just so I am clear, I do respect your opinion and I understand where you are coming from. We may have a slight difference in opinion, but it is a good discussion to have. Hope you have a great rest of your day and/or night!
    Aoba47 (talk) 16:35, 22 February 2018 (UTC)[reply
    ]

"positive reviews"

In the body, we have the claim "'Evermore' has garnered mostly positive reviews from both film and music critics, establishing itself as an audience favorite.", sourced to "Screen Rant"[5] I'm not sure how reliable that source is. The number of superlatives on their "about" page (along with the typos) has a contrary effect.[6] ("one of the largest and most-respected", creaming the number of page views, "unique insight that engages everyone", "the ultimate geek entertainment destination", "the most influential", etc.)

In any case, the source says only, "...with his new song “Evermore” a fan favorite of the musical additions."

I am adding a cite needed for the first half. It is unsupported. If there is no discussion and no one (including me) finds a source, I'll yank it after a week or so.

I am adjusting the wording in the second half to better reflect the source. - SummerPhDv2.0 13:10, 22 February 2018 (UTC)[reply]

We've resolved the "an audience favorite" reach with the more down-to-earth "a fan favorite of the musical additions", though the source is still questionable. Let's see those "largely positive"[7] or "mostly positive"[8] reviews of the song.
The sources are hardly reviews and don't say much.
A review "commends the 'audacious' placement"? No, a general entertainment reporter[9] says the new songs are "cheesy" and says it's "amazingly audacious...to put another song directly after...the most famous song in the movie". Not a commendation, just her observation that it's gutsy.
A reviewer "appreciated 'Evermore' for both 'enhanc[ing] the story' and allowing the Beast to sing"? No, the source[10] says fans may not be happy that songs were added, but, "but both Days in the Sun and Evermore, enhance the story and allow the Beast a bit more voice in proceedings."
It's a "lovely addition to the story"? Yes, but does that "agree" with the second source? "Enhancing" a story may or may not be "lovely".
Our article punches up the positive of the isolated sentences mentioning the songs to fit an overall "gosh this song is swell" idea. The sources, though, seem to have other things in mind: does the song help the story, does it fleshes out a character, it "really brought an arc to the character". What's missing is "this song has a great beat and you can dance to it; it's the best single since last year's 'Get Your Boogey on the Dance Floor and Shake It'". Calling this kind of thing largely positive/mostly positive/positive reviews is off the mark in that they really can't be called reviews of the song. They're just saying it fits the movie, it helps humanize Beast or strengthens a dramatic arc.
Thisthis source says it is "the only other song that matches the grandeur of the classic Disney works". That sure sounds "positive", right? The reviewer has good things to say about the cover version released as a single, but we've been talking about the film version which "is less pleasing to the ear...still inferior to Groban’s version...it comes across as cheesy..."
We are told that harsh assessment "agrees" with "the only standout among the film’s forgettable trio of new songs". It does not. - SummerPhDv2.0 22:35, 22 February 2018 (UTC)[reply]
  • Thank you for the response. Would it be better than if the topic sentence is changed to something along the lines of what you stated above (i.e. "They're just saying it fits the movie, it helps humanize Beast or strengthens a dramatic arc.") while having the rest of the paragraph stand as support. The problem may lay with the actual structure of the paragraph rather than the sourcing if that makes sense.
    Aoba47 (talk) 22:59, 22 February 2018 (UTC)[reply
    ]

A Commons file used on this page has been nominated for deletion

The following Wikimedia Commons file used on this page has been nominated for deletion:

Participate in the deletion discussion at the nomination page. Community Tech bot (talk) 04:01, 23 July 2018 (UTC)[reply]