Teardown (video game)

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Teardown
Single-player

Teardown is a 2022

getaway vehicle
within sixty seconds, though the alarm can be adjusted from the settings.

Teardown uses a proprietary

designer Emil Bengtsson to find amicable gameplay concepts that used this technology. Gustafsson conceived the two-phase heist concept, which he and Bengtsson refined. Gustafsson regularly shared development updates via Twitter and the resulting popularity led him to not pursue traditional marketing for Teardown. The game was announced in October 2019 and made available as an early access
game in October 2020 with one half of the campaign, the other being added in December 2021. The completed game was released in April 2022.

Teardown saw positive reactions leading up to and during its early access phase, and it received favourable reviews upon release. Critics praised the game's physics, interactivity, graphics implementation, art style, and music. Mixed opinions were raised regarding the campaign progression and story and some control elements were criticised. The game's support for

Xbox Series X/S
ports, published by Saber Interactive, were released in November 2023.

Gameplay

A screenshot showing a third-person perspective of the player in an excavator, breaking open a locked metal gate using its shovel. The background beyond the gate features a van, utility poles, and trees.
Teardown's levels consist of destructible voxels with various materials, so a locked metal gate may be destroyed with an excavator.

Teardown is a sandbox game with puzzle elements played from a first-person perspective.[1][2] The player can freely navigate the game's nine levels, which consist entirely of destructible voxels.[3][4] Some voxel materials require stronger tools to destroy.[5] The player starts out with a sledgehammer, fire extinguisher, and spraycan.[3][6] The spraycan can be used to mark points of interest.[7][8] Later tools are unlocked throughout the campaign, including a blowtorch, a shotgun, bombs, and a rocket launcher, which have limited uses.[9] New structures can be erected using planks.[2][10] Acquired tools can be upgraded using cash earned from collecting valuables scattered throughout levels.[11] Vehicles like trucks, cranes, excavators, and boats can be used for traversal and destruction,[1][2] and the likes of propane tanks for explosions.[8]

Each mission comprises one or more objectives, of which some are required and some optional.

quick save.[1][5]

Through accessibility options, the player can adjust the game's difficulty, such as by increasing the time they have to complete a level after triggering the timer.[19][20] Outside of the campaign, the Sandbox mode puts the player into any of the unlocked levels with all tools and their upgrades but without objectives.[1][3] In the Creative mode, the player can design levels and objects by painting with voxels of various materials within the game world.[21][22] Three challenge modes can be played on each unlocked level: In Mayhem, the player must destroy as many voxels as possible within sixty seconds; in Hunted, the player is tasked with collecting randomly appearing items while being chased by an attack helicopter;[3] and in Fetch, the player has to collect as many items as possible in a sixty-second time frame.[23]

Modding

Custom levels and structures can be modelled using the program MagicaVoxel and imported into the game.

mods had appeared by November 2020.[30][31] Certain mods provide alternative gameplay in different genres.[32] More than 6,000 mods had been submitted to the Steam Workshop by September 2023,[33] up from 1,100 in May 2022 and over 5,000 in March 2023.[12][34] Modding competitions are held biannually.[33] Teardown highlights select mods curated by the developers.[35][36] On consoles, select mods are released as part of "Mod Pack" collections.[37][38]

Plot

Teardown's story is primarily told through emails that the

criminal investigator
Parisa Terdiman agrees not to pursue an investigation if the owner helps her investigate Lawrence Lee Junior and his company, Lee Chemicals. Under her orders, the owner repeatedly breaks into the Lee Chemicals premises and Lee's private properties to retrieve information about a mystery client.

While Lee and Woo repeatedly request destruction jobs aimed at the other, Terdiman discovers that the Lee Chemicals client is BlueTide, an energy drink producer run by Mr Amanatides. As no official records exist on Amanatides, Terdiman asks the owner to retrieve communication data from BlueTide's premises on Hollowrock Island and accounting data from Lee Chemicals. Through Woo, Amanatides learns of the owner's services and hires them to increase BlueTide's security by obtaining confidential information on autonomous guard robots. In the meantime, Tracy purchases a new company vehicle and retains the old one for herself. As Terdiman investigates an unknown substance found in BlueTide's drinks, a leftover shipping label recovered from Hollowrock Island reveals that Amanatides controls the Evertides Mall and uses it as a repackaging hub for the substance. Shipping logs from the Evertides Mall lead the owner to the Muratori Islands, where Terdiman orders them to secure evidence and destroy the local supply chain.

As a result of the disruptions on Hollowrock Island, at the Evertides Mall, and on the Muratori Islands, Amanatides fires Woo as the mall's manager and begins a revenge plot against who he believes harmed BlueTide's business. He orders the owner to retrieve a truck, autonomous robots, and

tanning bed
, so the owner arrives in Cullington and safely guides the Truxterminator through the town and into the sea.

Development and release

Technology and prototypes

Teardown was developed by Tuxedo Labs, an

8-bit colour palette, where each material determines a voxel's colour, roughness, emissiveness, reflectivity, and physical material type.[47] Gustafsson did not add material stress to the engine, feeling as though predictable behaviour would be more beneficial to the player.[41]

After creating a voxel sandbox, he worked alongside former Mediocre

driving game in which the player would drive into and topple objects. They decided against this concept because the destruction was merely an effect rather than central to the gameplay. Several stealth game prototypes followed over the span of several months, but Gustafsson and Bengtsson were unable to construct stealth gameplay where the enemies were insensitive to the sound of the player's destruction.[17][42] The developers explored a survival game prototype featuring giant spiders, but Gustafsson and Bengtsson were generally not content with the use of enemies, as they would disrupt the destructive gameplay.[17][48] Lastly, they toyed with a heist concept, requiring the player to steal a predefined set of objects. Gustafsson and Bengtson considered this task too trivial but regarded using limited tools and caches as too restrictive.[17][45] Seven months into the development, after the two could not come to a mutually liked gameplay variant, Bengtsson left the project in early 2019.[17][41] Gustafsson further experimented with the technology on his own, refusing to drop the work he had already done.[17][41] He stated that it was difficult to find a justification for the possible destruction in the game without resorting to a shooter game or violent gameplay in general.[41] As a result, the game was solely a sandbox for most of its development.[49] He considered the design process his most frustrating yet.[15]

Game design and implementation

Gustafsson shared the progress of his technology on Twitter from 2018 onwards.[50][51] By August 2019, he had developed a game concept that he planned to release.[40][52] Gustafsson came up with the two-phase heist structure with unlimited setup time and limited execution time. He said that it was "compatible with all the limitations (or lack thereof)" of a fully destructible environment while "offering an interesting challenge".[15][53] As a result of the destructibility, obstacles within levels could only be designed with elevation, distance, water, and unbreakable objects. Additionally, Gustafsson intended to use few unbreakable parts, mostly for levels' lower bounds. He avoided overly large maps, initially due to a technical restriction, and later to keep navigation from becoming tedious.[15] Within the second phase of the structure, Gustafsson settled on a simple timer, rather than other concepts such as a slowly flooding cavern.[15][17] The initial levels Gustafsson designed for this concept were long, straight corridors that the player would have travelled twice, reaching an item and returning to the getaway vehicle. After Bengtsson re-joined the project, the two discovered that the game played much better when it featured multiple objectives in a non-linear open world, which became the final design.[17]

Levels were designed with MagicaVoxel.[43] For the quick save system, Gustafsson used run-length encoding to compress world data at high speeds, seeking to encourage the system's use by eliminating long load times.[54] A popular request from fans was to have the security helicopter not spot the getaway vehicle when the timer runs out and instead chase after the player. Gustafsson disliked this idea, saying that it "would introduce an element of randomness that would discourage the strategic thinking and careful planning".[15] He once looked into procedurally altering levels to reflect damage the player had inflicted earlier but scrapped the idea due to time. Adding multiplayer was not planned as the engine was written for single-player gameplay, and the team considered the networked synchronisation of all voxel physics technically infeasible. Anticipating that players would want to mod the game, he moved much of the game's gameplay logic from C++ to Lua. Gustafsson cited as the ultimate goal that modders should be able to create entirely new gameplay mechanics within the game's framework.[46]

Music and sound design

Douglas Holmquist, who had worked on many of Mediocre's games, created Teardown's music and

sound engineer Mathias Schlegel. During the development, unused sounds Holmquist had created for Smash Hit were used as placeholders.[55] He composed and performed the game's soundtrack with Andreas Baw on the drums, Hans Kristian Durán providing vocals for the song "Löckelle", and Håkan Åkesson mastering the songs at Nutid Studio.[56][57]

Early access and release

Gustafsson revealed the game as Teardown on 1 October 2019.

Windows later in 2020.[65][66] He made it available as such on 29 October 2020.[67][68] By this time, the development team comprised Gustafsson, Bengtsson, and five contractors.[46] They later brought on John Kearney as Teardown's art director.[69] The early access phase was to last approximately one year, subject to change depending on player feedback, to allow for the addition of more content.[46][70] The initial release included one half of the game, Part 1, with the second in development by January 2021.[17] Part 2, released on 2 December 2021, added further missions and tools, enemy robots, and tornadoes.[71][72][73] The completed game was released on 21 April 2022.[74] The trailer announcing this release date, published earlier that month, compiled the updates made during the early access phase.[75]

Post-launch content and console ports

On 1 July 2022, Tuxedo Labs was acquired by

online multiplayer, were in development. At the time, Tuxedo Labs did not plan to release paid downloadable content (DLC).[34]

In May 2023, Tuxedo Labs announced Teardown was coming to

PlayStation Plus subscription service.[80][82] The console launch trailer was narrated by the actor Owen Wilson.[82] Time Campers was released alongside the ports, while Folkrace is set to be released in 2024.[80] When Embracer Group sold off Saber Interactive in March 2024, Tuxedo Labs remained with the former.[83]

Reception

Previews

During its early access phase, Teardown was received well. Graham Smith of Rock Paper Shotgun lauded the game's voxel destruction mechanics and their intrinsic value to the gameplay, considering the destruction technology to outperform foregone destruction-focused games like Red Faction: Guerrilla.[2] GameStar's Christian Just praised the game's sandbox approach to level destruction and the technology's level of detail.[84] Rick Lane of Bit-Tech called the game's puzzles "highly open ended yet beautifully challenging".[8] Smith regarded the game as rarely frustrating due to its use of quick saves, which Andy Kelly of PC Gamer echoed.[1][2] Smith also described the successful completion of a level within 60 seconds, after having spent up to an hour planning the route, as rewarding.[2] Likewise, Nathan Grayson of Kotaku stated that it felt "amazing" to complete a level with little time left.[10] Connor Sheridan of GamesRadar+ regarded the game's music as "slick".[7] Lane noted that the visual style was "splendid".[8] Eurogamer's Robert Purchese was amazed by the unexpected existence of a story.[85] PC Gamer's Natalie Clayton praised Teardown's ray-traced lighting implementation and overall art style as "something utterly gorgeous". She believed that its mod support had transformed it "from a fun curiosity into a worthy successor to the king of physics sandboxes, Garry's Mod" and gave it longevity.[86]

With only Part 1 released at the time, Just felt that the game lacked varying content, making it feel "lifeless and dull" after an initial "wow effect". He called the game's worlds "oddly cold and empty" and further cited a perceived lack of

glitchy" object edges or large, partially destroyed structures being supported by very few voxels due to a lack of stress.[2]

Reviews

Teardown received "generally favorable reviews" on all platforms, according to the

Eurogamer.de cited this as a stark contrast to the ease with which some materials could be destroyed.[90] John Cantees of GamingBolt found the interactions with some objects "finicky" and criticised "floaty" controls while jumping, while Jenkins faulted poor controls for vehicles.[5][6]

Cantees found the voxel art style apt for the game and its destruction-based gameplay.

Digital Foundry.[4][92]

Barbosa criticised the pace of upgrades in the campaign, feeling that it hindered the "ability to tear maps apart in entertaining ways" and prevented drastic changes in mission objectives.[3] Kobza similarly felt that the first half of the game had too little objective variety, although the second half performed better in that regard.[4] Menzel cited monotony in returning to the same maps with different objectives.[18] In contrast, Jason Coles of NME found satisfaction in finding new shortcuts on previously played levels after unlocking the planks.[89] Jarrard exclaimed that completing a mission with only seconds left was "a legitimate rush".[14] Jenkins considered the campaign's narrative unnecessary, especially due to a lack of voiced dialogue and missing ability to meet the characters in the game.[6] Jarrard said the story was "paper-thin".[14]

Barbosa felt that the challenge modes had no lasting appeal.

Pure Xbox's PJ O'Reilly bemoaned a lack of a multiplayer component, while O'Reilly additionally lamented the limited availability of mods on consoles.[4][9][38] She considered the modding scene to be the game's "enduring lifeblood" and believed that it made Teardown a spiritual successor to Garry's Mod.[9][93] Coles similarly believed that mods would be Teardown's legacy.[89] Jenkins, Menzel, and Netti warned of possible motion sickness,[6][18][91] and Cantees faulted an inconsistent performance.[5] Schmädig found the game's gamepad support cumbersome.[90]

Sales

Teardown was among Steam's best-selling games in the first few days of its early access phase. In the same time frame, the game received more than 1,800 player reviews, of which 96% were positive, indicating an "overwhelmingly positive" reception.[94] Gustafsson attributed the early success to the popularity of his Twitter videos.[45] By August 2022, Teardown had sold 1.1 million copies.[76]

Accolades

Teardown received nominations for multiple year-end accolades, winning "Excellence in Design" at the 2021

honourable mention for "Best Technology" at the 2023 Game Developers Choice Awards.[97] Shacknews named Teardown the best early access game of 2020 and, after its release, the best PC game of 2022.[98][99] Rock Paper Shotgun's editors cited the game as one of their favourite games of 2020, while GameSpot cited it as one of 2022's best games.[100][101] Kotaku regarded it as one of the year's best games for the Steam Deck platform.[102] PCGamesN said Teardown was one of the "best relaxing games in 2022", while PC Gamer named it the year's best sandbox.[103][104] On PC Gamer's list of the "top 100 PC games", Teardown ranked #25 in 2022 and #95 in 2023. For the latter, the site's Morgan Park championed the game as "one of the best games of the decade so far".[105][106] In Wired, Reece Rogers named the game as one of the best on PlayStation Plus in January 2024.[107] Google DeepMind partnered with Tuxedo Labs and used Teardown, among other games, to train SIMA, a machine learning model that can navigate and interact with arbitrary video game worlds on command.[108][109]

Year Award Category Result Ref.
2021 Independent Games Festival Excellence in Design Won [95][96]
Seumas McNally Grand Prize Nominated
2022 Golden Joystick Awards Best Indie Game Nominated [110]
PC Game of the Year Nominated
Ultimate Game of the Year Nominated [111]
The Steam Awards Most Innovative Gameplay Nominated [112]
2023 D.I.C.E. Awards Outstanding Technical Achievement Nominated [113]

Notes

  1. ^ To leave the protagonist's design to the player's imagination, the character has no name, age, gender, personality traits, or ability to respond to emails.[15]

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External links

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