The Difficult Crossing
| The Difficult Crossing (La traversée difficile) | |
|---|---|
 | |
| Artist | René Magritte |
| Year | 1926 |
| Medium | Oil on canvas |
| Dimensions | 80 cm × 65.3 cm (31.5 in × 26 in) |
| Location | Private collection |
The Difficult Crossing (La traversée difficile) is the name given to two oil-on-canvas paintings by the Belgian surrealist René Magritte. The original version was completed in 1926 during Magritte's early prolific years of surrealism and is currently held in a private collection.[1] A later version was completed in 1963 and is also held in a private collection.[2]
The 1926 version
The 1926 version contains a number of curious elements, some of which are common to many of Magritte's works.
The
Another common feature of Magritte's works seen here is the ambiguity between
Near the bilboquet stands a table. On the top, a disembodied hand is holding a red bird, as if clutching it. The front right leg of the table resembles a human leg.
The 1963 version
In the 1963 version, a number of elements have changed or disappeared. Instead of taking place in a room, the action has moved outside. There is no table or hand clutching a bird and the scene of the rough sea in the ambiguous window/painting at the rear becomes the entire new background. Near the front a low brick wall is seen with a bilboquet behind and a suited figure with an eyeball for a head in front.
There is ambiguity as to whether the suited figure is a man or another bilboquet. Some bilboquet figures, for example those in The Encounter (1929), have similar eyeball heads, however the suit covers the body and no clear identification can be made. If the suited figure is a man, it could be a self-portrait, which means that the eyeball is covering his face. Covering Magritte's face with an object was another common theme for himself,
Relation to other paintings
Both versions of The Difficult Crossing show a strong similarity to Magritte's painting The Birth of the Idol, also from 1926. The scene is outside and depicts a rough sea in the background (this time without ship). Objects which appear include a bilboquet (the non-anthropomorphic variety), a mannequin arm (similar to the hand which clutches the bird) and a wooden board with window-like holes cut out which is nearly identical to those flanking both sides of the room in earlier version.
All three paintings may have been inspired by