The Peasants Returning From The Fields

Source: Wikipedia, the free encyclopedia.
The Peasants Returning From the Fields
Galleria Palatina, Florence

The Peasants' Return From The Fields is a c. 1640 painting by

Galleria Palatina in Florence
.

History

The dating of the work has fluctuated between 1620 and 1635, the year in which the painting was copied and the copy was signed and dated by its maker.

The most convincing hypotheses date the painting to the early 1630s. Some date The Peasants' Return to 1632–1634, when it would perhaps have been a collaboration with Lucas van Uden.[1] Others to the latest phase of Rubens' production, in 1640. For the cart, the artist used two preparatory drawings. One (at Chatsworth House, in the collection of the Duke of Devonshire) depicts a reaper on the right, and the other depicts two carts (in the collection of the Kupferstichkabinett Berlin, n. 3237). There are other parallels between the second figure on the right and the peasant woman on the right in drawings at the Uffizi's Gabinetto dei Disegni e delle Stampe collection. Meanwhile, the five people on the right can be seen in a copy of the Reubens' in the Albertina museum.

The Peasants' Return has long been a pendant, a companion piece, to

French restitutions
, they are described together.

Description and style

The protagonist of the painting is the landscape, with the bucolic scene appearing as a simple pretext for the representation. The composition looks out from a high point onto the vista, on a countryside punctuated by trees and a horizon that falls, more or less, at the middle of the painting. Various people, in small scale, specify the moment of representation in the style of genre paintings by

Pieter Brueghel the Elder. There are a series of peasants returning after work in the fields and a wagon with a man riding a horse that seems to stop for a flock of sheep along the road. Between the two women carrying hay and the rams, an artist pentimento
is visible.

It is likely a landscape of

interpreted as a serene vision of nature bathed in golden light. The sky is furrowed by bare canvas, which echoes the diagonal lines visible in the painting's lower half.

Bibliography

References

  1. ^ a b "N. Cat. 00129513. Rubens Pieter Paul". Catalogo delle opere. Polo Museale Fiorentino. Retrieved 20 December 2020.