The Well-Tempered Synthesizer
The Well-Tempered Synthesizer | ||||
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Studio album by | ||||
Released | November 1969 | |||
Recorded | 1969 | |||
Genre | ||||
Length | 37:58 | |||
Rachel Elkind | ||||
Wendy Carlos chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Rolling Stone | (Positive)[2] |
The Well-Tempered Synthesizer is the second
.Upon its release, the album peaked at No. 199 on the US Billboard 200 chart and was nominated for two Grammy Awards.
Production
In 1969, during the unexpected commercial success of her debut studio album
Like Switched-On Bach, the album was recorded on an 8-track
Canadian pianist
Release
The Well-Tempered Synthesizer was released in November 1969. It peaked at No. 199 on the Billboard 200 chart and was nominated for two Grammy Awards. In February 1974, Billboard reported that the album had sold around 200,000 copies in the US.[6]
Track listing
- "Stereo Test Tone"
- Monteverdi: Orfeo Suite (Toccata; Ritornello I; Choro II; Ritornello II; Choro II; Ritornello II)
- Scarlatti: "Sonata in G major, L. 209/K. 455"
- Scarlatti: "Sonata in D major, L. 164/K. 491"
- Handel: Water Music: "Bourrée"
- Handel: Water Music: "Air"
- Handel: Water Music: "Allegro Deciso"
- Scarlatti: "Sonata in E major, L. 430/K. 531"
- Scarlatti: "Sonata in D major, L. 465/K. 96"
- Brandenburg Concerto #4 in G major: Allegro"
- Bach: "Brandenburg Concerto #4 in G major: Andante"
- Bach: "Brandenburg Concerto #4 in G major: Presto"
- Monteverdi: "Domine ad adjuvandum" (from the 1610 Vespers)
Personnel
- Wendy Carlos – modular Moog synthesizer, engineer
- Rachel Elkind– production
- Horn/Griner – cover photograph
References
- AllMusic
- ^ Garr, Daniel (April 30, 1970). "Walter Carlos The Well-Tempered Synthesizer – Album Review". Rolling Stone. No. 57. p. 54.
- ^ Walter Carlos – The Well-Tempered Synthesizer at Discogs
- ^ a b The Well-Tempered Synthesizer (Media notes). Columbia Masterworks Records. 1969. MS 7286.
- ^ "The Well-Tempered Synthesizer", WendyCarlos.com
- ^ 16 February 1974 edition of Billboard magazine, p. 27.