Toshio Masuda (director)

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This article is about the film director. For the composer, see Toshio Masuda (composer).

Toshio Masuda
Born (1927-10-05) October 5, 1927 (age 96)
Kobe, Empire of Japan
Occupation(s)Film and television director
and writer
Years active1958–present

Toshio Masuda (舛田 利雄, Masuda Toshio, born October 5, 1927) is a Japanese film director. He developed a reputation as a consistent box office hit-maker. Over the course of five decades, 16 of his films made the yearly top ten lists at the Japanese box office—a second place record in the industry. Between 1958 and 1968 he directed 52 films for the

Mainichi Film Awards. In Japan, his films are well-remembered by fans and called genre landmarks by critics. He remains little known abroad save for rare exceptions of his post-Nikkatsu work such as Tora! Tora! Tora!. However, a number of his films were screened in a 2005 Nikkatsu Action Cinema retrospective in Italy, and a few have since made their way to the United States. In 2009, he helped produce Space Battleship Yamato: Resurrection
.

Early life

Toshio Masuda was born in Kobe, Japan. His father was a seaman. He enrolled in a technical training school, however, his mindset did not mesh with the school's military indoctrination, and he was expelled in July 1945. He next attended the Osaka University of Foreign Studies (now Osaka University) where he specialized in Russian literature. There he became enamoured with French cinema, which led him away from Russian grammar and toward a career in the film industry.[1] He thought he would have been bored as a salaryman and that filmmaking would better suit him but suggested he probably would not have followed through had his friends not sought similar careers.[2] After graduating in 1949, he moved to Tokyo to study screenwriting at the Shintoho Studio's Scenario Academy.[1]

Career

In 1950, the Shintoho Company hired Toshio Masuda. He worked as screenwriter and an assistant director under Umetsugu Inoue, Nobuo Nakagawa and Mikio Naruse.[1] He served as 2nd AD on Naruse's Ginza Cosmetics (1951) and Mother (1952). Inoue became a mentor figure to Masuda. They began collaborating on scripts and Masuda moved in with Inoue. He also wrote rough drafts for a number of Inuoe's scripts.[2]

Nikkatsu

The Nikkatsu Company, having ceased film production during World War II, restarted in 1954 and lured assistant directors from other companies.[3] Masuda joined the studio as an assistant director and writer. He continued to write scripts for and with his mentor Inoue, who had also made the switch. He served as 1st AD to Kon Ichikawa on the sets of The Heart (1955) and The Burmese Harp (1956). Masuda was promoted to director in 1957 and debuted with A Journey of Body and Soul the following year.[1] It was a B movie, a low-budget film meant to fill out a double feature, but he quickly ascended to the A list that same year.[4]

Shintarō Ishihara.[1] Yujiro Ishihara was by far the studio's biggest star and Nikkatsu frequently paired their young stars with young directors in order to make "new types of films".[2] Masuda, who turned 30 during the production, made a total of 25 films with Ishihara, more than any other director at the studio.[1] Rusty Knife also marked the first in a succession of hits for Masuda which would serve to keep him in the action genre throughout the next decade.[1][4] Masuda and Ishihara's follow-up, Red Quay (1958), was based on the 1937 French film Pépé le Moko. In 1962, the duo's Hana and Ryu was the studio's number one hit. It was also Masuda's first jidaigeki (period drama) and predated the popularity of the ninkyo (honour versus duty) subgenre which began in 1963 and continued late into the decade. However, Masuda's biggest hit was Red Handkerchief in which Ishihara stars as a disgraced police detective–cum–construction worker who shoots and kills his girlfriend's father. It was the third-highest grossing domestic film of 1964 and a blueprint to the mood action subgenre, action–romantic drama hybrids in a film noir–like setting which were popular in the mid-1960s. He also worked frequently with Kobayashi and Rusty Knife was credited with making the actor a star.[1]

By the late 1960s, Ishihara had scaled back his Nikkatsu output in favour of other studios and his own production company. Nikkatsu viewed new Diamond Line star

Gangster VIP (1968), which was based on the memoirs of real-life yakuza Goro Fujita. It was the first in what has been called Watari's signature film series and his breakthrough role.[1][5] Masuda only directed the first film in the series but it provided another blueprint, this time to the studio's New Action subgenre, films which increased the sex and violence quotient while mirroring the tumultuous times of the late 1960s/early 1970s.[1] Nikkatsu's box office returns suffered in the late 1960s and many stars and directors left the studio.[6] Masuda was not happy with the studio system at the time, and in 1968, he quit to become a freelance director—only a few years before Nikkatsu ceased making action films and began producing softcore Roman Porno films in order to remain profitable.[1][6]

Freelance work

Remaining a sought after talent, Masuda was approached by the

Twentieth Century-Fox Corporation to co-direct the blockbuster American-Japanese co-production Tora! Tora! Tora! (1970) after renowned director Akira Kurosawa left the project.[1] Fox producer Elmo Williams had recommended him based on his Red Handkerchief and reputation as a "creative mind and a disciplined worker".[6][7] The film depicts the attack on Pearl Harbor from the perspectives of both sides of the conflict. Masuda was responsible for the Japanese segments and asked director Kinji Fukasaku to join him, while American director Richard Fleischer filmed the American segments.[6] The film was poorly received in the United States, but did well in Japan.[8] Throughout the next 20 years Masuda helmed a string of major studio productions, including Catastrophe 1999: The Prophecies of Nostradamus (aka Last Days of Planet Earth, 1974) and three more big-budget war films for the Toei Company: The Battle of Port Arthur (1980), The Great Japanese Empire (1982) and The Battle of the Sea of Japan: Go to Sea (1983).[1]

Masuda became involved in animated films when producer Yoshinobu Nishizaki decided to make his own product. Nishizaki wanted to meld a live action influence into an anime series and was a fan of Nikkatsu Action, including Masuda's films with Yujiro Ishihara.[6] He invited Masuda to direct on Leiji Matsumoto's science fiction television and film series Space Battleship Yamato (aka Star Blazers). Between 1977 and 1983, Masuda directed or co-directed all five Yamato films.[1] The original series has been credited as Japan's first animated television space opera. The eponymous first film gained popularity when it played against Star Wars (1977) in Japanese theatres and it has been cited as the beginning of the golden age of anime.[9][10]

He also made room for more intimate subject matter such as his

Triad boss. Sharif replaced Yūsaku Matsuda who had died of cancer. The film was a critical and commercial failure. Masuda continues to direct and write for television.[1]

Filmmaking

As an assistant director and screenwriter at both Shintoho and Nikkatsu Studios, Toshio Masuda apprenticed under a number of directors. He has said Mikio Naruse had the greatest impact on him. He credited Kon Ichikawa with teaching him how to use the camera. His primary mentor at Nikkatsu was Umetsugu Inoue from whom he learned the value of linking together large setpieces to draw in audiences. Masuda was more inclined toward drama than his mentor and created the setpieces but then incorporated character-based drama into his work.[2]

Masude quickly climbed the Nikkatsu ranks to become a top director.

Shintarō Ishihara. Masuda found it much too long to be completed in the given time, rewrote it and then completed the film within 12 or 13 days.[2]

Many of the settings and style he used in his films came from European and Hollywood cinema, but he framed it all in a Japanese context, in the spirit of "borderless" action cinema.[1] He did not want to make typical films and the more European flavour of his work set him apart from many of his contemporaries. He made many yakuza films but considered them "youth films" put in a yakuza setting, favouring human drama over verisimilitude.[2] The actors also were favoured over a distinctive visual style which, as writer Jasper Sharp suggested, may have accounted for his popular success in the star-based studio system.[11] Despite production line genre work forming the bulk of his oeuvre, Masuda has always been able to express his views, even subversive ones,[12] and reflect on societal issues through his films.[2]

Legacy

Within the studio system, Toshio Masuda was a major figure in defining the Nikkatsu Action style. He has been called the studio's top action director and worked with the studio's biggest stars. He produced box office hits which are fondly remembered by Japanese fans into the 21st century, and are regarded as genre landmarks by Japanese critics.

Home Vision Entertainment on September 21, 2001 in North America.[15]

After the collapse of the studio system, Masuda's career continued unabated.[1] His best known film in the West is the blockbuster American-Japanese co-production Tora! Tora! Tora!, but his contributions somewhat are overshadowed by co-directors Richard Fleischer and Kinji Fukasaku—the latter of which later achieved international cult notoriety for his own yakuza films—despite having been responsible for the lion's share of the Japanese segments of the film.[16] Masuda's animated works, especially the Space Battleship Yamato series, are remembered by anime fans worldwide. The first Yamato film originally reached overseas audiences in 1978, including theatrical screenings in England and American television.[10] The series has since expanded into a full blown franchise.[17]

A comprehensive, Japanese language book detailing Masuda's career was released in 2007, titled Masuda Toshio: The Complete Action Films of Giant Star Toshio Masuda (映画監督舛田利雄 アクション映画の巨星舛田利雄のすべて Eiga kantoku Masuda Toshio: akushon eiga no kyosei Masuda Toshio no subete). It includes an extensive interview with Masuda, approximately 500 pictures, poster images of his 52 Nikkatsu films and notes on all 82 feature films.[18] Widely neglected by Western critics, writer Mark Schilling dedicated a section of his 2007 book No Borders, No Limits: Nikkatsu Action Cinema to Masuda, predominately focusing on said cinema.[13] Musician and writer Chris D. has expressed an interest in doing likewise.[19] No Borders, No Limits is an expanded edition of the version that accompanied the Nikkatsu Action Cinema retrospective Schilling programmed for the Far East Film Festival.[13] Abridged versions of the retrospective have appeared in the United States.[20][21][22] The Criterion Collection has optioned a number of films from the retrospective to be made available for the first time in the North American home video market.[23]

Awards

At the 1981

Mainichi Film Awards.[26][27]

Filmography

Main article: Toshio Masuda filmography

Between 1958 and 1992, Toshio Masuda directed 82 feature films, 52 of those over the course of his decade with the Nikkatsu Company. He developed a reputation as a "hitmaker" and 16 of his films breached the top ten list for domestic Japanese box-office revenues. Only one other director has superseded that record. The following is a list of the 16 films.[28]

Year Title Japanese Romanization Rank
1958 The Perfect Game (1958 film) 完全な遊戯 Kanzen'na yūgi
1958 Rusty Knife 錆びたナイフ Sabita naifu 7
1959 The Man Who Risked Heaven and Earth 天と地を駈ける男 Ten to chi o kakeru otoko 10
1960 The Brawler 喧嘩太郎 Kenka Tarō 4
1960 Man at the Bullfight 闘牛に賭ける男 Togyu ni kakeru otoko 3
1962 Hana and Ryu 花と竜 Hana to Ryu 2
1964 Red Handkerchief 赤いハンカチ Akai hankachi 3
1965 Taking The Castle 城取り Shirotori
1967 The Whistling Kille 紅の流れ星 Kurenai no Nagareboshi
1969 Daikanbu Nagurikomi 大幹部 殴り込み Daikanbu Nagurikomi
1971 Law of the Outlaw さらば掟 Saraba Okite
1972 Kage Gari 影狩り Kage Gari
1972 Kage Gari hoero taiho 影狩り ほえろ大砲 Kage Gari　hoero taiho
1973 The Human Revolution 人間革命 Ningen kakumei 2
1974 Catastrophe 1999: The Prophecies of Nostradamus ノストラダムスの大予言 Nosutoradamusu no daiyogen 2
1974 Orenochi wa Taninnochi 俺の血は他人の血 Orenochi wa Taninnochi
1976 The Human Revolution 2 続人間革命 Zoku ningen kakumei 1
1978 Farewell to Space Battleship Yamato さらば宇宙戦艦ヤマト　愛の戦士たち Saraba uchu senkan Yamato: Ai no senshitachi 2
1980 The Battle of Port Arthur aka 203 Koichi[29] 二百三高地 Ni hyaku san kochi 3
1980 Be Forever Yamato ヤマトよ永遠に Yamato yo towa ni 5
1982 The Great Japanese Empire 大日本帝国 Dainippon teikoku 3
1982 High Teen Boogie ハイティーン・ブギ Hai tiin bugi 2
1985 Love: Take Off 愛・旅立ち Ai: Tabidachi 7
1987 Tokyo Blackout 首都消失 Shuto shōshitsu
1991 Doten 動天 Dōten 9
1991 Hissatsu!5 Ōgon no Chi 必殺!5　黄金の血 Hissatsu!5 Ōgon no Chi
1991 Edo Jō Tairan (1991) 江戸城大乱

References

  1. ^
    ISBN 978-1-903254-43-1. Archived from the original
    on October 11, 2008.
  2. ^ a b c d e f g h Schilling, Mark (2007). Ibid. pp. 124–132.
  3. ISBN 1-84511-086-2.[permanent dead link
    ]
  4. ^ a b c Mes, Tom (May 2007). "Monument to the Girls' Corps". Midnight Eye. Retrieved July 3, 2008.
  5. ^ Schilling, Mark (2007). Ibid. pp. 55–58.
  6. ^ a b c d e Sharp, Jasper; Stefan Nutz (August 2005). "Interview: Jo Shishido and Toshio Masuda". Midnight Eye. Retrieved July 1, 2008.
  7. ^
    ISBN 978-0-7864-2621-8. Archived from the original
    on June 4, 2011. Retrieved July 10, 2008.
  8. ^ Pavlides, Dan (2008). "Tora! Tora! Tora! (1970)". Movies & TV Dept. The New York Times. Archived from the original on May 8, 2008. Retrieved July 8, 2008.
  9. ISBN 978-0-8166-5266-2
    .
  10. ^
    ISBN 1-880656-92-2. Archived from the original
    on July 4, 2008.
  11. ^ Sharp, Jasper (August 2005). "Velvet Hustler". Midnight Eye Round-Up: Nikkatsu Action special. Midnight Eye. Retrieved July 12, 2008.
  12. ^ Rucka, Nicholas (March 2007). "Shadow Hunters". Midnight Eye. Retrieved July 12, 2008.
  13. ^
    Gangster VIP
     (1968).
    Schilling, Mark (2007). Ibid. pp. 5–10.
  14. Japan Society. 2007. Archived from the original
    on January 13, 2009. Retrieved 2008-07-06.
  15. ISBN 0780021851
    .
  16. ^ Kehr, Dave (May 23, 2006). "New DVDs: A Box of DeMille". The New York Times. Retrieved July 8, 2008.
  17. ^ "About Us". Star Blazers. Archived from the original on December 19, 2008. Retrieved 2008-07-08.
  18. ISBN 978-4-401-75117-4. Archived from the original
    on January 13, 2008.
  19. ^ D., Chris (2005). Ibid. p. 4.
  20. ^ "Monthly Classics: NO BORDERS, NO LIMITS: 1960s Nikkatsu Action Cinema". Japan Society. Archived from the original on January 13, 2009. Retrieved 2008-07-13.
  21. ^ Sisario, Ben (February 2008). "The Listings". The New York Times. Archived from the original on December 16, 2009. Retrieved July 13, 2008.
  22. ^ League, Tim (September 2007). "Nikkatsu Action Retrospective". Fantastic Fest. Retrieved July 13, 2008. [dead link]
  23. ^ Brown, Todd (July 2008). "Criterion Picks Up Nikkatsu Action Flick A COLT IS MY PASSPORT". Twitch. Archived from the original on July 14, 2008. Retrieved July 13, 2008.
  24. Japan Academy Prize. Archived from the original
    on February 26, 2007. Retrieved July 12, 2008.
  25. Japan Academy Prize. Archived from the original
    on April 28, 2009. Retrieved July 12, 2008.
  26. ^ ブルーリボン歴代主要賞 (in Japanese). Sports Hochi. Archived from the original on July 24, 2005. Retrieved July 12, 2008.{{cite web}}: CS1 maint: unfit URL (link)
  27. Mainichi Film Awards. Archived from the original
    on September 8, 2008. Retrieved 2008-07-12.
  28. ^ Hotwax ～日本の映画とロックと歌謡曲～ 責任編集 映画監督 舛田利雄～アクション映画の巨星 舛田利雄のすべて～ (in Japanese). Ultra Vybe. Archived from the original on January 13, 2008. Retrieved 2008-07-12.
    English language excerpt from the book's cover: "There was a year his 16 films have reached the TOP 10 in the yearly charts. It is the second highest record in the history of Japanese movies. He also has been in the chart from the 1950s through until 1990s, for about 5 decades."
  29. ^ The Battle of Port Arthur (203 Koshi) in the Internet Movie Database

Further reading

External links

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