Virgil reading The Aeneid before Augustus, Livia and Octavia

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Virgil reading The Aeneid before Augustus, Livia and Octavia (1812, later reworked), Toulouse, Musée des Augustins
Virgil reading The Aeneid before Augustus, Livia and Octavia (c. 1819), Brussels, Royal Museums of Fine Arts of Belgium

Virgil reading the Aeneid before Augustus, Livia and Octavia, known in

Angelica Kaufmann
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Ingres was commissioned in 1811 by the French governor of Rome, General Miollis, a wealthy patron of the arts, to depict this event for his own residence, the villa Aldobrandini.[3] The painting was delivered the next year. Sometime after 1835, Ingres repurchased it and made extensive modifications to the composition.[4] Ingres's modifications included changes to the architectural setting and the addition of the figures of Agrippa and Gaius Maecenas at the far right.[2] He also added canvas to the top edge to convert the composition to a vertical format, but was dissatisfied with the result and removed the addition.[2] Ingres bequeathed the painting, which remained unfinished at his death in 1867, to the city of Toulouse.[3]

Over the course of 53 years, Ingres revisited this scene from antiquity in over 100 drawings and watercolours and three oil paintings. One of these paintings, a three-figure fragment cut from an abandoned version, is in the Royal Museums of Fine Arts of Belgium in Brussels.[4]

In 1825 he made a chalk drawing in vertical format as a model for a reproductive engraving made by Pradier in 1832.[5] In the drawing and the print, a sculpture of Marcellus stands behind and above the four central figures.[6] In 1865, Ingres painted a third version in oil (Philadelphia, La Salle University Art Museum) by painting over a copy of the Pradier print.[7]

See also

References

  1. ^ "Virgil Reading the Aeneid to Augustus, Livia, and Octavia". Retrieved July 20, 2021.
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