William Ponsonby (publisher)

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Title page, Fowre Hymnes, by Edmund Spenser, published by Richard Field (as indicated by the use of his distinctive printer's mark) for William Ponsonby, London, 1596

William Ponsonby (1546? โ€“ 1604) was a prominent London publisher of the Elizabethan era. Active in the 1577–1603 period, Ponsonby published the works of Edmund Spenser, Sir Philip Sidney, and other members of the Sidney circle;[1] he has been called "the leading literary publisher of Elizabethan times."[2]

Ponsonby completed his apprenticeship under stationer William Norton on 11 January 1571. Around 1576 he established his own bookshop at the sign of the Bishop's Head in St. Paul's Churchyard.[3]

Ponsonby's relationship with the works of Spenser began when he issued the

The Shepherd's Calendar (1579
).

In regard to Sidney, Ponsonby issued both the 1590 and

Astrophil and Stella. The works of Sidney's sister Mary, Countess of Pembroke, including Antony (1592, 1595), her translation of Garnier's
tragedy, were also published by Ponsonby.

Ponsonby nourished a reputation as an elite publisher, and so avoided what the Elizabethans considered lower-prestige product โ€“ like stage plays. Ponsonby printed none of the plays of

Lewes Lewkenor's The Estate of English fugitives under the King of Spain and his ministers but the edition was printed, possibly piratically, by John Drawater, assistant to Thomas Blagrave Master of the Revels (Ponsonby's apprentice Edward Blount largely followed his master's example of avoiding plays during his own independent career โ€“ though Blount made a few exceptions, most notably the First Folio of Shakespeare's plays in 1623.) Ponsonby made occasional exceptions for closet drama
, as with the Countess of Pembroke's Antony noted above.

In an age when the disciplines of publishing and printing were largely (though not entirely) separate, Ponsonby concentrated on publishing and commissioned professional printers to print his texts. The 1590 Faerie Queene volume, for example, was printed by John Wolfe, while Ponsonby's 1595 edition of Spenser's Amoretti and Epithalamion was printed by Peter Short. The 1583 Mamilia was printed by Thomas Creede.

On Ponsonby's death in 1604, many of his copyrights passed to his brother-in-law, stationer Simon Waterson.[4]

See also

References

  1. ^ Michael Brennan, "William Ponsonby: Elizabethan Stationer," Analytical and Enumerative Bibliography Vol. 7 No. 3 (1983), p. 91.
  2. ^ Harry Gidney Aldis, The Printed Book, Cambridge, Cambridge University Press, 1951; p. 38.
  3. ^ Michael G. Brennan, and Noel J. Kinnamon, A Sidney Chronology 1554–1654, London, Palgrave Macmillan, 2003; pp. 28-9.
  4. ^ Adolphus William Ward and Alfred Rayney Waller, eds. The Cambridge History of English Literature. Cambridge, Cambridge University Press, 1910; Vol. IV, p. 454.
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