İlhan Mimaroğlu

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İlhan Mimaroğlu
Born(1926-03-11)March 11, 1926
Istanbul, Turkey
OriginTurkish
DiedJuly 17, 2012(2012-07-17) (aged 86)
Manhattan, New York, U.S.
GenresContemporary, Electronic
Occupation(s)Composer
LabelsFinnadar/Atlantic Records

İlhan Kemaleddin Mimaroğlu (Turkish pronunciation: [ˈilhan mimaɾˈoːɫu], March 11, 1926 – July 17, 2012) was a Turkish American[1][2] musician and electronic music composer.

Biography

He was born in

Forum magazine in the 1950s.[3]

During the 1960s he studied in the Columbia-Princeton Electronic Center under Vladimir Ussachevsky[4] and on occasions worked with Edgard Varèse and Stefan Wolpe. His notable students included Ingram Marshall.

He worked as a producer for

Changes One and Changes Two, and contributed to the soundtrack of Federico Fellini's Fellini Satyricon
.

He was awarded the Guggenheim Fellowship in music composition in 1971.

İlhan Mimaroğlu died of pneumonia in 2012.[6]

Discography

For acoustic instruments

Albums for solo piano produced by İlhan Mimaroğlu under the Finnadar label:

  • Meral Guneyman plays the piano music of Frank Bridge, Anton Webern and Abel Decaux “one of year’s five best” (Fanfare Magazine, Peter Rabinowitz)
  • September Moon, a Nocturnal Seascape for orchestra
  • Antistrophes for flute and piano
  • Deformations for clarinet and piano
  • Idols of Perversity for solo viola and string ensemble (1974)
  • Monologlar (Monologue) for clarinet and viola (1997)
  • Monologue I for unaccompanied clarinet
  • Monologue II for unaccompanied violin
  • Monologue III for unaccompanied English horn
  • Üç parça (1952)
  • Pieces Sentimentales for piano
  • Anı ve Günce Sonatı for piano
  • Rosa for piano (1978)
  • Valses ignobles et sentencieuses for piano (World Premiere by Meral Guneyman, pianist, Merkin Hall, New York City, 1986)
  • Yaylı dördüller
  • Yaylı çalgılar için gece ezgileri
  • Sessions for piano (1977)
  • String Quartet No.4 "Like There's Tomorrow", with voice obbligato (Janis Siegel, Vocals)
  • Three Pieces for Piano (a) Prelude (b) Waltz (c) Boogie (Finnadar Records) (Musiques Noires-Meral Guneyman, piano solo)

Magnetic Tape

Most of these works utilize concrete sounds, but there are also occasional electronic elements.

  • Görsel Çalışma (1965)
  • Agony (1964)
  • Preludes for magnetic tape (1966–1976)
  • Music for Jean Dubuffet's Coucou Bazar (1973)
  • Le Tombeau d'Edgar A. Poe (1964)
  • Intermezzo (1964)
  • Bowery Bum (1964)
  • Wings of the Delirious Demon (1969)
  • To Kill a Sunrise (1974)
  • Tract, a composition of Agitprop Music for electromagnetic tape (1975) (Folkways Records)
  • To Kill a Sunrise and La Ruche (1976) (Folkways Records)
  • The Offering for tape with pre-recorded voice (Finnadar Records)

Acoustic plus Electronic Sounds (Tape)

Notes

  1. ^ İlhan Mimaroğ̆lu Papers, 1926-2012, Columbia University Libraries, retrieved 6 January 2021, The collection documents the career and personal life of Turkish-American electronic music composer, record producer, journalist and cultural critic, photographer, and filmmaker İlhan Mimaroğlu (1926-2012). It includes materials from each of Mimaroğlu's professional interests and activities, the bulk of which date from the early 1950s until his death in 2012.
  2. ^ Istanbulive4 Brings Turkish Music to New York, Turkish Cultural Foundation, retrieved 6 January 2021, The concert was dedicated to the life and memory of Ilhan Mimaroglu, a Turkish American music producer and electronic music pioneer. The free concert was broadcast live by WFMU and can be listened to here.
  3. .
  4. ^ Bob Gluck, “Uptown and Downtown, Electronic Music and ‘Free Jazz’, Ankara and New York: Interview with Turkish Composer İlhan Mimaroğlu (1926–2012).”
  5. ^ "Interview with İlhan Mimaroğlu of Finnadar Records by Charles Amirkhanian" (audio). radiOM.org (Other Minds Archive). October 10, 1975.
  6. ^ Peter Keepnews (July 18, 2012). "İlhan Mimaroğlu, Composer and Producer, Dies at 86". The New York Times. Retrieved July 20, 2012.

References

External links