1924 in jazz

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1924 in jazz
The Wolverines with Bix Beiderbecke at Doyle's Academy of Music in Cincinnati, Ohio in 1924
Decade1920s in jazz
Music1924 in music
StandardsList of 1920s jazz standards
See also1923 in jazz1925 in jazz
List of years in jazz
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This is a timeline documenting events of jazz in the year 1924.

Musicians born that year included the drummer Max Roach and singers Sarah Vaughan and Dinah Washington. In 1924, Leopold Stokowski, the British orchestral conductor of the Philadelphia Orchestra, observed that jazz had "come to stay."[1]

Jazz scene

In 1924 the improvised solo had become an integral part of most jazz performances[2] Jazz was becoming increasingly popular in New Orleans, Kansas City, Chicago and New York City and 1924 was something of a benchmark of jazz being seen as a serious musical form.[3][4] John Alden Carpenter insisted that jazz was now 'our contemporary popular music',[5] and Irving Berlin made a statement that jazz was the "rhythmic beat of our everyday lives" and the music's "swiftness is interpretive of our verve and speed". Leopold Stokowski, the conductor of the Philadelphia Orchestra in 1924, publicly embraced jazz as a musical art form and praised jazz musicians.[6] In 1924, George Gershwin wrote Rhapsody in Blue, widely regarded as one of the finest compositions of the 20th century,[7] saying he conceived it "as a sort of musical kaleidoscope of America–of our vast melting pot, of our incomparable national pep, our blues, our metropolitan madness."[8]

Black jazz entrepreneur and producer Clarence Williams recorded groups in New Orleans, among them Sidney Bechet and Louis Armstrong.[2] Williams moved from New Orleans to Chicago and opened a record store. In Chicago, Earl Hines formed a group and incidentally inhabited the neighboring apartment to Armstrong while he was in Chicago.[9] Also in Chicago, trumpeter Tommy Ladnier begins playing in King Oliver's band. Bechet moved to New England with Ellington during the summer of 1924, playing dances.

While in 1924 in jazz, ensembles in the

Kansas City area began play a style with a four even beat ground beat as opposed to a New Orleans two beat ground beat behind a 4/4 melody,[9] European jazz included a fox trot by the Swiss composer Frank Martin for the Marionette Theatre in Paris.[10]

Charlie Parker grew up in Kansas City listening to this style of jazz. In 1924, Django Reinhardt became a guitarist and began playing the clubs of Paris.[9] Noted Classic Blues singer Bessie Smith began to achieve major fame.[9]

Events

Standards

Criticism

Both Europe and the US had critics of jazz in 1924. While the songwriter and music business executive

Arnold Shaw wrote in 1989 that "1924 was a 'hot' year in jazz...",[19] a columnist for The New York Times wrote in 1924 that "Jazz is to real music exactly what most of the 'new poetry,' so-called, is to real poetry. Both are without the structure and form essential to music and poetry alike, and both are the products, not of innovators, but of incompetents."[20] The American composer and critic, Virgil Thomson, wrote in 1924 that jazz rhythm shakes but doesn't flow; it lacks a climax; and it "never gets anywhere emotionally".[21] Jazz in 1924 was just "popular syncopated music" according to the Austrian composer Hugo Riesenfeld.[22]

Deaths

Unknown date
  • Black Benny, New Orleans-based bass drummer (born 1890).
Max Roach in Holland, around 1979
Rita Reys at Hotel De Watergeus, Noorden (The Netherlands) in 2004

Births

January
February
March
April
May
June
July
August
September
October
November
December

References

Bibliography