A Human Work

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"A Human Work"
Yoji Enokido
Original air dateNovember 15, 1995 (1995-11-15)
Running time22 minutes
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"A Human Work", also known by the Japanese title "The Works of Man",

Angels. In the episode, a rival organization of Nerv builds Jet Alone, a prototype giant robot with an onboard nuclear reactor as an alternative to the Evangelions. During the first public test of Jet Alone, it goes out of control and marches toward a nearby city with its reactor close to a meltdown. Shinji keeps the robot at bay in his Evangelion while Nerv's Major Misato Katsuragi
gets inside Jet Alone and shuts down the reactor.

"A Human Work" contains quotes from Japanese and Western directors such as

Tree of the Sephiroth
. The episode's first broadcast scored a 5.9% rating of audience share on Japanese television. "A Human Work" received a divided reception; some reviewers considered it to be a filler episode for the series' plot, while others appreciated the political implications and character development. The episode has been described as a deconstruction of the mecha genre and the Jet Alone affair as a parody of the stylistic features of giant robot stories.

Plot

Commander

Ritsuko Akagi
, who tells him that the official story about a freak meteor-strike is a cover-up. In reality, the catastrophe was caused by the sudden awakening of an Angel in Antarctica. It is believed that the Angels' ultimate goal is to cause Third Impact, and it is hoped that Nerv can prevent this outcome by fighting the Angels with the Evangelions. Meanwhile, Misato, who is present at Shinji's briefing, is uncharacteristically quiet and deep in thought as Ritsuko speaks.

Misato and Ritsuko attend a private company's demonstration of Jet Alone, its giant,

Kensuke Aida
say that Misato shows him a side of her personality no one else sees because she considers him family. Shinji smiles wistfully at that thought.

Production

Neon Genesis Evangelion director Hideaki Anno

Yoji Enokido[7][8] and Neon Genesis Evangelion director Hideaki Anno[9] wrote the script for the episode; director Anno also worked on the storyboards,[10] while Keiichi Sugiyama served as the episode's director.[11][12] Masahiko Otsuka worked as assistant director, Shunji Suzuki as chief animator[13] and Mitsumu Wogi as assistant character designer.[14][15]

For the Jet Alone dossier visible in the first scene in Gendo's office of "A Human Work", produced by the Gainax Shop, the staff recreated the original material generated with a

Hedgehog's Dilemma", an episode which Anno basically did not wrote, while in "A Human Work" Misato is represented with neckline and shorts; Nebbia traced the origin of this fan service use to Anno's hand on the storyboards.[27] The episode also contains homages to the animator Kunihiko Ikuhara, a friend of the director Anno, whose name is used for a society mentioned in the scene in which Misato and Ritsuko discuss with Shiro Tokita,[28] and Kihachi Okamoto, of whom it takes up various directing techniques.[29][30]

Koichi Yamadera, Hiro Yūki, Tetsuya Iwanaga, Tomokazu Seki and Megumi Hayashibara, voice actors of several main characters in the series, played unidentified characters for "A Human Work", including announcers and Shinji's unnamed classmates.[31] A four-beat Jazz version of Fly Me to the Moon[32][33] sung by Japanese singer Yoko Takahashi was used as the ending theme.[34][35]

Cultural references and themes

2001: A Space Odyssey
.

In the first scene Gendo is framed in his office and the

molecular polarisation rate; according to the book Evangelion Glossary (エヴァンゲリオン用語事典, Evangerion Yougo Jiten) by Yahata Shoten, in molecular spectroscopic analysis the term indicates the polarisation ratio of incident light, such as laser or X-ray light, on a molecule of interest.[44] The same book noted how the name of the Japanese language recognition code of the Jet Alone's operating system, KOZAIC7, is similar to Cosaic (こざいく), a software for creating Internet home pages.[45] Moreover, Shiro Tokita's name comes from Ryū Murakami's novel Ai to gensō no fascism (愛と幻想のファシズム, "The Fascism of Love and Fantasy").[46][47] The episode also mentions other characters named after characters from the Murakami's novel: Witz,[48] Manda,[49] Yasugi,[50] and Yoshizawa.[51]

A school text by Shinji with fictitious, manipulated details on Second Impact and revelations on First Impact is framed in the episode;

Jet Jaguar,[64] appeared in the special effects film Godzilla vs. Megalon (1973) and originally called "Red Alone".[65]

The episode's pivotal theme is interpersonal communication.

Newtype noted how Shinji had a passive attitude until the Jet Alone affair, in which "he is genuinely worried about someone else for the first time".[74][75] Misato also tries to stop the Jet Alone "with the hands of man" in "A Human Work".[76] Optimism and hope towards human abilities are themes already present in earlier works of Hideaki Anno, like Gunbuster and Nadia: The Secret of Blue Water.[77] Furthermore, according to writer Virginie Nebbia, "Human Work" draws a clear metanarrative parallel between Nerv and Gainax. Misato and the others complain about their salaries as they try to save the world, similar to the members of Gainax, a group of enthusiasts who have been involved in animation for years despite economic insecurity.[8]

In the course of the episode, Misato and Ritsuko find themselves at a table alone surrounded by a mostly male crowd; Tokita criticises Nerv by comparing Eva-01 to a "hysterical woman". Ritsuko does not flinch and asks Tokita pertinent and direct questions. According to Nebbia, this is indicative of how the series portrays women as active and criticises machismo.[78] Nebbia also compared Misato's attempt to stop the Jet Alone with David Bowman from 2001: A Space Odyssey, who tries to manually stop the artificial intelligence HAL 9000 in the film.[64] Comic Book Resources's Matthee England described the Jet Alone affair as one of the more concentrated examples of Evangelion's deconstruction of the mecha genre.[79] An official encyclopedia about the series also noted how the Jet Alone is the only actual robot in the whole Evangelion series.[80] According to Anime Feminist website writer Jeremy Tauber, the conversation between Gendo and a United Nation representative on the SSTO references the declining Japanese economy, its military expenditures, and its budgeting, reading "something that was on the mind of Japanese economists who witnessed the nation's unemployment rate rise while America was enjoying a gradual fall in theirs".[81] For Tauber, the fact that the Japanese Heavy Chemicals Industry lose control over Jet Alone "not only highlights the destructive consequences of capitalist competition, but also the electronics industry's failure to provide anything useful to the Japanese citizenry".[81] For Evangelion Chronicle, with the Jet Alone sabotage affair Nerv is portrayed as a mysterious organization that is difficult to trust, following and amplifying the trend inaugurated by Mobile Suit Gundam anime series, which in 1979 proposed a scenario questioning the classic model of good and righteous guys versus bad guys.[82] Critic Dennis Redmond also described it a satire of "the arrogance of Japan's nuclear power lobby" and keiretsu business elite.[83]

Reception

"A Human Work" had a mixed reception. The episode was first broadcast on November 15, 1995, and scored a 5.9% rating of audience share on Japanese TV.[84] Digitally Obsessed's reviewer Joel Cunningham criticized the episode as being probably the worst in the series and unnecessary; according to Cunningham, nothing happens and events remain unchanged at the end. He described the action scenes as "well done, but ultimately frivolous" and also said "there aren't even any particularly good character moments".[85] According to Multiverity Comics' Matthew Garcia, "A Human Work" is not among Evangelion's best episodes, but it does manage to come together in the third act, in large part thanks to Misato.[86]

Animé Café's Japanese reviewer Akio Nagatomi negatively received the episode, since it portrays governments as "simple-minded idiots", but also praised the sub-plots involving Misato's double face and the conspiracy that leads to the Jet Alone malfunction, the animation and some "neat" angle shots, like the drop-shipping of the Eva from the bomber. He concluded; "Not a great episode, though the political background has me a little intrigued".

SyFy Wire's Daniel Dockery ranked the scenes of the Jet Alone activation and Misato inside it as one of the best "non-depressing moments" in the show, describing Misato as the most underrated Evangelion character and the second scene as a "tense" moment.[90] Comic Book Resources' Devin Meenan also noted that, despite the episode seems inconsequential, "A Human Work" develops Shinji and Misato relationship.[91]

In the second issue of the Gen:Lock webseries, a robot that is supposedly superior to gen:Lock named The Shogunate appears. Noting a character named Anno appears in the issue, Bubble Blabber's reviewer David Kaldor regarded The Shogunate as a possible reference to the Jet Alone.[92] The episode also inspired official merchandise,[93][94] including a line of official T-shirts.[95][96]

See also

  • Homo faber – Humankind as creator of artificial things

References

  1. ^ Japanese: 人の造りしもの, Hepburn: Hito no Tsukurishimono

Citations

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  2. ^ Nebbia (2023), Chap. 2: La Proposition
  3. ^ Nebbia (2023), Chap. 1: Lancement du Project Eva
  4. ^ "History 1993-1999". Neon Genesis Evangelion Blue Ray Ultimate Edition Encyclopedia. 2021.
  5. ^ Neon Genesis Evangelion Theatralical VHS Box Booklet (in Japanese). King Amusement Creative. 1997.
  6. ^ Evangelion Chronicle (in Japanese). Vol. 18. Sony Magazines. p. 25.
  7. ^ Evangelion Chronicle (in Japanese). Vol. 43. Sony Magazines. p. 18.
  8. ^ a b Nebbia (2023), Chap. 1: Production et catastrophes
  9. ^ Evangelion Chronicle (in Japanese). Vol. 43. Sony Magazines. p. 13.
  10. ^ "Staff". Neon Genesis Evangelion Blue Ray Ultimate Edition Encyclopedia. 2021.
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  13. ISBN 4903713008. Archived from the original
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  14. ^ Poggio 2008, p. 22.
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  17. ^ Nebbia (2023), Chap. 3: L'Ultraman de Jissôji
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  19. ^ Porori 2009, p. 79.
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Bibliography