Adoration of the Shepherds (Giorgione)
Adoration of the Shepherds | |
---|---|
Artist | Giorgione |
Year | ca. 1505 to 1510 |
Medium | oil on panel |
Subject | Adoration of the Shepherds |
Dimensions | 90.8 cm × 110.5 cm (35.7 in × 43.5 in) |
Location | National Gallery of Art, Washington, D.C. |
Owner | National Gallery of Art |
Accession | 1939.1.289 |
Website | http://www.nga.gov/content/ngaweb/Collection/art-object-page.432.html |
The Adoration of the Shepherds, sometimes still known as the Allendale Nativity, after a former owner, is a painting by the Italian Renaissance painter Giorgione, completed in about 1505 to 1510. The attribution is now usual, although not universal; the usual other view is that it is an early Titian. It is certainly a Venetian painting of that period. It is displayed in the National Gallery of Art of Washington, D.C., United States.
A group of paintings is sometimes described as the "Allendale group", after the Allendale Nativity. This group includes another Washington painting, the Holy Family, and an Adoration of the Magi predella panel in the National Gallery, London. This group, now often expanded to include another Adoration of the Shepherds in Vienna, and sometimes further, are usually included (increasingly) or excluded together from Giorgione's oeuvre.
Composition
Giorgione portrayed the main scene on the right, in front of a dark grotto, while on the left is bright landscape crowned by trees. A sincere dramatic tension is obtained by the choice to place the kneeling shepherd pilgrims in the centre of the painting. The entire group of parents, child, and pilgrims form an anchored rectangle that forms a counterpoised focal point to the receding landscape on the left. A "diminutive angel [is] among the branches in the upper left".[1]
Provenance
This work was probably completed by Giorgione while he was part of the workshop of Vincenzo Catena, a strict follower of Giovanni Bellini's style.[2][a]
It was owned by Cardinal
It was next owned by Claudius Tarral of Paris and sold at his sale at
It was at the 1847 sale that the painting came into the ownership of Thomas Wentworth Beaumont (1792–1848) of Bretton Hall, West Yorkshire, England. From him it passed to Wentworth Blackett Beaumont, 1st Baron Allendale (1829-1907), to his son, Wentworth Beaumont, 1st Viscount Allendale [1860-1923] and to his son, Wentworth Beaumont, 2nd Viscount Allendale (1890-1956).[8][9]
Attribution
Joseph Archer Crowe and Giovanni Battista Cavalcaselle concluded as early as 1871 that the painting was by Giorgione.[13] Berenson's Venetian Painters (1894) tentatively attributes the painting to Vincenzo Catena.[14] In 1912 Roger Fry wrote that "examination of the forms, particularly of the landscape and the foliage in the foreground leaves little doubt in my mind that it is by Cariani."[15] In 1937 Berenson wrote "it must be Titian's, perhaps his earliest work, but only half out of the egg, the other half still in the Giorgionesque formula".[10] He reiterated this opinion on the back of a photograph in 1937, "Titian, His earliest extant work."
In Berenson's 1957 list of the "Venetian School" the painting is attributed in part to Giorgione with "Virgin and Landscape probably finished by Titian".[10] In the 1979 Shapley catalogue of the National Gallery of Art the painting is given as Giorgione with five dissenters, including Ellis Waterhouse and S. J. Freedberg.[16]
Notes
- ^ Dates given to the painting have varied; the National Gallery claims between 1505 and 1510".
- ^ In the Duveen Brothers General Stock Book for the period 1 June 1937 to April 1941, it is annotated "Purchased Aug. 3, 1937".
- ^ The naming of the painting is the main plot in the play The Old Masters (play).
References
- ^ Wallace, William E., "'Adoration of the Shepherds': Giorgione’s Pastoral Christmas" The Wall Street Journal, December 22, 2023.
- JSTOR 3047210.
- ^ George, M. (1845). Galerie de feu S.E. le Cardinal Fesch, quatrième et derniere partie. Paris: M. George. p. 14.
- ^ Laurie, James (1852). Universal exchange tables: showing the value of the coins of every country interchanged with each other at all rates of exchange. London: William H. Allen & Co. p. 12.
- ^ The Spectator (1 February 1845). "Sale of Cardinal Fesch's Pictures". The Spectator. Retrieved 6 July 2013.
- ISBN 9780415339575.
- ^ Roberts, William (1897). Memorials of Christie's: a record of art sales from 1766 to 1896, Volume 1. London: G. Bell and Sons. p. 138.
- ^ National Gallery of Art. "National Gallery of Art: The Collection: The Adoration of the Shepherds". National Gallery of Art. Retrieved 7 July 2013.
- ^ "British viscount visits National Gallery of Art to see priceless painting sold by grandfather". Washington Post.
- ^ ISBN 9780674067790. Retrieved 7 July 2013.
- ^ a b c Cohen, Rachel (8 October 2012). "Priceless: How Art became Commerce". The New Yorker. Retrieved 6 July 2013.
- ISBN 9780226744155.
- ^ Joseph Archer Crowe; Giovanni Battista Cavalcaselle (1871). A History of Painting in North Italy: Volume II. London: John Murray. p. 127. Retrieved 7 July 2013.
- ^ Berenson, Bernard (1894). The Venetian Painters of the Renaissance: With an Index to Their Works. London: G. P. Putnam's Sons. p. 103.
- ^ Fry, Roger (1912). "Exhibition of Pictures of the Early Venetian School". The Burlington Magazine. XXI: 96. Retrieved 7 July 2013.
- ^ Shapley, Fern Rusk (1979). Catalogue of the Italian Paintings. Washington, D.C.: National Gallery of Art. pp. 151–152.