Barbara Johnson

Source: Wikipedia, the free encyclopedia.

Barbara Ellen Johnson (October 4, 1947 – August 27, 2009) was an American

interdisciplinary study of literature. As a scholar, teacher, and translator, Johnson helped make the theories of French philosopher Jacques Derrida accessible to English-speaking audiences in the United States at a time when they had just begun to gain recognition in France. Accordingly, she is often associated with the "Yale School
" of academic literary criticism.

Early life

Barbara Johnson was born in Boston, Massachusetts, the only daughter of Gilbert and Priscilla (James) Johnson. She graduated from Westwood High School in 1965, attended

poststructuralist theory into the study of literature became an essential feature of Johnson's approach to criticism
.

She was awarded a Guggenheim Fellowship in 1985 for French Literature.[2]

Overview of major works

In her 1990 essay, "Writing" (in Critical Terms for Literary Study), Johnson outlines the importance of

feminist
and marginalized readers to enter texts at the locations where the author tries to "dominate, erase, or distort" the various "other" claims that are made through language and reassert their identities.

The Critical Difference

In The Critical Difference (1980), Johnson argues that any model of difference as a polarized difference "between entities (prose and poetry, man and woman, literature and theory, guilt and innocence)" is necessarily founded upon "a repression of differences within entities" (pp. x-xi). In this book, Johnson explores how the unknown and the unknowable function in a text. The "unknown" to which she refers is not something concealed or distant, but a fundamental unknowability that constitutes and underlies our linguistic cognition.

In one of the articles in The Critical Difference, "Melville's Fist: The Execution of

signified." She argues that if a description could perfectly describe its referent and actually "hit" its intended object (just as Billy Budd hits and kills John Claggart
), the result would be the annihilation of that object. Language, thus, can only function upon imperfection, instability, and unknowability.

A World of Difference and The Feminist Difference

Johnson's next book, A World of Difference (1987), reflects a move away from the strictly canonical context of her analyses in The Critical Difference. Johnson wants to take her investigation beyond "the white male Euro-American literary, philosophical, psychoanalytical, and critical canon" that dominates the academy as a whole and her work in particular.[3] But she also calls the "sameness" of that white Euro-American literary and critical tradition into question, undertaking a thorough interrogation of its boundaries. In addition, Johnson expands the scope of her literary subjects to include black and/or women writers, such as Zora Neale Hurston, Dorothy Dinnerstein, James Weldon Johnson, and Adrienne Rich. Her subsequent collection, The Feminist Difference (1998), offers a continued critique of the terms in play throughout feminism's history and an examination of the differences within and between feminisms.

The Wake of Deconstruction

The Wake of Deconstruction (1994) approaches the general state of

theorist Mary Joe Frug, Johnson discusses allegory, feminism, and the misinterpretation of deconstruction
.

The problematics of language

The question of translation

In "Taking Fidelity Philosophically" (in Difference in Translation), Johnson describes translation as an ultimately impossible endeavor because the "mother" or original language is already, intrinsically untranslatable from signifier to signified. The more one attempts to translate a work into comprehensibility, the more likely one is to stray from its original ambiguity. Jacques Derrida, with his thoughts on différance, elucidates the complicating but necessary fact of language: that it is foreign to itself. Every attempt to translate sets the language against itself, creating new tensions as it progresses. Translation, though impossible, is also necessary, as it is precisely these tensions that constitute language.

Deconstruction, indeterminacy, and politics

Throughout her work, Johnson emphasizes both the difficulty of applying

politically inert. She writes that, if "poetry makes nothing happen," poetry also "makes nothing happen"—the limits of the political are themselves fraught with political implications.[4] Harold Schweizer writes in his introduction to The Wake of Deconstruction that "if interpretive closure always violates textual indeterminacy, if authority is perhaps fundamentally non-textual, reducing to identity what should remain different, Johnson's work could best be summarized as an attempt to delay the inevitable reductionist desire for meaning".[5]

Prosopopoeia and anthropomorphism

In "Apostrophe, Animation, and Abortion" (in A World of Difference) and "Anthropomorphism in Lyric and Law" (in Persons and Things), Johnson discusses the recurrence of rhetorical figures of

literature.

Death

Johnson was diagnosed with cerebellar ataxia in 2001. She continued to write and advise graduate students until her death in 2009.[6]

Publications

Selected works

  • Persons and Things (Cambridge: Harvard University Press, 2008)
  • Mother Tongues: Sexuality, Trials, Motherhood, Translation (Cambridge: Harvard University Press, 2003)
  • "Using People: Kant with Winnicott," in The Turn to Ethics, ed. Marjorie Garber, Beatrice Hanssen, and Rebecca L. Walkowitz (New York: Routledge, 2000) (reprinted in Persons and Things)
  • "Anthropomorphism in Lyric and Law," in the Yale Journal of Law and the Humanities, 10 Yale J.L. & Human. 549 (Summer 1998) (reprinted in Persons and Things)
  • "Moses and Intertextuality: Sigmund Freud, Zora Neale Hurston, and the Bible," in Poetics of the Americas, ed. Bainard Cowan and Jefferson Humphries (Baton Rouge: Louisiana State University Press, 1997)
  • The Feminist Difference: Literature, Psychoanalysis, Race and Gender (Cambridge: Harvard University Press, 1998)
  • The Wake of Deconstruction (Oxford: Blackwell, 1994)
  • "Writing," in Critical Terms for Literary Study, ed. Frank Lentricchia and Thomas McLaughlin (Chicago: University of Chicago Press, 1990)
  • A World of Difference (Baltimore: Johns Hopkins University Press, 1987)
  • "Taking Fidelity Philosophically," in Difference in Translation, ed. Joseph F. Graham (Ithaca: Cornell University Press, 1985)
  • The Critical Difference: Essays in the Contemporary Rhetoric of Reading (Baltimore: Johns Hopkins University Press, 1980)
  • Défigurations du langage poétique: La seconde révolution baudelairienne (Paris: Flammarion, 1979)
  • "The Frame of Reference: Poe, Lacan, Derrida," in Yale French Studies, no. 55/56 (1977): pp. 457–505 (reprinted in The Purloined Poe, 1988)

Edited volumes and projects

Translations

See also

  • List of deconstructionists

References

  1. ^ "Johnson, Barbara E." Folsom Funeral Service. Retrieved 29 November 2018.
  2. ^ "Barbara E. Johnson". John Simon Guggenheim Foundation. Retrieved 29 November 2018.
  3. ^ Johnson, B. (1987). A World of Difference. Baltimore: Johns Hopkins University Press. p. 2.
  4. ^ Johnson, B. (1987). "Is Writerliness Conservative?". A World of Difference. Baltimore: Johns Hopkins University Press. p. 30.
  5. ^ Schweizer, H. (1994). "Introduction". In Johnson, B. (ed.). The Wake of Deconstruction. Blackwell Publishers. p. 8.
  6. ^ "Literary Luminary Passes Away". The Harvard Crimson. Retrieved 2021-09-13.

External links