Bitter Sweet Symphony

Source: Wikipedia, the free encyclopedia.

"Bitter Sweet Symphony"
A man looking through a lens
Single by the Verve
from the album Urban Hymns
B-side
  • "Lord I Guess I'll Never Know"
  • "Country Song"
Released16 June 1997 (1997-06-16)
RecordedJanuary–March 1997
StudioOlympic Studios, London
Length
  • 5:58 (album version)
  • 4:33 (radio edit and video version)
  • 7:50 (extended version)
Label
Songwriter(s)Richard Ashcroft[1]
Producer(s)
The Verve singles chronology
"History"
(1995) 		"Bitter Sweet Symphony"
(1997) 		"The Drugs Don't Work"
(1997)
Music video
"Bitter Sweet Symphony" on
YouTube
Audio sample

"Bitter Sweet Symphony" is a song by the English rock band

Hut Recordings and Virgin Records
as the album's lead single.

"Bitter Sweet Symphony" is based on a

Rolling Stones song "The Last Time" by the Andrew Oldham Orchestra. The Verve added strings, guitar, percussion and vocals. They obtained rights to use the "Last Time" sample from the copyright holder, Decca Records, but were denied permission from the Rolling Stones' former manager, Allen Klein. Following a lawsuit, the Verve relinquished all royalties and the Rolling Stones members Mick Jagger and Keith Richards were added to the songwriting credits. In 2019, ten years after Klein's death, Jagger, Richards, and Klein's son ceded the rights to the Verve songwriter Richard Ashcroft
.

The music video features Ashcroft walking down a busy pavement in

Best Alternative Video at the 1998 MTV Video Music Awards
.

"Bitter Sweet Symphony" reached number two on the

500 Greatest Songs of All Time
".

Writing and recording

"Bitter Sweet Symphony" is based on a

The Last Time" by the Andrew Oldham Orchestra.[5] The group was formed by Andrew Loog Oldham, the former producer and manager of the Rolling Stones, who enlisted musicians to create symphonic versions of Rolling Stones songs.[6] The strings in the sample were written and arranged by David Whitaker.[7]

The Verve songwriter

wall of sound, a concise piece of incredible pop music".[5] He likened the use of the sample to the golden age of hip hop: "To take something but really twist it and fuck it up into something else. Take it and use your imagination."[5]

The strings that open "Bitter Sweet Symphony" were arranged by Wil Malone, based on the melody in the sample.[7][8] Malone expanded on the melody to add "bounce" and "jump". The strings were recorded in Olympic Studios, London, and performed by a group of 24 players. Malone instructed the players to make the strings "tough" and "determined" rather than pretty or poetic.[9]

"Bitter Sweet Symphony" was produced by Youth at Olympic Studios.[7] According to Youth, Ashcroft initially recorded a version with the producer John Leckie but did not proceed with it; Youth persuaded him to record another version. Youth said: "It was only once we'd put strings on it that he started getting excited. Then, towards the end, Richard wanted to chuck all the album away and start again. What was my reaction? Horror. Sheer horror. All I could say was, I really think you should reconsider."[10]

Music

For MTV, Gil Kaufman wrote that "Bitter Sweet Symphony" was "built on a slow-rolling fat beat, a pomp and circumstance violin loop and ... elliptical, snake-swallowing-its-tail lyrics".[11] Jon Wiederhorn of Rolling Stone wrote that it "intertwines baroque strings worthy of Pachelbel with sedated vocals and shimmering guitar lines".[12] Malone observed that the song is built on a single chord, and likened it to Arabic music.[9]

Credits dispute

The Verve negotiated rights to use the "Last Time" sample from the copyright holder,

musicologist determined was a half-time version of the Rolling Stones' "Last Time" melody.[14]

The Verve's co-manager, Jazz Summers, contacted their record label, Virgin Records, for help. Virgin played "Bitter Sweet Symphony" for the Rolling Stones members Mick Jagger and Keith Richards, who liked it but declined to become involved in the dispute.[5] Summers also sent a copy to Oldham, who wrote back: "Fair cop! Absolute total pinch! You can see why [ABKCO are] rolling up their sleeves."[5]

Following a lawsuit, the Verve relinquished all

royalties to Klein and the songwriting credits were changed to Jagger–Richards.[13][5] Ashcroft received $1,000.[15] His co-manager, John Kennedy, described it as "one of the toughest deals in music history".[16] According to the Verve's bassist, Simon Jones, the Verve were told they would be given half the royalties, but when the single began selling well, they were instructed to relinquish 100% of the royalties or remove it from sale.[17]

Rolling Stone wrote that the outcome was "patently absurd", noting that Jagger and Richards were not involved with the sample or Ashcroft's melody and lyrics.[18] Ashcroft said sarcastically that "Bitter Sweet Symphony" was "the best song Jagger and Richards have written in 20 years",[5] and that it was the Rolling Stones' biggest UK hit since "Brown Sugar" (1971).[17] Asked in 1999 whether he believed the situation was fair, Richards said: "I'm out of whack here, this is serious lawyer shit. If the Verve can write a better song, they can keep the money."[19] David Whitaker, who wrote the string line in the "Last Time" sample, said in 2001: "The whole thing just makes one a bit sick, really."[7]

In 1998, "Bitter Sweet Symphony" was used in a television advertisement for Nike.[20] According to a statement released by the Verve's management, the Verve had a policy against licensing their music to advertising and would not have consented had they retained the rights to the song. As Virgin retained the synchronisation rights, the Verve received a percentage of the money earned from the advertisement.[20] In 1999, Oldham sued ABKCO, saying he was owed up to £1 million in mechanical royalties for the use of the "Last Time" sample.[21][22]

Return of credits to Ashcroft

Billboard estimated that "Bitter Sweet Symphony" had generated almost $5 million in publishing revenue by 2019.[16] In 2018, Ashcroft expressed his anger over the situation, saying: "Someone stole God-knows-how-many million dollars off me in 1997, and they've still got it ... Anyone, unless you are mentally ill, will always remember the day when 50 million dollars was stolen off them."[15] He said he intended to pursue the matter with Klein's son, Jody,[15] who had become the head of ABKCO following Klein's death in 2009.[16]

In early 2019, Ashcroft's managers approached Jody Klein. He connected them to the Rolling Stones' manager, Joyce Smyth, who agreed to speak to Jagger and Richards.

British Academy of Songwriters, Composers, and Authors.[13] He said it was a "kind and magnanimous" move, and said: "I never had a personal beef with the Stones. They've always been the greatest rock and roll band in the world. It's been a fantastic development. It's life-affirming in a way."[1] In a statement, the Rolling Stones said they acknowledged the financial and emotional cost of "having to surrender the composition of one of your own songs".[1]

Music video

Screenshot from the music video, with Ashcroft in Hoxton, London

The "Bitter Sweet Symphony" music video was directed by Walter Stern and released on 11 June 1997.[23] In the video, Ashcroft walks down a busy pavement in Hoxton, London, oblivious to passersby and bumping into them.[24] The other Verve band members join him and walk down the street into the distance. Critics likened it to the 1991 Massive Attack video "Unfinished Sympathy", which has the singer Shara Nelson walking in Los Angeles.[24]

The music video was played frequently on music channels and was nominated for a number of awards, including three

MTV Awards at the 1998 MTV Video Music Awards.[25] The British comedy band Fat Les released a parody of the video for their 1998 song "Vindaloo", an alternative anthem for England at the 1998 FIFA World Cup.[26] In the video, the comedian Paul Kaye, dressed as Ashcroft, walks down the same Hoxton pavement and is mocked by passersby.[27]

In 2016, The Telegraph named Hoxton Street one of the locations that defined the Britpop era,[28] and the Guardian journalist Francesca Perry included the video in a list of the best music videos about city life.[24] Perry wrote that "Hoxton Street in the late '90s was just on the cusp before the area underwent rapid gentrification and hipsterisation, so the video has become a kind of historic snapshot".[24]

Legacy

"Bitter Sweet Symphony" is the Verve's signature song and one of the defining songs of the Britpop era. It was named the Rolling Stone and NME Single of the Year for 1997. In 1998, BBC Radio 1 listeners voted it the third-greatest track of all time,[29] and it was named the third-best single of 1997 by The Village Voice's Pazz & Jop annual critics' poll. In a 2005 Channel 4 poll, the music video was ranked eighth on a list of the 100 Greatest Pop Videos.[30] The song received further exposure when it was used in adverts for Vauxhall and Nike.[22]

On 2 July 2005, at the Live 8 concert in Hyde Park, London, Coldplay invited Ashcroft to perform the song with them during their set. They played it after only one rehearsal in Crystal Palace. Coldplay's singer, Chris Martin, introduced Ashcroft as "the best singer in the world" and described the song as "probably the best song ever written".[31][32]

In 2007,

500 Greatest Songs of All Time"[40] and at number 392 in its 2010 list.[41] In 2015, Rolling Stone readers voted it the third-greatest Britpop song (after "Common People" by Pulp and "Don't Look Back in Anger" by Oasis).[42]

Track listings

Charts

Certifications

Region Certification Certified units/sales
Australia (ARIA)[101] Gold 35,000^
France (
SNEP)[102]
 Gold 250,000*
Germany (BVMI)[103] Gold 250,000‡
Italy (FIMI)[104] Platinum 50,000‡
Spain (PROMUSICAE)[105] 2× Platinum 120,000‡
United Kingdom (BPI)[106] 3× Platinum 1,800,000‡
United States (RIAA)[107] Gold 500,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

Release history

Region Date Format(s) Label(s) Ref.
United Kingdom 16 June 1997
  • 7-inch vinyl
  • CD
  • cassette
[108]
United States 8 September 1997
Alternative radio
 [109]
Japan 8 October 1997 CD Virgin [110]
United States 11 November 1997 Contemporary hit radio
[111]
United Kingdom 2 March 1998 12-inch vinyl [112]
United States 10 March 1998
  • CD
  • cassette
 [113]

References

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