Bob Willoughby

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Robert Hanley "Bob" Willoughby (June 30, 1927 – 18 December 2009) was an American photographer. Popular Photography called him "The man who virtually invented the photojournalistic motion picture still."[1]

Early life and education

Willoughby was born in Los Angeles, California. He pursued photography after receiving a camera as a gift on his 12th birthday. Willoughby studied photography at the film school at the University of Southern California and worked under graphic designer Saul Bass at the Kahn Institute of Art.[2]

Photojournalism

Between 1948 and 1954, Willoughby's exhibitions of photographs of jazz musicians and dancers[3] led to a contract with Globe Photos, and one, of a screaming female audience, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art which toured the world to be seen by 9 million visitors.[4][5][6] Later, he worked for Harper's Bazaar magazine where his photographs illustrated arts and culture articles.

Movie stills photographer

Bob Willoughby on set

Willoughby's big break came when he was assigned by six magazines to photograph

Warner Brothers to film the extensive "Born in a Trunk" sequence. This was the first time a motion picture studio hired a special or unit photographer to specifically take photographs for sale to magazines. The result was a Life magazine cover featuring a close-up portrait of the pixie-faced singer in costume. It was her second Life cover and his first.[7]

Much of Willoughby's popularity stemmed from his ability to capture film stars in unguarded moments. Director Sydney Pollack said in the introduction to Bob's autobiography: "Sometimes a filmmaker gets a look at a photograph taken on his own set and sees the 'soul' of his film in one still photograph. It's rare, but it happens. It happened to me in 1969, the first time I looked at the work of Bob Willoughby during the filming of They Shoot Horses, Don't They?".[8]

In 1963, Willoughby built the first remote radio-controlled camera for on-set still photography.[citation needed] This led to other innovations that enabled him to take still photographs identical to the film footage. Much of his best work revolved around stars like Audrey Hepburn, Frank Sinatra and Elizabeth Taylor.

Later life

Willoughby continued to photograph for the rest of his life. He lived in Ireland for 17 years where he used his photographic skills to illustrate ancient Irish poetry text with photographs of the countryside. In addition, he authored books on photography and other subjects. He lived his last years in Vence, France, where he continued a very active professional life. He died of cancer on 18 December 2009.[9] Willoughby's images are represented by the Motion Picture and Television Photo Archive and can be viewed by the public at mptvimages.com [1]

Collections

His photographs are held in collections and exhibited worldwide including:

Publications

References

  1. .
  2. ^ Grimes, William. "Bob Willoughby, Candid Photographer of the Stars, Dies at 82", The New York Times, December 27, 2009. Accessed December 27, 2009.
  3. ^ Steichen, Edward; Sandburg, Carl; Norman, Dorothy; Lionni, Leo; Mason, Jerry; Stoller, Ezra; Museum of Modern Art (New York) (1955). The family of man: The photographic exhibition. Published for the Museum of Modern Art by Simon and Schuster in collaboration with the Maco Magazine Corporation.
  4. ^ "Archived copy". Archived from the original on 2007-09-27. Retrieved 2006-10-03.{{cite web}}: CS1 maint: archived copy as title (link)
  5. ^ "Capital Art: Bob Willoughby". Capital Art Inc. Archived from the original on 23 August 2013. Retrieved 11 August 2013.
  6. ^ Valerie J. Nelson, Bob Willoughby dies at 82; still photographer shot on movie sets Los Angeles Times. Retrieved on 24 December 2009.
  7. ^ "Bob Willoughby (1927-2009)". Search the Collection: National Portrait Gallery. National Portrait Gallery, London 2013. Retrieved 2 August 2013.

External links