Brudenell Social Club

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Coordinates: 53°48′36″N 1°34′12″W / 53.810°N 1.570°W / 53.810; -1.570
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Brudenell Social Club
The front entrance of the Brudenell Social Club.
Map
Location33 Queen's Road, Leeds, England[1]
Coordinates53°48′36″N 1°34′12″W / 53.810°N 1.570°W / 53.810; -1.570
TypeMusic venue
Seating typePrimarily standing, some seating
Capacity400 (Main room)[3]
400 (Community room)[3]
Opened2 December 1913
Demolished and rebuilt 1978
Reopened 7 December 1978[2]
Website
www.brudenellsocialclub.co.uk

The Brudenell Social Club is a live music venue and social club in Hyde Park, Leeds, England.[4] While being a social enterprise, it retains the "community atmosphere of its origins as a working men's club".[5][6] The club is split into three areas—a 400 capacity concert room, a bar area and games room section (which occasionally holds gigs) and a second 400 capacity concert area, known as the Community Room, which opened in 2017.

The club was originally formed in 1913 by local businessmen, who built a wooden clubhouse at 33 Queen's Road which opened on 2 December of the same year. After falling into disrepair, this wooden structure was replaced by the present brick building at the cost of £160,000 in 1978,

DIY
music scene.

From 2004 to 2005,

grant. A few years later, in 2007, the Brudenell moved from being a members club to being a "publicly open, licensed place that runs as a social enterprise and reinvests its money".[8]

The club has played host to "secret gigs" by the likes of Kaiser Chiefs and Franz Ferdinand, hosted The Cribs as they played three-consecutive nights, billed as "Cribsmas", in December 2007 and celebrated its 100th anniversary in December 2013, with shows by The Wedding Present, The Fall and ¡Forward, Russia! among others.

A "primary cog in the Leeds music scene",[1] the Brudenell Social Club was joint winner of the best live music venue in 2014's Rock the House competition, and was shortlisted for The Fly magazine's 2014 UK Venue of the Year' award and the NME's Britain's Best Small Venue award in 2011, 2012 and 2015.

History

Although exact details regarding its foundation are unknown, it is believed that the Brudenell Social Club

Hyde Park Picture House.[2] However, after this plan failed to come to fruition,[Note 2] a clubhouse was built at 33 Queen's Road, on the site of the present club's car park.[2][1] Subsequently, this clubhouse opened on 2 December 1913.[2]

The original wooden structure had fallen into disrepair by 1978 and was replaced by the present "modern-style" brick building at a cost of £160,000.[7][2] The Brudenell Social Club reopened on 30 November 1978, with an official opening taking place on 7 December featuring performances from comedian Bobby Knutt and trio The Jady Jays.[7][2] On reopening, the club permitted female members for the first time in its history, although only men were allowed in the billiards and games room.[7] The Brudenell's new "cabaret-style" concert room featured live entertainment on Friday, Saturday and Sunday nights and, according to The Stage's Northern correspondent Jim Daley, the club became "one of the most popular in the Leeds area" during the year after its reopening, with entertainments manager Jack Swithenbank "engaging known acts who provide value for money".[12][13]

The main bar area at Brudenell Social Club, pictured in May 2017.

Malcolm and Patricia Clark became the Brudenell's

DIY fanzine Cops & Robbers.[8][2] The Termite Club also ran at the venue, hosting noise rock events.[2] During the 1995 Hyde Park riots, the club staged a lock-in as local taxis were unable to operate.[15] The Brudenell later hosted initial meetings by the group that set up Unity Day, a community festival created to "celebrate the people, culture and community of LS6" in the wake of the unrest.[8][16] The Clarks' son, Nathan, took over the running of the club in 2004 after his father fell ill.[6][Note 3]

In 2004–2005 the Brudenell was placed on a "final warning" following

smoking ban implemented in England in 2007, which made it illegal to smoke in enclosed work places, the Brudenell moved from being a member's club to an entirely public venture—"a not for profit company that still has the same aims as the club always had [...] a publicly open, licensed place that runs as a social enterprise and reinvests its money"[8]—with Nathan believing that the venue had to "evolve or die".[6][18]

Mogwai
officially opened the Community Room on 7 September 2017.

Unlike many social clubs in the United Kingdom, the Brudenell has never been part of the Working Men's Club and Institute Union, which Clark believes has enabled the venue to be more flexible than may otherwise have been the case.[6] All profits are reinvested—staff are paid a "living wage",[19] and the club has been able to make improvements, such as installing new toilets and showers, and upgrading the dressing rooms, which Clark feels make the club of a higher quality than other venues "putting on similar gigs".[17] The building itself has been "paid for", which means that the club does not have to worry about rent increases.[19]

The club is split into three areas—an

Mogwai played a show to support the release of their ninth studio album, Every Country's Sun.[21]

As a result of the COVID-19 pandemic, in 2020 the Brudenell endured a prolonged period of closure.[25] During this time, the club released a series of t-shirts, featuring the name "Brudenell Social Distancing Club"—a pun on the social distancing public health measures in place in the UK at the time—in an attempt to "support the local community in a time like this, and spread a positive message".[25] All proceeds from sales of the t-shirts went to the artists who designed them.[25] In June 2020, the club received £23,600 emergency funding from Arts Council England to help alleviate financial pressures caused by the pandemic.[26] Later in the year, a further £220,429 was provided by the UK government's Culture Recovery Fund to help the Brudenell "host a free weekly event as well as livestreams".[27]

The club's current logo, which appears on T-shirts promoting the venue, features Charlie, a King Charles Spaniel owned by the Clarks, who is often present behind the bar.[15]

Booking policy

The Brudenell regularly showcases an "eclectic mix of up-and-coming bands, hip or soon-to-be-influential names and the acts that first inspired them, from punk to hip-hop", with around 75% of shows being put on by Nathan Clark himself.[6][3] The venue has been described as a "primary cog in the Leeds music scene".[1]

Speaking about the club's booking policy to the BBC's Michael Savage in January 2017, licensee and general manager Nathan Clark stated that he believes audiences come back to the venue because "they have a degree of trust" in the Brudenell's taste when it comes to selecting bands to play the venue.[19] Clark also stated that the club tries to support "good local artists", recommending them to touring bands and receiving tips from these musicians in return about "what's happening in their town".[19]

According to Clark, every band that plays the venue is "treated the same, regardless of their status" and, unlike many venues in the UK, the Brudenell does not ask for a cut of the money bands make from selling merchandise, such as CDs and T-shirts, during and after shows.[19] Clark believes that these factors, combined with little touches such as "the wifi being personalised" and giving acts use of a microwave and washing facilities, result in bands being keen to return to play at the Brudenell — something which the venue encourages as it tries "build relationships for the long term" with performers.[5][19]

Notable performances

The Brudenell Social Club celebrated its 100th anniversary in December 2013 with an "eclectic mixture" of shows.[2] Clockwise from top left: The Wedding Present, Girls Against Boys, Superchunk, Loop, and Rocket from the Crypt.

Franz Ferdinand played a "secret gig" at the Brudenell in 2004,[4] and a year later, on 20 October 2005, Kaiser Chiefs played a free "secret gig" at the venue, with doors opening at 12pm, to celebrate the birthdays of drummer Nick Hodgson as well as Ryan and Gary Jarman from The Cribs.[28] Tom Jones played an "intimate album launch show" at the Brudenell on 31 August 2021 in support of his album Surrounded by Time.[29]

The Cribs played three consecutive nights at the Brudenell in December 2007.[30] Billed as "Cribsmas",[31] the shows saw the band performing material from each of the three albums they had released up to that point—The Cribs, The New Fellas and Men's Needs, Women's Needs, Whatever—along with associated b-sides.[31] Support for the shows came from Kaiser Chiefs, Franz Ferdinand and Kate Nash.[31] In December 2008, the Cribs released a triple DVD of their "Cribsmas" shows as Live At The Brudenell Social Club.[31] Ten years later, in December 2017, The Cribs played a five night residency at the Brudenell.[32]

To celebrate the 100th anniversary of the venue in December 2013, an "eclectic mixture" of acts were booked to showcase a range of musical genres that "expressed the values" of the Brudenell as a music venue;[6] The Wedding Present, The Fall, Girls Against Boys, Loop and Rocket from the Crypt were among the bands who played at these anniversary shows.[2] Leeds band ¡Forward, Russia! also played as part of the celebrations following their brief 2013 reformation.[2]

In a 2013 interview with the

Thee Oh Sees in the games room and The Cribs' December 2007 shows as being particularly memorable.[20]

Awards

In 2014, the Brudenell was joint winner with Base Studios in Stourbridge of the Best Live Music Venue category in that year's Rock the House competition,[33] and was shortlisted for The Fly magazine's UK Venue of the Year award.[6][18] It has also been nominated several times for the NME's Britain's Best Small Venue award, being shortlisted in the North East category in 2011 and 2012,[34][35] and in the Yorkshire & Humberside category in 2015.[36]

In September 2016, general manager Nathan Clark was recognised with an INDIE50 listing for his work promoting live music at the Brudenell.[37] The award, set up by online ticket sellers WeGotTickets, was designed to celebrate the "unsung idols of live music at a grassroots level".[36] The Brudenell won the inaugural 'Grassroots Venue: Spirit of the Scene' award at the 2017 Music Week awards[38] and was also presented with the award in 2021 and 2023.[39][40] The venue won the 'Best Venue Teamwork' award for clubs with a capacity of under 800 at the 2017 and 2019 Live Music Business Awards.[41][42] Clark also won the 'Indie Promoter of the Year (Local impact)' award at the 2019 Live Music Business Awards.[42]

Footnotes

  1. ^ The name is said to derive from the Brudenell family, who owned much of the land in the area from the 1670s until 1888[9]
  2. ^ It has been speculated that a clubhouse could not be built on the site that would be used for Hyde Park Picture House due to a covenant put in place by the Brudenell family, which forbade licensed establishments from being built within a certain radius of their manor house.[2] The Brudenells were absentee landlords and never actually lived in Leeds beyond brief stays at Headingley Hall, the mediaeval manor house on what is now Shire Oak Road.[10] Two public houses, the Original Oak and Skyrack, have been open on Otley Road, opposite Headingley Hall, since at least the 18th century, with both buildings being owned by the Brudenell family.[11]
  3. ^ According to Simpson's 2020 article, Nathan Clark took over the running of the club in 2003[3]

References

  1. ^ a b c d Simon 2011, p. 104.
  2. ^ a b c d e f g h i j k l m n o p Seaman 2013.
  3. ^ a b c d e Simpson 2020.
  4. ^ a b c James 2014.
  5. ^ a b Hanley 2018.
  6. ^ a b c d e f g h i j k l Simpson 2014.
  7. ^ a b c d Daley 1978.
  8. ^ a b c d Chapman 2013b.
  9. ^ Bradford 2008, pp. 15, 27.
  10. ^ Bradford 2008, pp. 18, 397.
  11. ^ Bradford 2008, pp. 115, 123.
  12. ^ Daley 1979a.
  13. ^ Daley 1979b.
  14. ^ Mason 2020, 44:02–44:19 Clark: "My parents took over it [Brudenell Social Club] because the old committee had, kinda, taken the money out and owed the HMRC, the Inland Revenue, some VAT and my dad just cared about it and kinda put the money in and it's gone from there."
  15. ^ a b Chapman 2013a.
  16. ^ Baron 2010.
  17. ^ a b c d Chapman 2013c.
  18. ^ a b Brudenell Social Club 2016.
  19. ^ a b c d e f Savage 2017.
  20. ^ a b NME 2015b.
  21. ^ a b Steel 2017.
  22. ^ Emina 2009.
  23. ^ YEP 2017.
  24. ^ Darlington 2017.
  25. ^ a b c Jimmison 2020.
  26. ^ Pantry 2020.
  27. ^ Reilly 2020.
  28. ^ NME 2005.
  29. ^ Bevan 2021.
  30. ^ Haynes 2008.
  31. ^ a b c d Bychawski 2008.
  32. ^ Seaman 2017.
  33. ^ Worcester News 2014.
  34. ^ Bychawski 2011.
  35. ^ Bychawski 2012.
  36. ^ a b NME 2015a.
  37. ^ Hudson 2016.
  38. ^ Gumble 2017.
  39. ^ Paine 2021.
  40. ^ Paine 2023.
  41. ^ Live Music Business Awards 2017.
  42. ^ a b Live Music Business Awards 2019.

Bibliography

External links

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