Car Wash (film)
This section possibly contains original research. (June 2014) |
Car Wash | |
---|---|
Directed by | Michael Schultz |
Written by | Joel Schumacher |
Produced by | Art Linson Gary Stromberg |
Starring | |
Cinematography | Frank Stanley |
Edited by | Christopher Holmes |
Music by | Norman Whitfield |
Distributed by | Universal Pictures |
Release date |
|
Running time | 97 minutes |
Country | United States |
Language | English |
Budget | $2 million |
Box office | $14 million |
Car Wash is a 1976 American
Plot
Over a single Friday in July, the Dee-Luxe Car Wash hosts all manner of strange visitors, including a hysterical wealthy woman from
Mr. B's son Irwin, a left-wing college student who smokes
Theodore Chauncey "T.C." Elcott, another young employee, is determined to win a radio call-in contest to win tickets for a rock concert and to convince his estranged girlfriend Mona, a waitress working in a diner across the street, to accompany him, eventually succeeding. Musicians Floyd and Lloyd, who have an audition for an agent when their shift ends, spend the entire movie rehearsing their jazz-blues dance moves in front of bewildered customers. Meanwhile, an employee named Justin clashes with his girlfriend, Loretta, who wants him to return to college, but he declines, feeling that a black man like him will not get anywhere in the world with any kind of education. His elderly grandfather, Snapper, works as the shoe shine man at the car wash and is a follower of Daddy Rich.
Other employees include womanizer Geronimo ("married three and a half times"), a thin, African-American with feathers in his hair; cowboy Scruggs, the gas pump operator concerned about having caught a "social disease" the night before; overweight, good-natured Hippo, who is constantly listing to his
Among everything, Mr. B constantly flirts with the young, busty cashier/receptionist Marsha to escape his troubled home life. Constantly tense, he worries about his car wash going out of business due to a competitor a few miles down the street. Lonnie, conversely, has numerous ideas on how to save the car wash, but everyone else, including the miserly Mr. B, ignores him. Later, Abdullah, after being fired by Mr. B for his unexplained absences from work for the past several weeks, appears in the office with a gun while Lonnie is closing up, intending to rob the business. Lonnie dissuades him, knowing where a life of crime will lead, and the two commiserate at the status society has imposed on them: two proud men forced to work at a meaningless job for meager pay. The day ends melancholically as everyone goes their separate ways, knowing that they will be back tomorrow to do it all over again.
Cast
- Franklyn Ajaye as Theodore Chauncey "T.C." Elcott
- Sully Boyar as Leon "Mr. B" Barrow
- Richard Brestoff as Irwin Barrow
- Carmine Caridi as Foolish Father
- George Carlin as Taxi Driver
- Irwin Corey as "The Mad Bomber"
- Ivan Dixon as Lonnie
- Bill Duke as Duane / Abdullah
- Antonio Fargas as Lindy
- Michael Fennell as Calvin
- Arthur French as Charlie
- Lorraine Gary as Hysterical Lady
- Darrow Igus as Floyd
- Leonard Jackson as Earl
- DeWayne Jessie as Lloyd
- Lauren Jones as Marleen
- Jack Kehoe as Scruggs
- Henry Kingi as Goody
- Melanie Mayron as Marsha
- Garrett Morris as "Slide"
- Clarence Muse as "Snapper"
- Leon Pinkney as Justin
- The Pointer Sisters as The Wilson Sisters
- Richard Pryor as "Daddy Rich"
- Tracy Reed as Mona
- Pepe Serna as Chuco
- James Spinks as "Hippo"
- Ray Vitte as "Geronimo"
- Renn Woods as Loretta
- Brooke Adams as Terry ("television version" only)
- Antonie Becker as Charlene
- Danny DeVito as Joe ("television version" only)
- Antar Mubarak as Sonny Fredericks
- Otis Sistrunk as Otis
- Tim Thomerson as Ken, Marsha's suave date
- Jason Bernard as Lonnie's parole officer
Other actors
Danny DeVito and Brooke Adams appeared in the film as Joe and Terry, the owners of a food stand called 'Big Joe's Dog House' which is located next to the car wash. Though they had speaking roles, nearly all of their scenes were deleted from the theatrical version and they are only seen in the background. Their scenes were restored for the edited television version.
The film also featured the speaking voices of local L.A. disc jockeys Jay Butler, J. J. Jackson, Rod McGrew, Sarina C. Grant, and Cleveland's Billy Bass, all heard in the background of the film on the fictional "KGYS" radio station.
Production
The producers originally intended the project to be a stage production, which would feature a replicate car wash on stage,[3] hoping that the project, if successful, could be adapted as a movie. They pitched the idea to Universal's then-president Ned Tanen, who persuaded them to make the film version instead.[3] Joel Schumacher was chosen to write based on his work writing Sparkle.[3]
Unusual for film production, the sound track was recorded prior to filming.[4] The director wanted the actors to actually listen to the same music that would later be added in post-production while filming the scenes.[5]
Reception
The film presently has a score of 86% on Rotten Tomatoes based on 29 reviews, with an average score of 6.8 out of 10.[6]
Roger Ebert gave the film three-and-a-half stars out of four, calling it "a sunny, lively comedy" with a "tremendous sense of life."[7] Vincent Canby of The New York Times called it "a cheerful, somewhat vulgar, very cleverly executed comedy," adding, "Nothing terribly dramatic happens, and some of the comedy gets a bit forced, but the wonder of the film is how it manages to succeed so much of the time."[8] Gene Siskel gave the film three stars out of four and called it "quite entertaining" with "plenty of strong performances."[9] Arthur D. Murphy of Variety wrote, "An enormous, and enormously talented, cast is put through its paces masterfully by director Michael Schultz, making the most of Joel Schumacher's zany screenplay."[10] Charles Champlin of the Los Angeles Times called it "a high-energy, high-entertainment, raucously well-observed slice of life."[11] Sander Vanocur of The Washington Post called it "more than a movie. It's an experience that will make you feel good."[12]
While it did well at the box office, it still fell short of the high expectations Universal had, probably because of the declining market for black-oriented films at the time.
Since the film's initial release, it has had a small but constant following as a
Gay film historian Vito Russo cites the character Lindy, played by Antonio Fargas, as being both funny and challenging through his gay militancy. Russo deems Lindy's response to the militant Abdullah as being potentially revolutionary had it not been placed strictly within a comedic context.[14] African American cultural critic Angela Nelson identifies Lindy as a "sophisticated sissy."[15] The "sophisticated sissy" characterization is often used as an easy contrast to the "appropriate" masculine behaviour that heterosexual black male characters are expected to display.
In 2023, Car Wash was named by a group of film experts as one of the 75 most culturally significant films by Black directors.[2]
Music
Versions
Car Wash had its network television premiere on NBC Monday Night at the Movies in 1978. Along with the standard dubbing of strong language, many scenes that included the gay character Lindy (Fargas) were trimmed or deleted. To replace these shortened scenes, and therefore shortened film, a subplot of a diner owner (Danny DeVito) (scenes shot for the theatrical version but cut prior to release) were re-inserted. As of 2013, commercially available versions of the movie were of the original theatrical release, not the revised TV version.
Notes
- ^ "Car Wash - Details". AFI Catalog of Feature Films. American Film Institute. Archived from the original on December 15, 2018. Retrieved December 12, 2018.
- ^ a b "The New Black Film Canon" by y Aisha Harris and Dan Kois, Slate, Feb 27, 2023.
- ^ a b c Rabin, Nathan (2 April 2003). "Joel Schumacher". Avclub. Archived from the original on 10 January 2018. Retrieved 10 January 2018.
- ^ Rose Royce bio
- ^ "Liner notes". Car Wash, Motion Picture Soundtrack. 1976.
- ^ "Car Wash". Rotten Tomatoes. Archived from the original on April 21, 2019. Retrieved December 17, 2023.
- ^ Ebert, Roger. "Car Wash". RogerEbert.com. Archived from the original on April 21, 2019. Retrieved December 12, 2018.
- ^ Canby, Vincent (October 16, 1976). "'Car Wash' Froths on Screen With Pop Life". The New York Times. 15.
- ^ Siskel, Gene (October 8, 1976). "Well-paced re-creation of reality makes 'Car Wash' an absolute gas". Chicago Tribune. Section 2, p. 3.
- ^ Murphy, Arthur D. (September 1, 1976). "Film Reviews: Car Wash". Variety. 22.
- ^ Champlin, Charles (August 29, 1976). "Life in the Day of a Car Wash". Los Angeles Times. Calendar, p. 40.
- ^ Vanocur, Sander (September 3, 1976). "A Sparkling 'Car Wash'". The Washington Post. B1.
- ^ "Festival de Cannes: Car Wash". festival-cannes.com. Archived from the original on 2011-09-24. Retrieved 2009-05-10.
- ^ Russo, pp. 228—29
- ^ Means Coleman, p. 142
- ^ allmusic Biography
References
- Means Coleman, Robin R. (1998). African American Viewers and the Black Situation Comedy: Situating Racial Humor. Taylor & Francis. ISBN 0-8153-3125-8.
- Russo, Vito (1987). The Celluloid Closet: Homosexuality in the Movies (rev. ed.). New York, Harper & Row. ISBN 0-06-096132-5.
External links
- Car Wash at IMDb
- Car Wash at the TCM Movie Database
- Car Wash at AllMovie
- Car Wash at Rotten Tomatoes