Comprimario

Source: Wikipedia, the free encyclopedia.

A comprimario is a small supporting role in an opera[1] (or a singer who sings those roles).[2] The word is derived from the Italian "con primario", or "with the primary", meaning that the comprimario role (or singer) is not a principal role (or singer).[3] The term usually refers to characters who do not sing any full-length arias or long scenes (although mute characters, who do not sing at all, are not considered comprimarios).

Many singers began their careers as comprimario singers; many others end their careers that way when they become too infirm to cope with long roles; some have made a career out of singing such parts. Among these latter are singers such as Anthony Laciura, Jean Kraft, Nico Castel, and Charles Anthony of the Metropolitan Opera; others include Plinio Clabassi and Karl Dönch.

Some notable comprimario roles

Notable comprimario roles, in operas which are performed often, include Don Curzio, Antonio, and Barbarina in

Parsifal, the First and Second Prisoners in Fidelio, the Italian Singer, the Police Officer and the Notary in Der Rosenkavalier, the Police Officer (a different one) and Shchelkalov in Boris Godunov, the Wig-Maker and the Lackey in Ariadne auf Naxos, the Wedding Registrar in Madama Butterfly, the Mandarin in Turandot, Orest's servant in Elektra, and Morales, Frasquita and Mercedes in Carmen
.

References

  1. ^ "Comprimario:Meaning of comprimario in opera". Archived from the original on 2018-08-08. Retrieved 2018-08-08.
  2. ^ "Opera Terms Pronunciation Guide".
  3. ^ "comprimario". enciclopedia_universal.esacademic.com (in Spanish). Archived from the original on 2019-12-06.