Deogarh, Uttar Pradesh
Deogarh | |
---|---|
UTC+5:30 (IST) | |
PIN | 284403 |
Telephone code | 0517 |
Deogarh is a village in
The fort on the hill is dominated by a cluster of
The Deogarh monuments are protected by the Department of Archaeology of the Archaeological Survey of India (ASI), and managed through its Northern Circle Office located in Agra. ASI maintain an archaeological museum at the Deogarh site, which is noted for its treasured archaeological sculptures.[4]
Etymology
"Deogarh" derives from the
Geography
Deogarh village, which has an area of 1,049.15 square kilometres (405.08 sq mi),
The fort of Deogarh is in a valley which generally has a gentle slope. The valley is formed by the Betwa River at the western end of the hills of the
Demographics
According to the 2011 Census, the population of the Deogarh village was 783 spread over 152 households.
History
Deogarh's strategic location in Northern India on the ancient route to the
The earliest religious influence in the Deogarh area can be traced to the Gupta period (320-550), (on the basis of an inscription on the Nahar Ghati[6]) known as the "golden period" of Indian history. This was followed by the Jain period between the 8th and 17th centuries, where innumerable temples have been traced.[5][10]
The present village's history has not been examined at depth, even though many inscriptions have been located in the fort and the valley, relating to various stylistic and palaeographical denominations. Although the dynasties who ruled over the territory are known, who built what is not clear, except for the Jain temples, which were built by the merchant Jain community. More archaeological explorations would therefore be essential, to establish the linkages of building activities with the dynasties who ruled over the territory, considering the enormous amount of Hindu and Jain temple remains and artifacts found here.[5]
The earliest history of Deogarh is that of the architectural evolution traced to the ancient Gupta period, which flourished between the 4th and 6th centuries in
During this time, sculptural arts peaked and "India entered upon the classical phase of sculpture".[12] Even though Guptas were Hindu rulers, the cultures of Buddhism and Jainism also flourished during their reign. During this period, Buddhist sculptures were more puritanical with total elimination of nudity in its depictions. However, transparent tight fitting drapery were dictated by moral values and hence, were restrained. Indian temple architecture emerged with figurine sculptures in decorative settings, attaining excellence of form. This is inferred from the large panel of Sheshashayi Vishnu (Hindu god Vishnu reclining on the serpent Shesha) at the Deogarh temple.[12]
Monuments
The Deogarh monuments can be categorized based on their location at valley and fort temples, which are generally built with sand stones of brick-red colour. The valley temples are mostly Hindu temples from the Gupta period near the Deogarh village.[5]
Jain temple complex
The fort temples are dominated by the Jain temples in the eastern part of the hill fort; the
All temples are categorized into two distinct periods: the early medieval period and the medieval period. During the
The extravagance of the intricacies of the Jain sculptures are similar to that of nearby Gwalior in Madhya Pradesh and adjoining areas of Bihar.[16] Jain sculptures lie scattered on both sides of the path from the gate, on the walls of the fort. A notable pillar seen here is called the Manastambha. The complete image of each of the 24 tirthankaras depicting the emblem of a bird, flower or animal are seen here. Images of Yaksha and Yakshini are also part of such depictions. Thousands of sculptures are seen embedded in the walls surrounding the complex. The large number of idols lying scattered around the fort area is attributed to the fact that this was the sculptors' workshop.[9]
Worship at some of the Jain temples are still held regularly. The most famous of the Jain temples in the fort is the Shantinath temple, which was built before 862 AD. This temple committee oversees the protection of the monuments and work to improve the ambience of the entire place. It has been suggested however, that restoration works be carried out on more scientific terms, following guidelines set by
Dashavatara temple
The "Dashavatara Temple" or "Gupta Temple", built in 400-500 AD, is one of the oldest
Fort
The fort on the hill is located a few hundred yards east of Deogarh village. The fort, when originally built, was known as 'Karnali'. Subsequently, it was renamed "Kirtigiridurga" after it was built in 1057 (
The fort has an external wall for the most part, except in stretches where the steep hill slopes towards the Betwa river. It is also subdivided by many internal walls. A circular structure, the west gate and the east gate (south-east of the Jain temples) are notable monuments. Additionally, there are two gates of entry into the fort, the "Hathi Darvaja" meaning "Elephant gate", and "Delhi Darvaja" which means "Delhi gate".[23]
There are three
The Nahar Ghat ("nahar" or nav means boat, but also means canal. Either boat or canal could be interpreted because steps leading to water) at the east end of the fort, has steep steps that go down from the plateau of the fort to the Betwa river. The ghat is aligned parallel to the wall of the cliff and the river. The "Siddhi ki Ghufa" (Cave of the Saint), is an archaeological find, located on the cliff wall to the left, along the descent from the Nehar Ghat. While descending via the Rajghat, the cliff wall is to the right. It is a plain cave. The cave depicts, on its right, an image of the goddess
The cliffs above the three ghats are embellished with Gupta sculptures and inscriptions dating from various periods. The Nahar Ghat has about a dozen niches, which house
The Varaha temple dated to 7th century is situated in the southeast corner of the fort. It is located on a high jagati or platform. But it is in ruins except for a few architectural fragments such as a door frame and a pillar of an entrance porch. The mainidol has been moved to the sculpture shed here.[6]
See also
- Parwar
- Jainism in Bundelkhand
Notes
- ^ a b c d e "District Census Handbook - Lalitpur" (PDF). Census of India. p. xiii,104. Retrieved 15 November 2015.
- )
- ^ Universiteit van Amsterdam and Institute of South Asian Archaeology (1958). Studies in south Asian culture, Part 3. Brill Archive. pp. 1–29.
{{cite book}}
:|work=
ignored (help) - ^ Studies in south Asian culture, p. 7
- ^ a b c d e Titze p.103
- ^ a b c d e "Deogarh" (PDF). Archaeological Survey of India Lucknow Circle. Retrieved 24 August 2016.
- ^ a b c "Deogarh". Uttra Pradesh Tourism, Government of Uttar Pradesh. Archived from the original on 3 January 2010. Retrieved 21 March 2010.
- ^ Titze pp. 102–103
- ^ a b c d "Fortress of the gods". The Hindu. 24 August 2003. Archived from the original on 7 December 2003. Retrieved 5 January 2010.
{{cite web}}
: CS1 maint: unfit URL (link) - ^ a b c Studies in south Asian culture, pp.31, 62-69
- ^ "Hindu Art;Vishnu". Encyclopædia Britannica. Retrieved 25 March 2010.
- ^ a b "Gupta sculpture". Government of India. Centre for Cultural Affairs and Training. Archived from the original on 10 January 2010. Retrieved 4 January 2010.
- ^ "Jain Temple". www.uptourism.gov.in. Archived from the original on 20 December 2016.
- ^ "Deogarh". Retrieved 8 January 2010.
- ^ Titze pp.103-105
- ^ Titze p.105
- ^ Titze p.105-106
- ^ "Incredible Uttar Pradesh :: All Places Of Uttar Pradesh Tourism". Deograh. Archived from the original on 23 March 2010. Retrieved 7 January 2010.
- ^ Lubotsky, Alexander. Isomorphic Reconstruction Map of Sarvodhbhadra temple or the Vishnu temple of Deogarh (PDF). pp. 9–10.
- ^ Studies in south Asian culture, p.29
- ^ Lubotsky pp. 2–3
- ^ Kumar, Arjun (28 August 2008). "Deogarh in UP is an abode of gods". The Economic Times. Retrieved 8 January 2010.
- ^ a b Studies in south Asian culture, p.28
- ^ a b c Studies in south Asian culture, pp.28-29
- )
References
- Lubotsky, Alexander. Isomorphic Reconstruction Map of Sarvodhbhadra temple or the Vishnu temple of Deogarh (PDF).
- Schastok, Sara.L. (1985). The Śāmalājī sculptures and 6th century art in Western India. Brill. pp. 70–71. )
- Solis, Benjamín Preciado- (1984). The Krishna cycle in the puranaas: themes and motifs in a heroic saga. Motilal Banarsidass. p. 106. )
- Universiteit van Amsterdam and Institute of South Asian Archaeology (1958). Studies in south Asian culture, Part 3. Brill Archive. pp. 1–29.
{{cite book}}
:|work=
ignored (help) - Titze, Kurt; Klaus Bruhn (1998). Jainism: a Pictorial guide to the religion of non-violence. Motilal Banarsidass Publ. pp. 102–106. )