Dragotin Kette
This article needs additional citations for verification. (March 2008) |
Dragotin Kette | |
---|---|
Fin de siecle, Neo-romanticism |
Dragotin Kette (19 January 1876 – 26 April 1899) was a Slovene Impressionist and Neo-Romantic poet. Together with Josip Murn, Ivan Cankar, and Oton Župančič, he is considered the founder of modernism in Slovene literature.
Life
Kette was born in the small village of Prem near the
During his high school years, he became acquainted with the young writers Ivan Cankar, Oton Župančič, and Josip Murn, who were introducing modernist elements into Slovene literature.
After graduating from high school, Kette was drafted by the Austro-Hungarian Army and sent to Trieste. In Trieste, he fell sick with tuberculosis and returned to Ljubljana, where he settled in a small room in a flophouse on the banks of the Ljubljanica River. He died there in 1899 at the age of 23. In the last weeks of his life, he was tended by his close friend Josip Murn, who died two years later in the same bed.
He is buried in the
Work
Kette's poetry was mostly influenced by Slovene
His most famous works include the lyrical impressionist poem "Na trgu" (On the Square), and a cycle of eight poems entitled "Na Molu San Carlo" (On Saint Charles Pier), written in Trieste.
Kette is also known as an author of popular children's literature. He wrote about 25 stories and poems for children; the best known are "The Tale of the Dressmaker and the Little Scissors," "The Sultan and the Doggy," and "The Bee and the Bumblebee." His children's literature is remains popular and has been translated into German, Czech, Serbian, Croatian, Macedonian, and Hungarian.
Influence and legacy
Unlike his friend Josip Murn, Kette became an established poet already during his lifetime. His death was followed by semi-official mourning and several public figures, including the mayor of Ljubljana Ivan Hribar, attended Kette's funeral. His collected poems were published in 1900, edited by Anton Aškerc (then considered the most important author in Slovenian), who had previously rejected Kette's poetry. Aškerc's condescending and patronizing preface to the edition was strongly criticized by Ivan Cankar and Oton Župančič, leading to a public dispute in which the young Slovenian writers challenged the aesthetic standards of the older generations, represented by Aškerc. On the first anniversary of Kette's death, Ivan Cankar published an influential essay in his memory, which began with the words:
A year ago, Dragotin Kette passed away in Ljubljana and some newspapers reported that we had lost a very talented poet. Few realized that the young man that had died was the biggest talent we have had since Prešeren.
Kette had an important influence on future Slovenian writers, such as Alojz Gradnik, Srečko Kosovel, Miran Jarc, Ivan Minatti, Janez Menart, Kajetan Kovič, and Ciril Zlobec.
Sources
- Ivan Cankar, "Dragotin Kette" in Bela krizantema (Ljubljana: Mladinska knjiga, 1966), 16–28.
- Silvo Fatur, Dragotin Kette - Prem (Ilirska Bistrica: Občina, 2000).
- Matjaž Kmecl, Kette na svetli strani moderne (Ljubljana: Slavistično društvo Slovenije, 2006).
- Juraj Martinović, Poezija Dragotina Ketteja (Ljubljana: Slovenska matica, 1976).
- Janez Mušič, Dragotin Kette (Ljubljana: Mladika, 1993).