Dunja Vejzović

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Dunja Vejzović (pronounced [dûɲa v̞ɛ̂jzɔv̞it͡ɕ]; born 20 October 1943, Zagreb, Independent State of Croatia) is an operatic mezzo-soprano and soprano from Croatia.

Dunja Vejzović
Born
Dunja Crnković

(1943-10-20) 20 October 1943 (age 80)
Zagreb Academy of Music
Occupation(s)operatic mezzo-soprano
soprano
Years active1968 - 2014

Biography

Dunja Crnković was born in

Croatian National Theatre in Zagreb, debuting in 1970 as Ariel in Stjepan Šulek
's Oluja (The Tempest).

From 1971 to 1978, Vejzović was a member of the Nuremberg Opera, where she appeared in many operas, including principal roles in

Aïda (as Amneris), Lulu (as the Countess Geschwitz), and Samson et Dalila. Among her teachers were Iris Adami Corradetti and Gina Cigna
.

Her international career began in 1978, at the Bayreuth Festival, where she enacted Kundry in Parsifal, for three summers. On 9 October 1978 Vejzović made her Metropolitan Opera debut in Tannhäuser, as Venus, opposite Jess Thomas in the name part, with James Levine conducting.

In 1980 and 1981,

Teatro alla Scala, as Didon in Les Troyens, conducted by Georges Prêtre and directed by Luca Ronconi. At that theatre, she also appeared in Suor Angelica (as the Zia Principessa, 1983, conducted by Gianandrea Gavazzeni), Tannhäuser (1984), Der fliegende Holländer (as Senta, 1988), and Parsifal (conducted by Riccardo Muti
, 1991).

Another of her great collaborations has been with the director Robert Wilson, in whose productions she sang the title role of Alceste (conducted by Christoph Eschenbach, 1986–87), and in Parsifal (1991 and 1992).

Vejzović has also appeared in Monte-Carlo (Brünnhilde in Die Walküre, 1979), Berlin, Carnegie Hall (the Verdi Requiem, conducted by Lorin Maazel, 1982), Barcelona (Hérodiade, opposite Montserrat Caballé and José Carreras, 1983), Paris (Médée, 1986), Teatro Colón (Kundry, 1986), Vienna (Wozzeck, under Claudio Abbado, 1987; Lohengrin, with Plácido Domingo, 1990), and Houston (Parsifal and Lohengrin, 1992).

Also in her repertoire are

Fierrabras, Fidelio, Thérèse, Brangäne in Tristan und Isolde, and Sapho
.

Other distinguished conductors with whom Vejzović has collaborated have included

.

In 2002 she bid farewell to the stage, as Charlotte in Werther, at Zagreb, with Francisco Araiza in the name part.

She has twice won the Prix Fondation Fanny Heldy, for her recordings of Kundry and Ortrud. As of 2009, Mme Vejzović is a professor at the Hochschule für Musik, in Stuttgart.

In March 2014 Vejzović made a brief return to the stage, as the Grandmother Buryjovka, in Peter Konwitschny's production of Jenůfa, at Oper Graz.

Abridged Discography

  • Wagner: Parsifal (Hofmann; Karajan, 1979–80) Deutsche Grammophon
  • Wagner: Lohengrin (Tomowa-Sintow, Kollo; Karajan, 1976–81) EMI
  • Berg: "Three Fragments from Wozzeck" (C.Kleiber, 1982) [live] Exclusive
  • Wagner: Der fliegende Holländer (Hofmann, van Dam; Karajan, 1981–83) EMI
  • Mercadante: La vestale (Cécchele; Šutej, 1987) [live] Bongiovanni
  • Berlioz: La mort de Cléopâtre (Eschenbach, 1988) Supraphon
  • Krenek: Orpheus und Eurydice (Hamilton; Steinberg, 1990) [live] Orfeo
  • Brahms: Alto Rhapsody (Eschenbach, 1992) Virgin Classics

Abridged Videography

  • Puccini: Suor Angelica (Plowright; Gavazzeni, Bussotti, 1983) [live] Kultur
  • Wagner: Lohengrin (Studer, Domingo; Abbado, Weber, 1990) [live]
    Image Entertainment

References

  • Documenta Dunja Vejzović, VERO Vision, 2003 [with companion Compact Disc of performances from 1966 to 2002].
  • "Hrvatski operni pjevači 1945-2002".
    ISSN 1330-2787
    . Retrieved 2015-01-11.

External links