Earworm
An earworm or brainworm,[1] also described as sticky music or stuck song syndrome,[2] is a catchy or memorable piece of music or saying that continuously occupies a person's mind even after it is no longer being played or spoken about.[3][4] Involuntary Musical Imagery (INMI) is most common after earworms,[5][6][7][8][9] but INMI as a label is not solely restricted to earworms; musical hallucinations also fall into this category, although they are not the same thing.[6][10] Earworms are considered to be a common type of involuntary cognition.[11] Some of the phrases often used to describe earworms include "musical imagery repetition" and "involuntary musical imagery".[1][12][13]
The word earworm is a calque from the German Ohrwurm.[14][15] The earliest known English usage is in Desmond Bagley's 1978 novel Flyaway, where the author points out the German origin of his word.[16]
Researchers who have studied and written about the phenomenon include Theodor Reik,[17] Sean Bennett,[18] Oliver Sacks,[1] Daniel Levitin,[19] James Kellaris,[20] Philip Beaman,[21] Vicky Williamson,[22] Diana Deutsch,[23] and, in a more theoretical perspective, Peter Szendy,[24] along with many more. The phenomenon should be distinct from palinacousis, a rare medical condition caused by damage to the temporal lobe of the brain that results in auditory hallucinations.[25]
Incidence and causes
Researcher Vicky Williamson at Goldsmiths, University of London, found in an uncontrolled study that earworms correlated with music exposure, but could also be triggered by experiences that trigger the memory of a song (involuntary memory) such as seeing a word that reminds one of the song, hearing a few notes from the song, or feeling an emotion one associates with the song. The list of songs collected in the study showed no particular pattern, other than popularity.[2]
According to research by James Kellaris, 98% of individuals experience earworms. Women and men experience the phenomenon equally often, but earworms tend to last longer for women and irritate them more.[26] Kellaris produced statistics suggesting that songs with lyrics may account for 73.7% of earworms, whereas instrumental music may cause only 7.7%.[27]
In 2010, published data in the British Journal of Psychology directly addressed the subject, and its results support earlier claims that earworms are usually 15 to 30 seconds in length and are more common in those with an interest in music.[21]
Earworms can occur with 'positive' or 'negative' music.
Antidotes
Scientists at Western Washington University found that engaging working memory in moderately difficult tasks such as anagrams, puzzles or reading was an effective way of stopping earworms and of reducing their recurrence.[28] Another publication points out that melodic music has a tendency to demonstrate repeating rhythm which may lead to endless repetition, unless a climax can be achieved to break the cycle.[29]
Research reported in 2015 by the School of Psychology and Clinical Language Sciences at the University of Reading demonstrated that chewing gum could help by similarly blocking the sub-vocal rehearsal component of auditory short-term or "working" memory associated with generating and manipulating auditory and musical images.[30] It has also been suggested to ask oneself why one is experiencing this particular song.[23] Another suggested remedy is to try to find a "cure song" to stop the repeating music.[31][32]
There are also so-called "cure songs" or "cure tunes" to get the earworm out of one's head. "God Save the King" is cited as a very popular and helpful choice of cure song.[33] "Happy Birthday" was also a popular choice in cure songs.[31]
Individual songs may become less likely to cause an earworm as their exciting effect fades as a result of excessive repetition.
Listening to the tune in a different/lower tempo or lower pitch, or a remixed version if it exists, can be an antidote. Listening to the tune from start to finish can also help. Since earworms are usually only a fragment of music, playing the tune all the way through can help break the loop.[34]
Notable cases
In popular culture
Mark Twain's 1876 story "A Literary Nightmare" (also known as "Punch, Brothers, Punch") is about a jingle that one can get rid of only by transferring it to another person.
In 1943 Henry Kuttner published the short story "Nothing but Gingerbread Left" about a song engineered to damage the Nazi war effort, culminating in Adolf Hitler being unable to continue a speech.[36]
In Alfred Bester's 1953 novel The Demolished Man, the protagonist uses a jingle specifically crafted to be a catchy, irritating nuisance as a tool to block mind readers from reading his mind.
In Arthur C. Clarke's 1957 science fiction short story "The Ultimate Melody", a scientist, Gilbert Lister, develops the ultimate melody – one that so compels the brain that its listener becomes completely and forever enraptured by it. As the storyteller, Harry Purvis, explains, Lister theorized that a great melody "made its impression on the mind because it fitted in with the fundamental electrical rhythms going on in the brain." Lister attempts to abstract from the hit tunes of the day to a melody that fits in so well with the electrical rhythms that it dominates them completely. He succeeds and is found in a catatonic state from which he never awakens.[37]
In Fritz Leiber's Hugo Award-nominated short story "Rump-Titty-Titty-Tum-TAH-Tee" (1959), the title describes a rhythmic drumbeat so powerful that it rapidly spreads to all areas of human culture, until a counter-rhythm is developed that acts as an antidote.[38]
In
In the Dexter's Laboratory episode titled "Head Band", a contagious group of viruses force their host to sing what they are saying to the same "boy band" tune. The only way to be cured of the Boy Band Virus is for the viruses to break up and start their own solo careers.[40]
In the SpongeBob SquarePants episode titled “Earworm”, SpongeBob gets the “Musical Doodle” song stuck in his head, giving him an earworm, which ultimately turns out to be an actual worm, which is removed by his friends singing or playing other songs.
In The Lego Movie 2: The Second Part is in a scene in which most of the film's characters are subjected to "Catchy Song" and all except Lucy dance to it, while simultaneously the denizens of Harmony Town sing it to Emmet and Rex. Lucy/Wildstyle avoids being "brainwashed" by the song by breaking one of the speakers and using some of its pieces to build earmuffs for herself before escaping via air ducts, while Emmet and Rex escape in a similar fashion.
E. B. White's 1933 satirical short story "The Supremacy of Uruguay" (reprinted in Timeless Stories for Today and Tomorrow) relates a fictional episode in the history of Uruguay where a powerful earworm is discovered in a popular American song. The Uruguayan military builds a squadron of pilotless aircraft armed with phonographs playing a highly amplified recording of the earworm, and conquers the entire world by reducing the citizens of all nations to mindless insanity. "[T]he peoples were hopelessly mad, ravaged by an ineradicable noise ... No one could hear anything except the noise in his own head."[41]
In 2014, musician
Key characteristics
According to research done in 2016 by the American Psychological Association, there are certain characteristics that make songs more likely to become earworms. Earworm songs usually have a fast-paced tempo and an easy-to-remember melody. However, earworms also tend to have unusual intervals or repetitions that make them stand out from other songs. Earworms also tend to be played on the radio more than other songs and are usually featured at the top of the charts.[42] The chorus of a song is one of the most reported causes of earworms.[43]
The most frequently named earworms during this study were the following:
- "Bad Romance" by Lady Gaga
- "Can't Get You Out of My Head" by Kylie Minogue
- "Don't Stop Believin'" by Journey
- "Somebody That I Used to Know" by Gotye
- "Moves like Jagger" by Maroon 5
- "California Gurls" by Katy Perry
- "Bohemian Rhapsody" by Queen
- "Alejandro" by Lady Gaga
- "Poker Face" by Lady Gaga
Susceptible traits
Kazumasa Negishi and Takahiro Sekiguchi did a study to see if there are specific traits that make a person more or less susceptible to earworms or involuntary musical imagery.[44] The participants in the study were assessed on obsessive-compulsive tendencies, the Big Five personality traits, and musical expertise. Negishi and Sekiguchi found that some of the obsessive-compulsive traits, such as intrusive thoughts, played a role in experiencing earworms while compulsive washing did not. In terms of the Big Five personality traits, neuroticism significantly predicted occurrences of earworms. Musical expertise created an effect of sophistication when it came to earworm occurrences.
Tools used in data gathering
One tool used to gather data on involuntary musical imagery (INMI)—and, more specifically, earworms—is called the Involuntary Musical Imagery Scale; it was created with the research compiled from George Floridou, Victoria Williamson, and Danial Müllensiefen. It uses four factors to measure different experiences surrounding earworms and INMI in general.[45] Those four factors include 'Negative Valence', 'Movement', 'Personal Reflections', and 'Help'.[45] Negative Valence is the category that measures the subjective response to the INMI experience.[45] Movement is a relatively new aspect to apply to INMI, it is essentially the INMI experience with accompanied embodied responses, which can include singing, humming, and dancing.[45] Personal Reflections is the occurrence of a personal quality, like unrelated thoughts, associated with the INMI; which are not directly related to the valence of the INMI itself.[45] Help is the category which determines the beneficial and constructive aspects to the INMI experiences, which could potentially reflect similarities in the characteristics of unfocused music listing and task-unrelated thought.[45]
See also
- Idée fixe (psychology)
- Phonological loop
- Subliminal stimuli
- Tetris effect
References
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- ^ a b Chatterjee, Rhitu (March 7, 2012). "Earworms: Why songs get stuck in our heads". BBC News.
- ^ "Oxford Dictionaries: "earworm"". Oxford University Press. Archived from the original on March 29, 2013. Retrieved July 4, 2013.
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- ^ "earworm" Archived October 15, 2014, at the Wayback Machine, wordspy.com
- ^ "Ohrwurm", www.dwds.de
- ^ Kruszelnicki, Dr Karl (November 29, 2016). "The earworms you can't get out of your head". ABC Radio National. Retrieved May 1, 2022.
- ^ Reik, Theodor (1953). The Haunting Melody: Psychoanalytic Experiences in Life and Music. New York: Grove Press.
- ^ Bennett, Sean (August 30, 2002). Musical Imagery Repetition (Master). Cambridge University.
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- ^ Chatterjee, Rhitu (March 6, 2012). "Earworms: Why songs get stuck in our heads". BBC News. Retrieved March 7, 2012.
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- ^ Szendy, Peter (2012). Hits. Philosophy in the Jukebox. translated by William Bishop. Fordham University Press.
- ISBN 9780199233281. Retrieved July 3, 2013.
- ^ Adams, Cecil (October 16, 2009), "Why do songs get stuck in your head?", The Straight Dope
- ^ Hoffman, Carey (April 4, 2001). "Songs That Cause The Brain To 'Itch': UC Professor Investigating Why Certain Tunes Get Stuck In Our Heads". University of Cincinnati. Retrieved August 6, 2012.
Of the 1,000 respondents, the kind of music respondents said they got stuck on most recently were songs with lyrics for 73.7 percent, jingles or ads for 18.6 percent and an instrumental tune for 7.7 percent.
- ^ Gray, Richard (March 24, 2013). "Get that tune out of your head – scientists find how to get rid of earworms". The Daily Telegraph. Archived from the original on March 24, 2013. Retrieved March 25, 2013.
- ISBN 978-0-262-19319-1.
- ^ "Listen up – new research shows chewing gum could remove that stuck record in your head", University of Reading, 22 April 2015
- ^ The Mary Sue, March 3, 2014
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- ^ "Music : How to get rid of an earworm". Durham University. Retrieved July 19, 2020., citing Williamson et al. 2014
- ^ "How do you get rid of an earworm?". Australian Broadcasting Corporation. April 16, 2020.
- ^ Díaz de Chumaceiro, Cora L. (October 16, 2004). "Jean Harris' Obsessive Film Song Recall". PsyArt. Archived from the original on August 1, 2019. Retrieved December 11, 2011.
- ^ Kuttner, Henry. "Nothing But Gingerbread Left". Archived from the original on March 14, 2012. Retrieved October 10, 2017. Full text of story
- ^ Chorost, Michael, "The Ultimate Melody by Arthur C. Clarke", The Web site of aleph, archived from the original on January 1, 2011, retrieved August 17, 2010
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- ^ "Dexter's Laboratory: Head Band / Stuffed Animal House / Used Ink". TV.com. Archived from the original on February 26, 2021. Retrieved May 29, 2014.
- ^ "The Supremacy of Uruguay". www.armandobronca.com. July 24, 2007. Archived from the original on February 27, 2014. Retrieved January 17, 2014.
- ^ "Psychologists Identify Key Characteristics of Earworms". American Psychological Association. November 3, 2016. Retrieved July 19, 2020.
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Further reading
- Elizabeth Hellmuth Margulis (2013). On Repeat: How Music Plays the Mind. Oxford University Press. ISBN 978-0199990825.
- Vadim Prokhorov (June 22, 2006). "Can't get it out of my head". The Guardian.
- Divya Singhal (December 8, 2011), Why this Kolaveri Di: Maddening Phenomenon of Earworm, SSRN 1969781
External links
- The Involuntary Musical Imagery Scale (IMIS) at Goldsmith University of London
- Margulis, Elizabeth Hellmuth (January 16, 2014). "Why Songs Get Stuck in Your Head". The Atlantic.