Enough Stupidity in Every Wise Man

Source: Wikipedia, the free encyclopedia.
Enough Stupidity in Every Wise Man
Aleksandr Ostrovsky
Date premiered13 November [O.S. 1 November] 1868
Original languageRussian
GenreComedy

Enough Stupidity in Every Wise Man (

bigotry and charts the rise of a double-dealer who manipulates other people's vanities.[2] It is Ostrovsky's best-known comedy in the West.[3]

Production history

1868 – Alexandrinsky Theatre, Saint Petersburg.

1868 – Maly Theatre, Moscow.

1885 – Korsh Theatre, Moscow.

The seminal Russian

Konstantin Stanislavsky directed the play with his Moscow Art Theatre.[4] The production opened on 23 March [O.S. 11 March] 1910.[4] Stanislavski played General Krutitsky[4] and Kachalov
played Glumov.

A production of the play was the most significant of the early

Futurist movement known as "Eccentricism," which sought the "circusisation" of the theatre.[7] In celebration of the centennial of Ostrovsky's birth, the production opened in April 1923.[8] It was staged by the First Workers' Theatre of the Prolekult in its theatre in the Arseny Morozov House, an ornate mansion on Vozdvizhenka Street, with a cast that included Maxim Shtraukh, Ivan Pyryev, and Grigori Aleksandrov.[9] Eisenstein drew on popular theatre techniques such as farce and the commedia dell'arte in his staging, which sought to make every metaphor concrete and physical; he wrote:[10]

A gesture turns into

tightrope. The grotesque of this style permitted leaps from one type of expression to another, as well as unexpected intertwinings of the two expressions.[11]

A screening of Eisenstein's first film, entitled Glumov's Diary, concluded the performance.[5] Writing in 1928, Eisenstein explained that he had aimed "to achieve a revolutionary modernization of Ostrovsky, i.e., a social re-evaluation of his characters, seeing them as they might appear today."[12]

Boris Nirenburg and A. Remizova directed an adaptation of the play for television in 1971.[13]

References

  1. ^ Brockett and Hildy (2003, 370). The play's title has been rendered in English in many different ways in the critical literature, including: The Diary of a Scoundrel, which Brockett and Hildy give as an alternative; or simply The Scoundrel, in Gerould (1974, 73); Even Wise Men Err in Sealey Rahman (199, 174); Even a Wise Man Stumbles, in Magarshack (1950, 309).
  2. ^ Banham (1998, 829), Brockett and Hildy (2003, 370), and Gerould (1974, 73).
  3. ^ Banham (1998, 829) and Brockett and Hildy (2003, 370).
  4. ^ a b c Benedetti (1999, 212, 387).
  5. ^ a b Rudnitsky (1988, 96).
  6. ^ Gerould (1974, 73–74), Kleberg (1980, 81), and Rudnitsky (1988, 96).
  7. ^ Kleberg (1980, 78–82), Kolocotroni, Goldman, and Taxidou (1998, 295–297), and Rudnitsky (1988, 94–96).
  8. ^ The sources offer different dates for the opening: Gerould gives 16 April while Kleberg gives 26 April; see Gerould (1974, 73) and Kleberg (1980, 80–81).
  9. ^ Gerould (1974, 74), Kleberg (1980, 80–81), and Rudnitsky (1988, 96).
  10. ^ Gerould (1974, 74).
  11. ^ Quoted by Gerould (1974, 75).
  12. ^ Quoted by Gerould (1974, 73).
  13. IMDb Edit this at Wikidata
    .

Sources

External links