Essex Hemphill

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Essex Hemphill
Philadelphia, Pennsylvania U.S.
OccupationPoet, activist
NationalityAmerican

Essex Hemphill (April 16, 1957 – November 4, 1995) was an openly

activist. He is known for his contributions to the Washington, D.C. art scene in the 1980s, and for openly discussing the topics pertinent to the African-American gay community.[1]

Biography

Early life

Essex Hemphill was born April 16, 1957, in Chicago, Illinois,[2] to Warren and Mantalene Hemphill, and was the second eldest of five children. Early in his life, he moved to Washington D.C. where he attended Ballou High School.[3] He began writing poetry at the age of fourteen, writing about his own thoughts, family life, and budding sexuality. After graduation, he enrolled at the University of Maryland in 1975 to study journalism.[3] Though he left college after his freshman year, he continued to interact with the D.C. art scene: performing spoken word, working on journals, and beginning to publish his first poetry chapbooks.[3] He would go on to achieve his degree in English at the University of the District of Columbia.[4]

Career

In 1979, Hemphill and his colleagues started the Nethula Journal of Contemporary Literature, a publication aimed at showcasing the works of modern black artists.[3][5] One of his first public readings was arranged by Nethula co-editor E. Ethelbert Miller at Howard University’s Founder Library where he performed beside and befriended filmmaker Michelle Parkerson.[3] He also performed at other institutions, including Harvard University, University of Pennsylvania, and University of California at Los Angeles to name a few.[6]

In 1982, Essex Hemphill, Larry Duckett, his close friend, and Wayson Jones, his university roommate, founded the spoken word group called "Cinque," which performed in the Washington D.C. area.

CALLALOO, and Essence among others.[6] In 1986, Hemphill received a fellowship in poetry from the National Endowment for the Arts.[5]

Essex Hemphill also made appearances in a number of documentaries between 1989 and 1992. In 1989, he appeared in

Black is... Black Ain't (1992) which discussed what exactly constitutes "blackness."[9]

After Beam's death from AIDS in 1988, Essex Hemphill and Beam's mother worked conjointly in order to publish his sequel to In the Life. The second manuscript was published in 1991 under the title Brother to Brother: New Writings by Black Gay Men, which archived the works of about three dozen authors, including Hemphill himself.

Lambda Literary Award.[6]

In 1992, Hemphill published his largest collection of poetry and short stories, entitled Ceremonies: Prose and Poetry,

Pew Charitable Trust Fellowship in the Arts.[9] In 1993, he was a visiting scholar at the Getty Center.[9]

Death

In the 1990s, Hemphill would rarely give information about his health, although he would occasionally talk about "being a person with AIDS."[11] It was not until 1994 that he wrote about his experiences with the disease in his poem "Vital Signs."[12] He died on November 4, 1995, of AIDS-related complications.[12]

Legacy

After his death, December 10, 1995 was announced by three organizations (

Watermelon Woman
to Hemphill.

In his essay "(Re)- Recalling Essex Hemphill" in Words to Our Now, Thomas Glave, pays tribute to Hemphill's life, focusing on the lasting effects of his actions.[13] Glave writes:

In this now, we celebrate your life and language Essex. So celebrating, we know that we re-call you in what is largely, to borrow from another visionary, a 'giantless time.' The sheer giantry of your breathing presence has passed. Now present and future warriors—ourselves and others—will be compelled to learn, as you did and made manifest, that all hauls toward truth—toward venality; ardor, not arrogance; forthrightness, not cowardice.[13]

In 2014, Martin Duberman wrote Hold Tight Gently: Michael Callen, Essex Hemphill, and the Battlefield of AIDS in which Duberman documents the life of Essex Hemphill, along with author and activist, Michael Callen.[14] The book would go on to win the Lambda Literary Award for LGBT Nonfiction.[15]

In June 2019, Hemphill was one of the inaugural fifty American “pioneers, trailblazers, and heroes” inducted on the

history,[18] and the wall’s unveiling was timed to take place during the 50th anniversary of the Stonewall riots.[19]

Works

Themes

Much of Hemphill's poetry and spoken word was autobiographical, and portrayed his experiences as a minority in both the African-American and LGBT communities.[20]

He wrote pieces such as "Family Jewels," which conveyed his frustrations about white bigotry, specifically within the gay community.[21] In his essay "Does Your Momma Know About me?" Hemphill criticizes photographer Robert Mapplethorpe's The Black Book, which showcased pictures of the penises of black men.[5] Hemphill argued that excluding the faces of the black male subjects demonstrated the fetishism of African Americans by whites in the gay community.[5]

The poems and essays in Ceremonies address the sexual objectification of black men in white culture, relationships among gay black men and non-gay black men,

AIDS in the black community and the meaning of family. He also goes on to critique both the institutionalized patriarchy, and dominant gender identities within society.[22]

Hemphill repeatedly invoked loneliness throughout his work. Loneliness in Hemphill's work is a traumatic feeling, a constant sense of rejection. Many of the men returned home after being rejected by white gay communities, only to be rejected within black communities as well. In Hemphill's poetry, he portrays loneliness as a collective feeling. He defined loneliness as a sense of being, marked by suffering without public recognition. A sense of separation from the public creates a social longing because even though the journey is lonesome, fighting against that journey not to kill you, as Hemphill said in one of his poems, makes you yearn for community and support.[23]

Essays

  • (essay in) Patrick Merla (ed.), Boys Like Us: Gay Writers Tell Their Coming Out Stories, Avon Books. 1996
  • (essays in) Thomas Avena (ed.), "Life Sentences: Writers, Artists, and AIDS", Mercury House. 1994
  • Ceremonies: Prose and Poetry, 1992;
    ISBN 9781573441018
  • Conditions: Poems, Be Bop Books, 1986[24]

Anthologies

  • In the Life[25]
  • Gay and Lesbian Poetry in Our Time[25]
  • Art Against Apartheid
  • Men and Intimacy
  • High Risk
  • New Men
  • New Minds
  • Natives
  • Tourists and Other Mysteries
  • (ed.) Brother to Brother: New Writings by Black Gay Men, 1991; RedBone Press, 2007,
    ISBN 9780978625115[24]

Appearances

Notes

  1. ^ "Essex Hemphill 1957 – 1995". Poetry Foundation. 2016. Retrieved May 5, 2016.
  2. ^ "A poet who spoke to the black gay experience, and a quest to make him heard". The Washington Post. 2014-08-03. Retrieved 2019-05-16.
  3. ^
    ISBN 978-1-59558-945-3
    .
  4. ^ Dickel, Simon. Hemphill, Essex. Oxford: Oxford University Press, 2006. Oxford African American Studies Center.
  5. ^ a b c d e f g Steward, Douglas. "Essex Hemphill (1957-1995)." Contemporary Gay American Poets & Playwrights. Ed. Emmanuel S. Nelson. Westport: Greenwood Press, 2003, pp. 198–204.
  6. ^ a b c d James, Winston G. "Hemphill, Essex (1957-1995)". Encyclopedia of African-American Literature. Ed. Wilfred D. Samuels. New York: Fact on File, 2007, pp. 240–242.
  7. OCLC 882543290.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: multiple names: authors list (link
    )
  8. ^ Chi-Yun Shin, Carl. "Reclaiming The Corporeal: The Black Male Body And The 'Racial' Mountain In Looking For Langston." Paragraph 26.1/2 (2003): 201.Humanities International Complete. Web. May 5, 2016.
  9. ^ a b c d Duberman (2014). Hold Tight Gently. pp. 231–246.
  10. ^ Duberman (2014). Hold Tight Gently. pp. 166–182.
  11. ^ Duberman (2014), Hold Tight Gently, pp. 113–114.
  12. ^ a b Duberman (2014), Hold Tight Gently, pp. 291–304.
  13. ^ a b Glave, Thomas. "(Re)- Recalling Essex Hemphill." Words to Our Now. Minneapolis: University of Minnesota Press, 2005. 23–30.
  14. ^ Kerr, Theodore (March 22, 2014). "'Hold Tight Gently: Michael Callen, Essex Hemphill and the Battlefield of AIDS' by Martin Duberman (review)". lambdaliterary.org. Lambda Literary. Retrieved May 5, 2016.
  15. ^ Kellaway, Mitch (June 2, 2015). ""Lambda Literary Announces 2015 Winners". advocate.com. Advocate. Retrieved May 5, 2016.
  16. ^ Glasses-Baker, Becca (June 27, 2019). "National LGBTQ Wall of Honor unveiled at Stonewall Inn". www.metro.us. Retrieved 2019-06-28.
  17. ^ Rawles, Timothy (2019-06-19). "National LGBTQ Wall of Honor to be unveiled at historic Stonewall Inn". San Diego Gay and Lesbian News. Archived from the original on 2019-06-21. Retrieved 2019-06-21.
  18. ^ "Groups seek names for Stonewall 50 honor wall". The Bay Area Reporter / B.A.R. Inc. Retrieved 2019-05-24.
  19. ^ "Stonewall 50". San Francisco Bay Times. 2019-04-03. Retrieved 2019-05-25.
  20. ^ "Essex Hemphill." Contemporary Authors Online. Detroit: Gale, 2010. Literature Resource Center.
  21. ^ Duberman (2014), Hold Tight Gently, pp. 75–88.
  22. ^ Thomas, Greg. "Brother To Brother/Ceremonies (Book)." Educational Studies 24.3 (1993): 277. Academic Search Complete.
  23. S2CID 158970684
    .
  24. ^ a b c d e "Take Care of Your Blessings: Items from the Essex Hemphill/Wayson Jones Collection". The New York Public Library. Retrieved 2019-05-16.
  25. ^
    ISBN 9780313348600
    .
  26. ^ "Essex Hemphill". Poetry Foundation. 2019-05-16. Retrieved 2019-05-16.
  27. ^ Castro, Alex. "Tongues Untied". Senses of Cinema. Archived from the original on January 19, 2010. Retrieved January 10, 2010. Tongues speaks through a range of black, gay, and black gay cultural forms. The video is a melange that mixes the music of Billie Holiday and Nina Simone with the poetry of Essex Hemphill and Joseph Beam

References

External links

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