Florence Quivar

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Florence Quivar (born March 3, 1944, in

operatic mezzo-soprano who is considered to be "one of the most prominent singers of her generation."[1] She has variously been described as having a "rich, earthy sound and communicative presence"[2] as "always reliable"[3] and as "a distinguished singer, with a warm, rich voice and a dignified performing presence."[4] From 1977 to 1997 she was a regular performer at the Metropolitan Opera
where she gave more than 100 performances.

Early life and education

Quivar first became interested in music as a child. Her mother was a piano and voice teacher who also formed the gospel group the "Harmonic Choraliers". Quivar studied piano and voice with her mother as a child and began singing solos at church by age six. As a teenager she became interested in

Juilliard Opera Center.[5] She later studied privately with Marinka Gurewich
in New York City.

Quivar returned to Philadelphia to study in master classes with

lieder and oratorio repertoire. She made her professional recital debut in Philadelphia in 1976 as part of the Franklin Concert Series. That same year, she won the Baltimore Lyric Opera Competition and then returned to New York where she won the Marian Anderson Award. These competition wins drew the attention of noted impresario Harold Shaw and quickly led to engagements at the Metropolitan Opera and orchestras throughout the United States.[6]

Career

In 1976, Quivar portrayed Serena in the

Verdi's Requiem in 1997 where she sang the mezzo-soprano solos under the baton of James Levine.[7]

Quivar's other opera credits include performances at the

Gluck's Orfeo ed Euridice, the latter being a role with which she became particularly associated.[5]

She has also performed with many of the world's premiere orchestras, including the

Montreal Symphony and the BBC Symphony Orchestra to name just a few.[8]

Quivar has taken on the task of rescuing the works of forgotten composers, concentrating on those of African-American composers of the 19th and 20th centuries. Her stated goal is "to compile a program of these neglected composers and someday record them."[8] She has also performed in productions of African-American composers' works, as well as a 1981 revival of Virgil Thomson's Four Saints.[9]

She has also been a champion of new music. In 1999 she performed the role of The Goddess of the Waters in the world premiere of Anthony Davis' opera Amistad at the Lyric Opera of Chicago. She also premiered William Bolcom's song cycle From the Diary of Sally Hemings at the Library of Congress in 2001. She has since performed the cycle in recitals throughout the United States in a tour with Harolyn Blackwell in 2002-2003.

Quivar remained active in opera performances until the mid-2000s, when she retired from the operatic stage. She remains active as a concert and recital performer.

Watch and listen

  • To hear Quivar sing Ulrica in
    YouTube

Discography

Choral and symphonic

Year Title Genre Collaborators Label
1977
When Lilacs Last In The Dooryard Bloom'd
classical Seiji Ozawa
Tanglewood Festival Chorus
Boston Symphony Orchestra
Esther Hinds (soprano)
Dominic Cossa (baritone)
New World Records
Rossini: Stabat Mater
classical Thomas Schippers (conductor)
Cincinnati Symphony Orchestra
Sung-Sook Lee (soprano)
Kenneth Riegel (tenor)
Paul Plishka (bass)
Vox Classic
1981 classical Seiji Ozawa
Boston Symphony Orchestra
Boston Boy Choir
Tanglewood Festival Chorus
Judith Blegen (soprano)
Faye Robinson (soprano)
Deborah Sasson (soprano)
Lorna Myers (mezzo-soprano)
Kenneth Riegel (tenor)
Benjamin Luxon (baritone)
Gwynne Howell
(bass)
Philips
1985
Mendelssohn
: Musik zu Ein Sommernachtstraum, op. 21 & op. 61 Ausschnitte
classical James Levine (conductor)
Chicago Symphony Orchestra and Chorus
Judith Blegen (soprano)
Deutsche Grammophon
1986
Roméo et Juliette
classical Charles Dutoit (conductor)
Tudor Singers of Montreal
Montreal Symphony Orchestra
Alberto Cupido (tenor)
Tom Krause (baritone)
London
1987
Handel: Messiah
oratorio ) EMI Classics
Falla: El sombrero de tres picos (Three Cornered Hat) classical Telarc
1989
Verdi: Requiem
classical Carlo Maria Giulini (conductor)
Berlin Philharmonic
Simon Estes (bass-baritone)
Sharon Sweet (soprano)
Vinson Cole (tenor)
Deutsche Grammophon
Missa solemnis
classical Helmuth Rilling (conductor)
Bach-Collegium Stuttgart
Pamela Coburn (soprano)
Aldo Baldin (tenor)
Andreas Schmidt (baritone)
Hänssler Classic
Messa Per Rossini classical Helmuth Rilling (conductor)
Prague Philharmonic Orchestra
Stuttgart Radio Symphony Orchestra
Gabriela Beňačková (soprano)
Alexandru Agache (baritone)
Aage Haugland (bass)
James Wagner (Tenor)
Hänssler Classic
1992 Schoenberg: Gurre-Lieder oratorio
Eva Marton (soprano)
Gary Lakes (tenor)
Jon Garrison (tenor)
John Cheek (bass-baritone)
Hans Hotter
(bass-baritone)
1993 classical Zubin Mehta (conductor)
Israel Philharmonic Orchestra
Sony Classical
1994 Szymanowski: Stabat Mater Litany to the Virgin Mary ; Symphony no. 3 classical (soprano) EMI Classics
classical Zubin Mehta (conductor)
Prague Philharmonic Orchestra
Nancy Gustafson (soprano)
Teldec
Beethoven: Symphony No. 9
classical André Previn (conductor)
Ambrosian Singers
Royal Philharmonic Orchestra
Roberta Alexander (soprano)
Gary Lakes (tenor)
Paul Plishka (baritone)
RCA Victor
1995 Mendelssohn: Elijah oratorio
Thomas Hampson
(baritone)
Telarc

Opera recordings

Year Title Role Cast Label
1976
Grammy Award
winner)
Serena
Barbara Conrad (Maria)
Arthur Thompson
(Robbins)
London Records
1982 Thomson: Four Saints in Three Acts St Teresa II Joel Thome (conductor)
Orchestra of Our Time
Betty Allen (Commère)
Benjamin Matthews (Compère)
Arthur Thompson (St. Ignatius)
Clamma Dale (St. Teresa I)
William Brown (St. Chavez)
Gwendolyn Bradley (St. Settlement)
Elektra/Nonesuch
1989 Ulrica Herbert von Karajan
Vienna State Opera Chorus and Orchestra
Josephine Barstow (Amelia)
Plácido Domingo (Riccardo)
Sumi Jo (Oscar)
Leo Nucci (Count Anckarström)
Jean-Luc Chaignaud (Christian Sailor)
Goran Simic (1st Noble)
Kurt Rydl (2nd Noble)
Wolfgang Witte (Judge)
Adolf Tomaschek (Servant to Amelia)
Deutsche Grammophon
1991 (DVD) Ulrica James Levine
The Metropolitan Opera Orchestra and Chorus
Aprile Millo (Amelia)
Luciano Pavarotti (Riccardo)
Harolyn Blackwell (Oscar)
Leo Nucci (Count Anckarström)
Gordon Hawkins (Christian)
Terry Cook (Count de Horn)
Jeffrey Wells (Count Ribbing)
Charles Anthony (Judge)
Richard Fracker (Servant to Amelia)
Deutsche Grammophon
1992 Federica James Levine (conductor)
Metropolitan Opera Chorus and Orchestra
Plácido Domingo (Rodolfo)
Vladimir Chernov (Miller)
Aprile Millo (Luisa)
Wendy White (Laura)
Jan-Hendrik Rootering (Walter)
Sony
1993
Stravinsky:Oedipus rex
Jocasta
Chicago Symphony Orchestra
Philip Langridge (Oedipus)
James Morris (Creon)
Jan-Hendrik Rootering (Teiresias)
Donald Kaasch (Shepherd)
Jules Bastin
(Messenger)
Deutsche Grammophon
1996 James Levine's 25th Anniversary Metropolitan Opera Gala Giuletta in an excerpt from Les contes d'Hoffmann James Levine (conductor)
Metropolitan Opera Orchestra and Chorus
Rosalind Elias (Niklausse)
Alfredo Kraus (Hoffmann)
Charles Anthony (Pitichinaccio)
James Courtney (Schlémil)
Paul Plishka (Dapertutto)
Deutsche Grammophon DVD

Solo recordings

Year Title Genre Collaborators Label
1990 Ride on, King Jesus! Traditional Spirituals [Joseph Joubert] (piano)
Larry Woodard (piano)
Boys Choir of Harlem
EMI Records

References

  1. ^ All Media Guide, LLC (2006). "Florence Quivar Allmusic Biography". Retrieved September 6, 2016.[dead link] through Google cache. Retrieved on February 8, 2007.
  2. ^ New York Times Company (August 25, 2001). Understated Elegance Spiced With Surprises by Anthony Tommasini. Retrieved on February 8, 2007.
  3. ^ New York Times Company (May 29, 1999). Masur Adds Some Curves To the Angles Of the Missa by Bernard Holland. Retrieved on February 8, 2007.
  4. ^ New York Times Company (July 31, 1998). Classical Music and Dance Guide (various authors). Retrieved on February 8, 2007.
  5. ^ a b c Forbes, Grove Music Online
  6. ^ Allmusic
  7. ^ Metropolitan Opera Archives
  8. ^ .
  9. .

Sources

See also