George Michael Moser

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George Moser

George Michael Moser

Royal Academy in 1768.[1]

Biography

He was the son of Michael Moser, an eminent Swiss engineer and worker in metal.

engraver
.

He moved to

John Ellicott, among others), and silver candlesticks in the Rococo
style.

He subsequently rose to be head of his profession as a gold-chaser, medallist, and enameller, and was particularly distinguished for the compositions in enamel with which he ornamented the backs of watches, bracelets, and other trinkets. A beautiful example of this work was a watch-case executed for

Moser was an original member, and afterwards a director, of the Incorporated Society of Artists, whose seal he designed and executed, and was one of the 21 directors whose retirement, in 1767, led to the establishment of the Royal Academy. To Moser's zeal and energy the latter event was largely due. In association with William Chambers, Benjamin West, and Francis Cotes, he framed the constitution of the new body, and on 28 November 1768, presented the memorial to the king asking for his patronage.[2]

He became a foundation member, and was elected the first keeper, having rooms assigned to him in Somerset House. For this position he was well qualified by his powers as a draughtsman and knowledge of the human figure, while his ability and devotion as a teacher gained for him the strong affection of the pupils.[2] He taught many notable artists including William Blake. Another student was his nephew Joseph Moser.

Moser was greatly esteemed in private life, and enjoyed the friendship of Samuel Johnson, Oliver Goldsmith, and other literary celebrities of his day. According to Boswell, he once greatly mortified Goldsmith by stopping him in the middle of a vivacious harangue with the exclamation, 'Stay, stay! Toctor Shonson's going to say something'.[2]

He died at Somerset House on 24 January 1783, and was buried in the churchyard of

Sir Joshua Reynolds was published, in which he was described as the first goldchaser in the kingdom, possessed of a universal knowledge of all branches of painting and sculpture, and 'in every sense the father of the present race of artists.'[2]

Family

He left an only daughter, Mary Moser. [2]

References

Attribution

O'Donoghue, Freeman Marius (1894). "Moser, George Michael" . In Lee, Sidney (ed.). Dictionary of National Biography. Vol. 39. London: Smith, Elder & Co.

External links