George Wither
George Wither | |
---|---|
Born | 11 June 1588 O.S. Bentworth, Hampshire |
Died | 2 May 1667 London | (aged 78) O.S.
Occupation | Poet |
Nationality | English |
Genre | Satire |
Notable works | Abuses Stript and Whipt, The Shepheard's Hunting |
George Wither (11 June 1588
Biography
Early life
Wither was born in
It is thought that he spent some time in Ireland, perhaps with
He wrote an
Imprisonment and release
Marshalsea |
---|
Some time between 1611 and 1613 he wrote Abuses Stript and Whipt, twenty satires directed against Revenge, Ambition, Lust. These satires—aimed at exposing "th'abuses of these wicked Times"—achieved some popular success and there were seven printings from 1613 to 1617.[5] The volume included a poem called "The Scourge", in which the Lord Chancellor was attacked, and a series of epigrams. Despite the fact that the satires referenced nobody by name, and that Wither had published them a year before with no trouble, he was arrested for libel "on or about 20 March 1614" and held in the Marshalsea prison for four months before being released.[6]
In A Satyre: Dedicated to His Most Excellent Majestie, Wither made a bold appeal to King James for his release, claiming that he had "not sought to scandalize the state, nor sowne sedition." The cause for his initial imprisonment is somewhat unclear, as the Abuses were in fact very general, and had not satirized any one person by name.
that a man should be convicted of libel when he named no names but Hate, and Envy, and Lust, and Avarice, is like one of the indictments in the Pilgrim's Progress, where Faithful is arraigned for having 'railed on our noble Prince Beelzebub, and spoken contemptibly of his honourable friends, the Lord Old Man, the Lord Carnal Delight, and the Lord Luxurious'.[7]
This view has been held by most later critics and scholars, in addition to the possibility of earlier editions containing text which was erased in later editions.
Pritchard makes the case that the reason for Wither's imprisonment was that he angered Henry Howard, 1st Earl of Northampton, by accusing him and others of colluding with the Spanish—and Catholic—government. Pritchard mentions that Northampton was at the height of his power when Wither was arrested, and notes that he was not able to secure his release until after Northampton's death in June 1614.[6][8]
After his release from prison, Wither was admitted, in 1615, to Lincoln's Inn.[3]
In 1621, Wither's satirical Wither's Motto: Nec habeo, nec careo, nec curo (Latin for "I have not, I want not, I care not") sold over 30,000 copies of this poem were sold, according to his own account within a few months. Like his earlier invective, it was said to be libellous, and Wither was again imprisoned, but shortly afterwards released without formal trial on the plea that the book had been duly licensed.[3]
Ben Jonson turned satire back on Wither, portrayed as the Chronomastix of the masque Time Vindicated. Wither avenged himself, by a reference to Jonson's drunken conclave. He was obliged to print this book with his own hand, in consequence of his quarrel with the Stationers Company.[3]
Under Charles I
Wither was in London during the plague of 1625, and in 1628 published Britain's Remembrancer, a voluminous poem on the subject, interspersed with denunciations of the wickedness of the times, and prophecies of the disasters about to fall upon England.[3] It reflects on nature of poetry and prophecy, explores the fault lines in politics, and rejects tyranny of the sort the king was denounced for fostering.[9]
In 1635 he was employed by Henry Taunton, a London publisher, to write English verses illustrative of the allegorical plates of Crispin van Passe, originally designed for the emblem book Gabriel Rollenhagens Nucleus emblematum selectissimorum (1610–1613). The book was published as a Collection of Emblemes, Ancient and Moderne, of which the only perfect copy known is in the British Museum.[10][3] In 1636 he translated The Nature of Man by Nemesius.
Civil War soldier
Wither had served as captain of horse in 1639 in the expedition of
A reported episode from 1642 or 1643 has Wither with Henry Marten mocking the coronation regalia. At this time, in any case, Wither's views were converging with those of the advocates of true popular sovereignty, and his political poem Vox Pacifica called for a purge of Parliament.[13]
He was promoted to the rank of major. He was present at the siege of
Commonwealth and Restoration
He became a political and religious writer using verse as his medium. He is considered to stand out as a supporter of the Commonwealth who also proposed a more egalitarian social vision.[15] His Respublica Anglicana (1650) was a reply to the Anarchia Anglicana (1649) of Theodorus Verax (Clement Walker), a Presbyterian opponent of the Independents.[16] It defended 'engagement', the notion that recognition of the Parliamentary regime should be required.[17]
A small place given him by the Protector was forfeited after Wither expressed criticism of Cromwell. He was involved in 11 court cases, from 1643 to 1661, including Onslow's libel suit over the poem Justiarius Justificatus.
He was a conforming Anglican; but by this time he had moved closer to the Quakers. In Parallelogrammaton (1662) he compared to them as predecessors the prophets Ezekiel and Habakkuk.[19]
Death
Wither died in London.
Works
His extant writings, noted by
Pastoral and later satires
He was early known in the pastoral genre. He had figured as one of the interlocutors, Roget, in his friend William Browne's Shepherds Pipe, with which were bound up eclogues by other poets, among them one by Wither. During his imprisonment he wrote what may be regarded as a continuation of Browne's work, The Shepherd's Hunting (printed 1615)—eclogues in which the two poets appear as Willie and Roget (in later editions Philarete). It is largely allegorical.[24] The fourth of these eclogues contains a famous passage in praise of poetry;[3] the poets are explicit that pastoral is just a preliminary to other work.[25]
In 1615, the year of his release from prison and admission to Lincoln's Inn, Wither printed privately Fidelia, a love elegy, of which there is a unique copy in the Bodleian Library.[26] Other editions of this book, which contained the lyric "Shall I, wasting in despair", appeared in 1617 and 1619.[3]
In 1621, he returned to the satiric vein with Wither's Motto: Nec habeo, nec careo, nec curo (Latin for "I have not, I want not, I care not"). It was said to be libellous, and Wither, for the second time, was imprisoned, but shortly afterwards released.[3]
In 1622 appeared his Faire-Virtue, The Mistresse of Phil Arete, a long panegyric of a mistress, partly real, partly allegorical, written chiefly in seven-syllabled verse.[3]
Psalmody and hymnody
Wither had begun as a moderate in politics and religion, but his
Preparation to the Psalter (1619) was an early work in English on literary aspects of the Bible, and initiated a campaign by Wither to substitute his own writings for the dominant
His Hymnes and Songs of the Church (1622–1623) were aimed to counter
Some more of Wither's religious poetry is contained in Heleluiah: or Britain's Second Remembrancer, which was printed in Holland in 1641. This work assumed the knowledge of metrical psalms.[32] Besides hymns, the book contains songs, especially the Cradle Song, Part 1 No. 50 ("Sleep, baby, sleep, what ails my dear"), the Anniversary Marriage Song, Part 2 No. 17 ("Lord, living here are we"), the Perambulation Song, Part 2 No. 24 ("Lord, it hath pleased Thee to say"), the Song for Lovers, Part 3 No. 20 ("Come, sweet heart, come, let us prove"), the Song for the Happily Married, Part 3 No. 21 ("Since they in singing take delight") and the Song for a Shepherd, Part 3 No. 41 ("Renowned men their herds to keep").[3]
Context and poetic reputation
Wither has been classified as a Spenserian, with Michael Drayton, Giles Fletcher, Phineas Fletcher, and Henry More.[33] The early Jacobean Spenserians were generally republican rather than imperial (at least in terms of ancient Rome), of the "country party" rather than the "court party", nostalgic for Elizabeth I, and in favour of the older ornateness rather than the plain style of James I,[34] however Wither is described by Joan Grundy as adopting a deliberate plainness of style.[35]
According to Christopher Hill:
... we can trace a line from Spenser ... through a group of poets ... ranging from Shakespeare, Drayton, the two Fletchers, William Browne and Samuel Daniel to George Wither.[36]
Or again:
A line of poets could be traced from Sidney and Spenser through Sylvester and Browne to Wither— not, admittedly, of a rising quality, but of a consistent political attitude.[37]
Where Hill identifies connections via the aristocratic patrons and politics, Alastair Fowler takes Drayton to be the poetic centre of a group,
From c.1640 onwards, Wither assumed an overtly prophetic voice.[40] His wide range of publication, in prose as well as various poetic genres over nearly half a century, has left a very uneven impression of his interests and affected his poetic reputation. George Gilfillan wrote that "Wither was a man of real genius, but seems to have been partially
insane".
C. V. Wedgwood wrote "every so often in the barren acres of his verse is a stretch enlivened by real wit and observation, or fired with a sudden intensity of feeling".[43]
Later publication
After a period of neglect,
Most of Wither's works were edited in twenty volumes for the Spenser Society (1871–82); a selection was included by Henry Morley in his Companion Poets (1891); Fidelia and Fair Virtue are included in Edward Arber's English Garner (vol. iv, 1882; vol. vi, 1883), and The Poetry of George Wither was edited by Frank Sidgwick in 1902.[45][14]
A selection of Wither's hymns was published in 2011 by The Phoenix Press in The Gibbons Songbook.[46] While primarily a realisation of the tunes Orlando Gibbons wrote for The Hymns and Songs of the Church, a selection of verses from the hymns is paired with the original verses from the King James Bible which inspired Wither to create the hymns.
Footnotes
- ^ Hyamson, Albert M., A Dictionary of Universal Biography: Of All Ages and of All Peoples, page 725
- ^ Brydges, Sir Egerton (1810). Haslewood, Joseph (ed.). The British bibliographer, Vol I. London: Printed for R. Triphook by T. Bensley. p. 2. Retrieved 13 May 2011.
- ^ a b c d e f g h i j k l m n Chisholm 1911, p. 758.
- ^ Andrew Carpenter, Verse in English from Tudor and Stuart Ireland (2003), p. 135.
- ISBN 978-0-521-49695-7, page 165.
- ^ JSTOR 513223.
- ^ Lucas, E.V. (1903). The Works of Charles and Mary Lamb. pp. 181.
- ^ The view is shared by Jonathan F. S. Post, English Lyric Poetry: The Early Seventeenth Century (1999), p. 69.
- ^ Andrew McRae, "Remembering 1625: George Wither's Britain's Remembrancer and the Condition of Early Caroline England" English Literary Renaissance 46.3 (2016): 433-455.
- ^ A collection of emblemes, ancient and moderne in Internet Archive
- ^ John Aubrey, Brief Lives (ed. Andrew Clark), Volume I (Clarendon Press, Oxford, 1898), at page 221
- ^ Chisholm 1911, pp. 758–759.
- ^ David Wootton, Divine Right and Democracy: An Anthology of Political Writing in Stuart England (2003), p. 53.
- ^ a b c Chisholm 1911, p. 759.
- ^ David Loewenstein, Janel M. Mueller (editors), The Cambridge History of Early Modern English Literature (2002), p. 650.
- ^ Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900. .
- G. E. Aylmer, editor, The Interregnum (1972).
- ^ Dorothy Auchter, Dictionary of Literary and Dramatic Censorship in Tudor and Stuart England (2001), p. 362.
- ^ Christopher Hill, The English Bible and the Seventeenth-Century English Revolution (1993), p. 262 and p. 201.
- ^ Park's biography, online text[permanent dead link]
- ^ Biography by Brydges[permanent dead link]
- ^ "Bibliography link". Archived from the original on 12 July 2008. Retrieved 12 December 2008.
- ^ Book I, lines 295-6, e.g. David Fairer, Christine Gerrard, Eighteenth-Century Poetry: An Annotated Anthology (2004), pp. 176-7.
- OCLC 1264957348.
- ^ James Doelman, Early Stuart Pastoral: The Shepherd's Pipe by William Browne and Others and the Shepherd's Hunting by George Wither (1999), p. 7.
- ^ "Wither, George. Fidelia". Folger Shakespeare Library. Retrieved 18 July 2022.
- ^ David Norbrook, Poetry and Politics in the English Renaissance (2002), p. 216.
- ^ a b David Norton, A History of the English Bible as Literature (2000), p. 131.
- ^ Hannibal Hamlin, Psalm Culture and Early Modern English Literature (2004), p. 52.
- ^ J. R. Watson, The English Hymn: A Critical and Historical Study (1999), pp. 57-8/
- ^ "Lecture on Wither". YouTube.
- ^ Christopher Hill, A Turbulent, Seditious and Factious People: John Bunyan and his Church (1988), p. 262.
- ^ William Bridges Hunter, The English Spenserians: the poetry of Giles Fletcher, George Wither, Michael Drayton, Phineas Fletcher, and Henry More (1977).
- ^ David Loewenstein, Janel M. Mueller (editors), The Cambridge History of Early Modern English Literature (2002), p. 501.
- ^ Grundy, pages 176 – 177
- ^ Christopher Hill, Milton and the English Revolution (1977), p. 19.
- ^ Christopher Hill, Intellectual Origins of the English Revolution (1965), p. 138.
- ^ Joan Grundy attributes the observation that "Drayton was ... Spenser's chief heir" to Professor Douglas Bush; see Grundy page 107
- ^ Alastair Fowler, The New Oxford Book of Seventeenth-Century Verse (1991), p. xxxviii.
- ^ James Doelman, King James I and the Religious Culture of England (2000), p. 50.
- ^ Specimens with Memoirs of the Less-known British Poets, Volume 2 Archived 2008-09-06 at the Wayback Machine
- Herbert Grierson, Cross-currents in 17th Century English Literature (1958 edition), p. 148.
- ^ C. V. Wedgwood, Poetry and Politics under the Stuarts (1960), p. 90.
- ^ Online text
- ^ The Poetry of George Wither, online text
- ^ The Gibbons Songbook
References
- McRae, Andrew. "Remembering 1625: George Wither's Britain's Remembrancer and the Condition of Early Caroline England" English Literary Renaissance 46.3 (2016): 433-455.
- Grundy, Joan, The Spenserian Poets, Edward Arnold (1969) ISBN 0-7131-5457-8
- public domain: Chisholm, Hugh, ed. (1911). "Wither, George". Encyclopædia Britannica. Vol. 28 (11th ed.). Cambridge University Press. pp. 758–759. This article incorporates text from a publication now in the
- Lee, Sidney (1900). Lee, Sidney (ed.). Dictionary of National Biography. Vol. 62. London: Smith, Elder & Co. . In
- O'Callaghan, Michelle. "Wither, George (1588–1667)". doi:10.1093/ref:odnb/29804. (Subscription or UK public library membershiprequired.)
External links
- Works by George Wither at Project Gutenberg
- Works by George Wither at LibriVox (public domain audiobooks)
- Works by or about George Wither at Internet Archive
- Selected Poetry of George Wither (1588-1667)