Gerard ter Borch

Source: Wikipedia, the free encyclopedia.
This article is about Gerard ter Borch the Younger. For other people with the same surname, see Ter Borch.

Gerard ter Borch
Self-portrait by Gerard ter Borch (c. 1668)
BornDecember 1617
Zwolle, Dutch Republic
Died8 December 1681 (aged 64)
Deventer, Dutch Republic
NationalityDutch
Known forPainting

Gerard ter Borch (Dutch:

Gabriel Metsu, Gerrit Dou, Eglon van der Neer and Johannes Vermeer.[1] According to Arthur K. Wheelock Jr., Ter Borch "established a new framework for subject matter, taking people into the sanctum of the home", showing the figures' uncertainties and expertly hinting at their inner lives.[1] His influence as a painter, however, was later surpassed by Vermeer.[1]

Biography

Gerard ter Borch was born in December 1617 in Zwolle in the province of Overijssel in the Dutch Republic.[2]

He received an excellent education from his father

Berlin Gallery.[2]

The Ratification of the Spanish-Dutch Treaty of Münster, 15 May 1648 (1648) in the collection of the Rijksmuseum in Amsterdam

In 1635, he was in London, and subsequently he travelled in Germany, France, Spain and

Sir Richard Wallace, at the suggestion of his secretary, Sir John Murray Scott.[2]

His sister Gesina modelled for his painting Sitting Young Woman (c. 1650)

At this time Ter Borch was invited to visit Madrid, where he received employment and the honour of knighthood from Philip IV, but, in consequence of an intrigue, it is said, he was obliged to return to the Netherlands. One of his great patrons was Amsterdam burgomaster and statesman Andries de Graeff.[4] He seems to have resided for a time in Haarlem; but he finally settled in Deventer, where he became a member of the town council, as which he appears in the portrait now in the gallery of the Hague. He died at Deventer in 1681.[2]

Works

Ter Borch is a significant painter of genre subjects. He is known for his rendering of texture in draperies, for example in The Letter and in The Gallant Conversation, engraved by Johann Georg Wille.[5]

Ter Borch's works are comparatively rare; about eighty have been catalogued. Six of these are at the Hermitage, six at the Berlin Museum, five at the Louvre, four at the Dresden Museum, three at the Getty Center,[6] and two at the Wallace Collection.[2] A pair of portraits were located at the

Corcoran Gallery in Washington D.C., highlighted in 2010 by Blake Gopnik.[7]

The artist's painting The Suitor's Visit, c. 1658, oil on canvas, 80 x 75 cm (31½ × 29 9/16 in.) in the Andrew W. Mellon Collection, was used on the cover of Marilyn Stokstad's second edition of Art History.

Selected works

  • Gerard ter Borch's paintings
  • Man on Horseback (1634)
    Man on Horseback (1634)
  • Adrian Pauw's arrival in Münster (1646)
    Adrian Pauw's arrival in Münster (1646)
  • A Maid Milking a Cow in a Barn (c. 1652–54)
    A Maid Milking a Cow in a Barn (c. 1652–54)
  • The Gallant Conversation (The Paternal Admonition) (c. 1654)
    The Gallant Conversation (The Paternal Admonition) (c. 1654)
  • The concert (1655)
    The concert (1655)
  • Woman writing a letter (c. 1655)
    Woman writing a letter (c. 1655)
  • The letter (c. 1655)
    The letter (c. 1655)
  • Portrait of a Family (after 1656)
    Portrait of a Family (after 1656)
  • An officer dictating a letter (c. 1657–58)
    An officer dictating a letter (c. 1657–58)
  • A Woman Playing the Theorbo-Lute and a Cavalier, circa 1658, Metropolitan Museum of Art
    A Woman Playing the Theorbo-Lute and a Cavalier, circa 1658, Metropolitan Museum of Art
  • The Suitor's Visit (c. 1658)
    The Suitor's Visit (c. 1658)
  • Lady at her Toilette (1660)
    Lady at her Toilette (1660)
  • A Lady Reading a Letter (1662)
    A Lady Reading a Letter (1662)
  • Glass of Lemonade (c. 1664)
    Glass of Lemonade (c. 1664)
  • The Letter (c. 1660–1665)
    The Letter (c. 1660–1665)
  • Portrait of Jacob de Graeff, free lord of Purmerland and Ilpendam (between 1670 and 1681)
    Portrait of Jacob de Graeff, free lord of Purmerland and Ilpendam (between 1670 and 1681)
  • Portrait of Cornelis HrR Ridder de Graeff (1673)
    Portrait of
    Cornelis HrR Ridder de Graeff
     (1673)
  • Portrait of Pieter de Graeff, free Lord of Zuid-Polsbroek, Purmerland and Ilpendam (1674)
    Portrait of Pieter de Graeff, free Lord of Zuid-Polsbroek, Purmerland and Ilpendam (1674)

Claim for Nazi-looted art

In 2007, the heirs to the retail magnate Max Emden requested that the National Gallery of Victoria restitute the Gerard ter Borch painting Lady with a Fan which Emden had owned prior to the rise of the Nazis.[8]

Notes

  1. ^ a b c d "Vermeer was brilliant, but he was not without influences". The Economist. 12 October 2017.
  2. ^ a b c d e Chisholm 1911.
  3. ^ "Gerard ter Borch". National Gallery catalogue. Retrieved 20 February 2021.
  4. ^ Pieter C. Vis: Andries de Graeff (1611–1678) ’t Gezagh is heerelyk: doch vol bekommeringen
  5. ^ Philadelphia Museum of Art page.
  6. ^ "Gerard ter Borch (Getty Museum)". Getty.edu. 7 May 2009. Archived from the original on 2 July 2012. Retrieved 3 March 2012.
  7. ^ Gopnik, Blake (28 December 2010). "Dutch Painter Gerard ter Borch: Putting people and things in perspective". The Washington Post.
  8. ^ "Claim on gallery's 'Nazi-loot' art". www.lootedart.com. Retrieved 19 March 2021. The painting belonged to Jewish retail magnate Max Emden, who fled Hamburg ahead of Nazi rule leaving much of his massive art collection behind. His grandson, Chile-based Juan Carlos Emden, said the ter Borch painting was one of about 100 stolen during the Holocaust. Mr Emden is planning to visit Melbourne to demand the painting's return. "There is no doubt that the painting was aryanised from the Max Emden collection in or about 1938," his request says, in response to demands from the NGV for Mr Emden to prove the ter Borch is rightfully his.

References

Further reading

External links

Wikimedia Commons has media related to Gerard ter Borch II.
Wikisource has original text related to this article:
Retrieved from "https://en.wikipedia.org/w/index.php?title=Gerard_ter_Borch&oldid=1214591357"