Glenn Osser

Jewish immigrants.^[1] He studied piano, violin, saxophone and clarinet in high school and went on to study music at the University of Michigan, beginning in music education and switching to music theory. After graduating in 1935 he worked with a college dance band and, on advice from the band leader, moved to New York City, where he met music publisher Charles Warren, who became Osser's mentor. With introductions from Warren, Osser began arranging for Bob Crosby, Vincent Lopez, Al Donahue, Charlie Barnet, Bunny Berigan, and Ben Bernie.^[1] He also began some radio work, hired by NBC to be a staff arranger with a young conductor, Al Roth. He also played sax and clarinet in some orchestras, including Les Brown's Band of Renown,^[1] where he became a close friend of Brown's. He also got to work with Benny Goodman on his radio program, and (although he was not officially credited) wrote the arrangement of Martha Tilton's recording of "And the Angels Sing

vocalists as Patti Page, Vic Damone, and Georgia Gibbs, and later for Columbia Records, where he backed Doris Day, Jerry Vale, Johnny Mathis and Jill Corey, among others.^[1] On television he was musical director for the 1949 series Blind Date (also titled Your Big Moment), conductor for the 1953 series The Vaudeville Show, and orchestrator and conductor for the 1957 production of Pinocchio. In 1959 he was the Orchestra leader for the series Music for a Summer Night, which was repeated the following year as Music for a Spring Night. Osser was the conductor and provided the arrangements for the 1963 Sergio Franchi