Hör klockorna med ängsligt dån
"Hör klockorna med ängsligt dån" | |
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ariette in Annette and Lubin | |
Dedication | Över brännvinsbrännaren Lundholm (About brandy-distiller Lundholm) |
Published | 1791 in Fredman's Songs |
Scoring | voice and cittern |
Hör klockorna med ängsligt dån (Hear the bells with anxious thunder) or Fredman's Song no. 6 is one of the Swedish 18th century poet and performer
Context
Song
Music and verse form
The song was written on 15 October 1769. The melody is based on an
8.[11]
Lyrics
The song is a lament for
Carl Michael Bellman, 1791[12] | Prose translation | Paul Britten Austin, 1967[13] |
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Hör klockorna med ängsligt dån |
Hear the bells with anxious thunder Bacchus ,For Sir Lundholm there in the corner, Swallowed by death! See the Order's wig! See the Star on it! |
Hear how the bells with anxious groan |
Reception
Bellman's English biographer, Paul Britten Austin, states that the song was first performed at Lissander's, late in 1769, at a meeting of the Order of Bacchus. Bellman founded the Order, according to one of the participants, the poet and aristocrat Johan Gabriel Oxenstierna, "in honour of Bacchus. To it he admits no one who in the sight of all hasn't twice lain in the gutter [drunk]".[14] Lundholm was a knight of the Order, a faithful son of Bacchus, god of wine; he saw most of his days "through a bottle's end". Britten Austin calls the words of the song "memorable", writing that[14]
Wedded to the antique and lugubrious air, the Swedish words, in all their striking simplicity, seem to take on a weird and moving dimension beyond anything either words or music, by themselves, could express. Remote and strange, they echo a primitive realm where
Eros and Thanatos alone reign over human fate—one outpost, one might say, of Bellman's ever-shifting mood.[14]
Carina Burman writes in her biography of Bellman that in the second verse, Bellman mixes styles: the first line's dully-tolling bells would fit in an epitaph poem, whereas the second line's "lull lull" is in the mode of a lullaby; and then the love-god Cupid appears, only to find that Lundholm was a bad lover, so drunk that one could become intoxicated just by kissing his chin. The third verse, she comments, adopts the common trope in which a life is represented as a day, going from the morning of childhood via the noon of youth to the evening of old age, and transforming it: Lundholm is said seldom to have seen the morning sun, while an evening blush is seen on his red nose. The last verse parodies the Swedish system of noble Orders more directly, Lundholm's knightly insignia being destroyed after his death. Burman notes that the poem was probably part of the performance that so impressed the poet and diplomat Johan Gabriel Oxenstierna when he wrote a famous diary entry of 4 December 1769 about Bellman's performing arts, and that it has since become one of the most popular of Fredman's Songs.[15]
The Bellman biographer Lars Lönnroth sets the poem in the context of Bellman's Order of Bacchus, describing his Order chapter ceremony for the funeral of knight Lundholm as "a real song-cycle in miniature with choirs and soloists for both male and female voices". In Lönnroth's view, it is perhaps the finest of Bellman's Order of Bacchus pieces, and the first to combine burlesque situation comedy with magnificent music. "Hör klockorna" is one of the choral songs, accompanied by the ringing of bells. Lönnroth writes that its description of Lundholm's corpse parodies Favart's text, which amorously described the youthful beauty of the fifteen year old Annette. In place of the shepherdess's kissable mouth and fresh skin, Bellman portrays the aged brandy-distiller's crumbling state, stinking of alcohol. Lönnroth comments that this was the first time that Bellman had managed, as Oxenstierna had observed, to unite the "ridiculous" with the "sublime", parodying both the comic opera of the song's tune and Sweden's noble Orders.[16]
The song has been recorded by the singer and actor Sven-Bertil Taube on his 1959 album Carl Michael Bellman, reissued as part of his 1987 CD Fredmans Epistlar och Sånger,[17][18] and by Per Chenon on his 1989 album Bellman.[19]
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"Brandy Distiller Lundholm" by Elis Chiewitz, c. 1820, for the lines "If ever thy wife kissed thy chin, she'd have been drunk". The neck of a brandy still can be seen near Lundholm's mouth.
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The tune from the romantic operetta Annette et Lubin (Sèvres porcelainfigurines shown) contrasts with the funereal lyrics of the song.
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The epistle mocks noble orders with their stars and finery, as seen here on King Fredrik I's coat with the Order of the Seraphim
References
- ^ Bellman 1790.
- ^ Bellman Society. Archived from the originalon 10 August 2015. Retrieved 25 April 2015.
- ^ "Bellman in Mariefred". The Royal Palaces [of Sweden]. Archived from the original on 21 June 2022. Retrieved 19 September 2022.
- ISBN 978-0131369207.
- ^ Britten Austin 1967, pp. 60–61.
- ^ Britten Austin 1967, p. 39.
- ^ Britten Austin 1967, pp. 81–83, 108.
- ^ Britten Austin 1967, pp. 71–72 "In a tissue of dramatic antitheses—furious realism and graceful elegance, details of low-life and mythological embellishments, emotional immediacy and ironic detachment, humour and melancholy—the poet presents what might be called a fragmentary chronicle of the seedy fringe of Stockholm life in the 'sixties.".
- ^ Britten Austin 1967, p. 63.
- ^ "Fredmans Sång N:o 6 (Kommentar tab)". Bellman.net. Retrieved 12 December 2021.
- ^ a b Hassler & Dahl 1989, pp. 198–199.
- ^ Bellman 1791.
- ^ Britten Austin 1967, p. 40.
- ^ a b c Britten Austin 1967, pp. 39–41.
- ^ Burman 2019, pp. 150–153.
- ^ a b Lönnroth 2005, pp. 146–153.
- ^ Hassler & Dahl 1989, pp. 278–279.
- ^ Taube, Sven-Bertil. Fredmans Epistlar och Sånger (LP). Parlophone Music Sweden AB.
- ^ Chenon, Per. Bellman (LP). Scandinavian Songs AB ('Classic Hawk' label). CLH 703.
Sources
- Bellman, Carl Michael (1790). Fredmans epistlar. Stockholm: By Royal Privilege.
- Bellman, Carl Michael (1791). Fredmans sånger. Stockholm: By Royal Privilege.
- ISBN 978-3-932759-00-0.
- ISBN 978-9100141790.
- Hassler, Göran; ISBN 91-7448-742-6. (contains the most popular Epistles and Songs, in Swedish, with sheet music)
- ISBN 91-7736-059-1. (with facsimiles of sheet music from first editions in 1790, 1791)
- OCLC 61881374.
External links
- Song text at Bellman.net