How I Won the War

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How I Won the War
Patrick Ryan
Produced byRichard Lester
StarringMichael Crawford
John Lennon
Roy Kinnear
Lee Montague
Jack MacGowran
Michael Hordern
Jack Hedley
Karl Michael Vogler
CinematographyDavid Watkin
Edited byJohn Victor-Smith
Music byKen Thorne
Production
company
Petersham Pictures
Distributed byUnited Artists
Release date
18 October 1967 (UK)
Running time
109 minutes
CountryUnited Kingdom
LanguageEnglish

How I Won the War is a 1967 British

Patrick Ryan
.

The film uses a variety of styles such as

Western Desert Campaign in mid-late 1942 to the crossing of the last intact bridge on the Rhine at Remagen in early 1945.[1]

Synopsis

Lieutenant Goodbody is an inept, idealistic, naïve, and almost relentlessly

subversive
themes in the film is the platoon's repeated attempts or temptations to kill or otherwise rid themselves of their complete liability of a commander.

While Goodbody's ineptitude and attempts at derring-do lead to the gradual demise of the unit, he survives, together with the unit's persistent deserter and another of his charges who become confined to psychiatric care. Every time a character is killed, he is replaced by an actor in bright red, blue, or green-coloured Second World War uniform, whose face is also coloured and obscured so that he appears to be a living toy soldier. This reinforces Goodbody's repeated comparisons of war to playing a game.

Cast

Production

Writing

In writing the script, the author,

jingoistic patriotism finally relents when he accepts his German counterpart's accusation of being, in principle, a Fascist. They then resolve to settle their disagreements on a commercial basis (Odlebog proposes selling Goodbody the last intact bridge over the Rhine; in the novel the bridge is identified as that at Remagen) which could be construed as a satire on unethical business practices and capitalism. This sequence also appears in the novel. Fascism amongst the British is previously mentioned when Gripweed (Lennon's character) is revealed to be a former follower of Oswald Mosley and the British Union of Fascists, though Colonel Grapple (played by Michael Hordern
) sees nothing for Gripweed to be embarrassed about, stressing that "Fascism is something you grow out of". One monologue in the film concerns Musketeer Juniper's lament – while impersonating a high-ranked officer – about how officer material is drawn from the working and lower class, and not (as it used to be) from the feudal aristocracy.

Development

Lester decided to make several changes from the source material. For example, the novel does not have an absurdist/surrealist tone like the film. The novel represents a far more conservative, structured (though still comic) war memoir, told by a sarcastically naïve and puerile Lieutenant Goodbody in the first person. It follows an authentic chronology of the war consistent with one of the long-serving regular infantry units – for example of the 4th Infantry Division – such as the 2nd Royal Fusiliers, including (unlike the film) the campaigns in Italy and Greece. Rather than surrealism the novel offers some quite chillingly vivid accounts of Tunis and Cassino. Patrick Ryan served as an infantry and then a reconnaissance officer in the war. Throughout, the author's bitterness at the pointlessness of war, and the battle of class interests in the hierarchy, are common to the film, as are most of the characters (though the novel predictably includes many more than the film).

In the novel,

esprit de corps is highly valued and safeguarded. The name Musketeers recalls the Royal Fusiliers, but the later mention of the "Brigade of Musketeers" recalls the Brigade of Guards. In the film, the regiment is presented as a cavalry regiment (armoured with tanks or light armour, such as the half-tracks) that has been adapted to "an independent role as infantry". The platoon of the novel has become a troop, a Cavalry designation. None of these features come from the novel, such as the use of half-tracks and Transom's appointment as "corporal of musket", which suggests the cavalry rank corporal of horse
. These aspects are most likely due to the screenwriter Charles Wood being a former regular army cavalryman.

Filming

Filming took place during the autumn of 1966 in the

nearsighted Lennon mainly wore this particular style of glasses for the rest of his life. A photo of Lennon in character as Gripweed found its way into many print publications, including the front page of the first issue of Rolling Stone
in November 1967. Beatles friend, and soon to be head of Apple Corps, Neil Aspinall has a cameo role as a soldier.

During his stay in

Salvation Army garden near Lennon's childhood home; it was this observation that inspired Lennon to write "Strawberry Fields Forever" while filming.[3] The villa was later turned into the House of Cinema, a museum dedicated to the history of movie production in Almería province.[4] A Spanish film, Living Is Easy with Eyes Closed
(2013), revolves around the filming in Almería.

From 28 to 29 December 1966, Lennon recorded all

Twickenham Film Studios
in London, England.

Release

The film's release was delayed by six months as Richard Lester went on to work on Petulia (1968) shortly after completing How I Won the War.

Reception

The film holds a "rotten" 44% rating at the film

Monthly Film Bulletin felt "that Lester has bitten off more than he can chew".[7]

Stanley Kauffmann of The New Republic described How I Won the War as "the most ruthless mockery of the killer instinct and of patriotism that has ever reached the screen".[8]

References

  1. ^ Robert Hardy, 16:23-16:29 (DVD version)
  2. , p. 5–6.
  3. ^ Aftab, Kaleem (18 October 2013). "Living is Easy With Eyes Closed: How John Lennon's Role in a 1960s War Film Inspired a Whole New Movie". The Independent. Retrieved 4 January 2017.
  4. ^ "Casa del Cine | City of Almeria, Andalucia, Southern Spain". 13 January 2017. Retrieved 25 January 2020.
  5. ^ "How I Won the War". Rotten Tomatoes.
  6. Chicago Sun Times
    .
  7. .
  8. ^ Kauffmann, Stanley (1979). Before My Eyes Film Criticism & Comment. Harper & Row Publishers. p. 14.

External links