Joseph Nechvatal
Joseph Nechvatal | |
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Post-conceptualism generative art |
Joseph Nechvatal (born January 15, 1951)
Life and work
Joseph Nechvatal was born in
His work in the early 1980s chiefly consisted of
He began using computers and robotics to make
In 2002 he extended his experimentation into viral artificial life through a collaboration with the programmer Stephane Sikora of music2eye in a work called the Computer Virus Project II.[16]
Nechvatal has also created a noise music work called viral symphOny, a collaborative sound symphony created by using his computer virus software at the Institute for Electronic Arts at Alfred University.[17][18][19] In 2021 Pentiments released Nechvatal's retrospective audio cassette called Selected Sound Works (1981-2021) and in 2022 his The Viral Tempest, a double vinyl LP of new audio work.[20]
From 1999 to 2013, Nechvatal taught art theories of
Viractualism
Viractualism is an
Footnotes
- ^ OCLC 47869983.
- ^ Brier, Søren (2017). "Systems, Power, and the Phenomenological Basis of Triadic Semiotics". Cybernetics and Human Knowing. 24 (2): 5–8. Retrieved 3 April 2021.
- ^ a b [1]ZKM Center for Art and Media Karlsruhe lecture page Joseph Nechvatal: Immersion Into Noise
- ^ "bOdy pandemOnium. Immersion into Noise". art-in-berlin.de (in German). Retrieved 2021-04-03.
- OCLC 25610584.
- ^ Goodeve, Thyrza Nichols (2015-12-09). "THE MIGRANT AS CONSCIENTIOUS OBJECTOR JOSEPH NECHVATAL with Thyrza Nichols Goodeve". The Brooklyn Rail. Retrieved 2021-03-13.
- )
- ^ Rhys Chatham, Die Donnergötter (LP, CD), Table of the Elements/Radium 2006, CD Book, p. 14
- OCLC 761232484.
- ^ Joseph Nechvatal, Selected Writings. Paris: Editions Antoine Candau, 1990
- OCLC 57142521.
- OCLC 319500677.
- ^ Robert C. Morgan Digital Hybrids, Art Press volume #255, pp. 75-76.
- )
- ^ Nechvatal, J. 1987. Theoretical Statement Concerning Computer Robotic Paintings, Documenta 8 Catalogue, Vol. 3
- OCLC 688291784.
- ^ "Artist in Residence Archive".
- ^ "Joseph Nechvatal :: Viral symphony :: IEA :: 2007".
- ^ Morgan, Robert (June 2012). "Joseph Nechvatal: nOise anusmOs". The Brooklyn Rail.
- ^ Joseph Nechvatal / The Viral Tempest Interview at It’s Psychedelic Baby music magazine
- ISBN 978-3-8383-0445-8
- ^ Immersion Into Noise published by Open Humanities Press in conjunction with the University of Michigan Library's Scholarly Publishing Office. Ann Arbor. 2011.
- ^ Christiane Paul, in her book Digital Art, discusses Nechvatal's concept of viractualism on page 58. One of the images she chooses to illustrate that section of the book is Nechvatal's painting entitled the birth Of the viractual (2001). Joe Lewis, in the March 2003 issue of Art in America (pp.123-124), discusses the viractual in his review Joseph Nechvatal at Universal Concepts Unlimited. John Reed in Artforum Web 3-2004 Critic's Picks discusses the concept in his piece #1 Joseph Nechvatal. Frank Popper also writes about the viractual concept in his book From Technological to Virtual Art on page 122.
- ^ "CTheory.net". Archived from the original on 2012-02-05. Retrieved 2006-09-01.
- ^ The title of the Ph.D. dissertation is "Immersive Ideals / Critical Distances : A Study of the Affinity Between Artistic Ideologies Based in Virtual Reality and Previous Immersive Idioms". A url introduction to the thesis, entitled "Frame and Excess", can be read on-line and the entire thesis downloaded in PDF at: [2]
- OCLC 191753179.
Further reading
- John Johnston, The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI, MIT Press, 2008, cover
- Donald Kuspit, The Matrix of Sensations VI: Digital Artists and the New Creative Renaissance
- Joline Blais and Jon Ippolito, The Edge of Art, Thames & Hudson Ltd, p. 213
- Frank Popper, From Technological to Virtual Art, MIT Press, pp. 120–123
- Johanna Drucker, [3] Joseph Nechvatal : Critical Pleasure
- Robert C. Morgan, Voluptuary: An algorithic hermaphornology, Tema Celeste Magazine, volume #93, p. 94
- Bruce Wands, Art of the Digital Age, London: Thames & Hudson, p. 65
- Robert C. Morgan, Laminations of the Soul, Editions Antoine Candau, 1990, pp. 23–30
- Margot Lovejoy, Digital Currents: Art in the Electronic Age Routledge 2004
- Joseph Nechvatal, Immersive Excess in the Apse of Lascaux, Technonoetic Arts 3, no3. 2005
- Joseph Nechvatal. Immersion Into Noise. Open Humanities Press in conjunction with the University of Michigan Library's Scholarly Publishing Office. Ann Arbor. 2011
- Johanna Drucker, Joseph Nechvatal : Critical Pleasure, Redaktion Frank Berndt, 1996, pp. 10–13
- Mario Costa, Phenomenology of New Tech Arts, Artmedia, Salerno, 2005, p. 6 & pp. 36 – 38
- Dominique Moulon, L'art numerique: spectateur-acteuret vie artificielle, Les images numeriques #47-48, 2004, pp. 124–125
- Christine Buci-Glucksmann, L'art à l'époque virtuel, in Frontières esthétiques de l'art, Arts 8, Paris: L'Harmattan, 2004
- Brandon Taylor, Collage, Thames & Hudson Ltd, 2006, p. 221
- Dominique Moulon, [4] Archived 2009-06-17 at the Wayback Machine Conférence Report : Media Art in France, Un Point d'Actu, L'Art Numerique, pp. 124–125
- Edmond Couchot, Des Images, du temps et des machines, édité Actes Sud, 2007, pp. 263–264
- Fred Forest, Art et Internet, Editions Cercle D'Art / Imaginaire Mode d'Emploi, pp. 48 –51
- Wayne Enstice & Melody Peters, Drawing: Space, Form, & Expression, New Jersey: Prentice Hall, pp. 312–313
- Ellen K. Levy, Synthetic Lighting: Complex Simulations of Nature, Photography Quarterly (#88) 2004, pp. 7–9
- Marie-Paule Nègre, Des artistes en leur monde, volume 2, la Gazette de l'Hotel Drout, 2008, pp. 82–83
- Corrado Levi, È andata così: Cronaca e critica dell'arte 1970-2008, Joseph Nechvatal intervistato nel suo studio a New York (1985–86), pp. 130–135
- Donald Kuspit, Del Atre Analogico al Arte Digital in Arte Digital Y Videoarte, Kuspit, D. ed., Consorcio del Circulo de Bellas Artes, Madrid, pp. 33–34 & pp. 210 – 212
- Claude-Nicolas Ledoux, pp. 8–15
- Sarah J. Rogers (ed), Body Mécanique: Artistic Explorations of Digital Realms, Columbus, Ohio, Wexner Center for the Arts, The Ohio State University
- ISBN 978-0-7148-4782-5, pp. 42, 285, 160