Kaigetsudō Ando

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A bijin-ga painting of a courtesan, by Kaigetsudō Ando.

Kaigetsudō Ando (壊月堂安度, c. 1671–1743), also known as Ando Yasunori, was a Japanese painter and the founder of the Kaigetsudō school of ukiyo-e art. Though influential and prolific, it is probable that many of the works attributed to him were painted by his disciples. He is a rarity among major ukiyo-e artists in that he made only paintings and never woodblock prints.

Biography

Ando lived in the Suwa-chō district of

ema, wooden votive tablets sold at Shinto shrines
. A distinctive element of his style is the sense of emptiness around his figures, an element which fits well with the medium of the ema; this theory is supported by the idea of his location on the main road, where a great number of pilgrims and travelers would have passed daily.

Some scholars dismiss this theory, but it is nevertheless evident that Ando was closely connected to the trends of popular culture, art, and literature at the time. His style shows influences of the father of ukiyo-e painting, Hishikawa Moronobu, and his disciples, as well as influences from book illustrators such as Yoshida Hanbei.

Ando's particular focus was on the

pin-ups
".

As the founder of a school, it should come as no surprise that his style was fresh, new and innovative, and quite distinctive. This style would be continued by his direct disciples (some of whom were his sons or other direct relations), often so closely that paintings done by them have come to be misattributed to Ando.

Kaigetsudō Ando's career came to an end in 1714, with the so-called "Ejima-Ikushima affair". It is not entirely clear how he was involved in this scandal which revolved around a high ranking court lady and a kabuki actor (who held a very low status in society, along with all actors and entertainers). All those involved were banished from Edo.

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